由专筑网朱王倩，刘庆新编译

2004年第一位获得普利兹克奖的女士，伊拉克建筑师扎哈•哈迪德告诉El País 媒体，她很幸运当还是孩子的时候与父母旅行，并且看到世界上一些最让人印象深刻的建筑和工程壮举。

带着对科尔多瓦清真寺的敬畏，哈迪德说通过在黑暗和留下深刻印象的中部教堂的大理石间的对比，使她完成了迄今为止她最喜欢的一个作品。

随着技术革新和大胆的设计，哈迪德对奥斯卡尼迈耶有特殊的感激和敬佩。“它是空间的艺术大师。他有与生俱来的感官天赋，因此他建造了现代性的当代批判。许多建筑师尝试形式，但他是最有雄心的：他建立了像流体的混凝土形式，”哈迪德说道。

The first woman to receive the Pritzker Prize in 2004, Iraqi architect Zaha Hadid tells newspaper El País that she was fortunate as a child to have traveled with her parents and seen some of the world’s most impressive works of architecture and engineering feats.
Awed by the Mosque of Cordoba, Hadid says that the contrast between the darkness and the marble of the central church left a lasting impression, making this one of her favorite works to this day.
With technically innovative and daring designs, Hadid has a special appreciation and respect for Oscar Niemeyer. “He was a virtuoso of space. He had an innate talent for sensuality, so he built a modern architecture critique of modernity. Many architects experimented with forms, but he was the most ambitious: he built seemingly liquid forms with concrete,” said Hadid.

Casa das Canoas, by Oscar Niemeyer. © flickr Frank van Leersum

不像保持严格形式主义的勒柯布西耶——至少在近代舞台如此——通过柯布西耶的监禁阻止，尼迈耶探索出曲线的自由，为后来有条理的实验铺设道路，这些可以在扎哈•哈迪德的作品中看到。“尼迈耶给我们的启示就是，现代建筑怎样可以承受住紧密性，归属于地方，而不是强加于它，”哈迪德评论道。

Unlike Le Corbusier, whose rigid formalism remained – at least in its early stages – arrested by Cartesian bonds, Niemeyer explored the freedom of the curved line, paving the way for subsequent formal experiments, examples of which can be seen in Zaha Hadid’s works. “The lesson from Niemeyer is how modern architecture can afford to be close, to belong to the place, instead of imposing on it,” commented Hadid.

出处：本文译自www.archdaily.com/，转载请注明出处。