DIYA
由专筑网朱王倩，杨帆编译
来自建筑事务所的描述。艾哈迈达巴德虽然偶尔在季风季节（六月下旬到八月）会下雨，但全年还是比较干燥。客户是一对有着六岁女儿的年轻夫妇以及他们的父母，希望建造一座家庭住宅。
From the architect. Ahmedabad, is predominantly dry through the year, though it does rain occasionally during monsoon months, from late June to August. The clients a young couple with a daughter of 9 and their parents, contacted us for a family home.
© Photographix - Sebastian & Ira
原生树木和一片大草坪促成了建筑的精确定位，低层根据周围的树木组织空间，将284棵树木全部保留了下来。一些树基经过仔细定位并用手挖掘来保存树根，它们成为特定的风景并朝向露天庭院，形成一种无形复杂的空间发生器。
Pre-existing trees, and a large lawn, prompted the exact positioning of the built form, the lower level, weaves spaces around trees, retaining all 284 of them. Several foundations were carefully positioned and HAND DUG to preserve roots, and the trees became generators of specific vistas and open to sky courtyards resulting in a FORMLESS LABYRINTH OF INTERCONNECTED SPACES.
© Photographix - Sebastian & Ira
住宅的入口由16米的无柱大跨度雨棚揭示，通过与垂直旋转木百叶的结合，创建了2.4米高的入口空间。这个过滤器像空间一样，使微风可以自由进入到主庭院外。现有的印楝树作为雕塑，象征着自然的伟大存在，贯穿于整个房子。
同时建筑采取不同的策略，以减轻酷暑。
ARRIVAL, is announced by a 16 meters column free span canopy, which creates a 2.4 meters high entry space, bound by vertical pivoting wooden louvers. This FILTER like space, allows breezes to freely flow through to the main courtyard beyond, and frames an existing NEEM tree as a sculpture, a powerful presence of nature is sensed throughout the house.
The architecture deploys DIFFERENT STRATEGIES, to mitigate the intense heat.
© Photographix - Sebastian & Ira
有机组织的平面，由巨大的含保热层的夯土墙、庭院（保留着树木）和垂直旋转的木制百叶窗（上悬窗的网格嵌入阻挡蚊子，并让微风进入）共同联系。
An ORGANIC PLAN, bound by Massive rammed earth walls with high thermal mass, and COURTYARDS (preserving trees), vertical pivoting wooden louvers, top hung windows with mesh inserts keeps out mosquitoes and allows breezes/breathing.
© Photographix - Sebastian & Ira
Ground Floor Plan/底层平面图
客厅、餐厅空间由巨大的缩进体块里的滑动玻璃墙辅助，与周围郁郁葱葱的环境相融合。阴影来自于上层的悬挑部分，在热带地区为小屋带来暂时的休息和欢迎。
除了这些措施，洒水车启动定时器为院子里的蕨类植物、龟背竹、Allocasias、喜林芋属、Terminalias和其他植物等进行灌溉。
Aided by giant sliding glass walls, which retract into pockets, the living, dining spaces seamlessly connect with the surrounding verdant environment. SHADE, from the upper cantilevering storey, brings respite and is welcoming in this tropical region.
Apart from these measures, sprinklers activate on timers to humidify the courts which are all planted with Ferns, Monsteras, Allocasias, Philodendrons, Rafis palms, Terminalias and other plant species.
© Photographix - Sebastian & Ira
上层覆盖有耐腐蚀钢，内部结构的每个元素都包括了0.5米×5.5米的高板，创造了可通风的立面，再次吸收入射的阳光，并在之后通过释放装置形成空气循环，从而减少内部结构和空间的热量吸收。
The upper storey is resolved with a SKIN of CORTEN, each single element of 0.5 meters x 5.5 meters high panels which hang off the internal structure, creating a ventilated façade, to again absorb the heat from the incident sun and release upwards vide air circulation behind them, hence reducing heat gain of the inner structure and spaces.
© Photographix - Sebastian & Ira
体块的转角有树枝形式Jaalis图案的穿孔，表示对SIDI SAIYYED清真寺（艾哈迈达巴德的建筑奇观）的尊重。这些空间变成斑驳的光影，与立面的滑动屏幕相配合，并通过Jaali屏风的文丘里效应冷却微风。
The corners of the volume are perforated as Jaalis in the patterns of trees and branches, a bow to the SIDI SAIYYED MOSQUE JAALI, an architectural wonder of Ahmedabad. These spaces become dappled in patterned light and shade, along with the sliding screens on the principal eye of the façade, cooling the breezes through the VENTURI EFFECT of the Jaali screens.
1st Floor Plan/二层平面图
甲板上的绝缘泡沫加上反光的琉璃瓦、滑动屏幕、巨大的Agassi（阳台）空间和通风耐腐蚀钢立面，都同时工作以减少热量吸收。
OVER DECK foam insulation coupled with reflective glazed tiles, sliding screens, giant Agassi (balcony) spaces and the VENTILATED CORTEN FAÇADE, all work in unison to reduce heat gain.
© Photographix - Sebastian & Ira
根据客户的需求，摆设了一系列家具，以及专门为他们设计的物品。这些都取材于20mm×20mm的黄铜与木材。镜子、毛巾架、书架、梳妆台、电视柜、茶几和托盘等都是定制而成。
The forthcoming nature of the clients, led to the design of an entire series of furniture and objects specifically for their home. These were all designed in 20mm x 20mm brass sections and salvaged wood. Mirrors, towel racks, book shelves, vanities, TV stands, occasional tables, nest of trays, were all designed as bespoke objects.
© Photographix - Sebastian & Ira
上层的楼梯，是一个类似干燥的院子里的木制集合物，楼梯栏杆由红木制成，是铸铜弯角的珍贵物品，营造出一种永恒的优雅奢华感。
整个项目的技艺水平精湛。所有的艺术品都是由客户的朋友和家人等赠送的。
The Main staircase to the upper level, is an assemblage of thick wood akin to a stack in a drying yard, the stair rail, is crafted out of rosewood as a precious object with the bent corners of cast brass, pronouncing an elegant luxury along with a sense of TIMELESSNESS.
Throughout the project— the level of CRAFTMANSHIP is exquisite. All the ART is gifted to the clients by friends and family….
© Photographix - Sebastian & Ira
这样的项目，留下了他们的美好回忆，五年愉快的会议、实体模型、成功和小失败、整个团队共同完成的团结意识，包括工人、木匠、铁匠、石层、抛光机、园丁、客户和我们。
对于每个参与的人而言，这是一次非常有益的工作过程。
这座住宅以客户女儿“迪亚”的名字来命名，意味着这个家被阳光照亮，充满着爱与鼓励。
Projects like these, leave behind beautiful memories of their making, five years of pleasurable meetings, mock ups, successes and few failures, a sense of the entire team accomplishing a new level of awareness together, builders, carpenters, stone layers, metal smiths, polishers, gardeners, the CLIENTS and us the architects.
This was a very, rewarding endeavor…….for all involved.
Named after their daughter “DIYA” meaning the light that enlightens, this home we are certain will be loved and nurtured.
© Photographix - Sebastian & Ira
© Divyesh Kargathra
© Photographix - Sebastian & Ira
© Photographix - Sebastian & Ira
© Photographix - Sebastian & Ira
© Photographix - Sebastian & Ira
© Photographix - Sebastian & Ira
© Photographix - Sebastian & Ira
© Photographix - Sebastian & Ira
Model/模型
Model/模型
Model/模型
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Model/模型
Detail Staircase/楼梯细节
Detail/细节
Detail/细节
Section/剖面图
Site Plan/场地平面图
Sketch/草图
© Photographix - Sebastian & Ira
建筑设计：SPASM Design Architects
地址：印度，马哈拉施特拉，孟买
主创建筑师：Divyesh Kargathra
设计团队：Sangeeta Merchant, Divyesh Kargathra, Gauri Satam, Mansoor Ali Kudalkar, Sanjeev Panjabi
项目时间：2016年
摄影：Sebastian Zachariah, Divyesh Kargathra
Architects: SPASM Design Architects
Location: Mumbai, Maharashtra, India
Architect in Charge: Divyesh Kargatha
Design Team: Sangeeta Merchant, Divyesh Kargathra, Gauri Satam, Mansoor Ali Kudalkar, Sanjeev Panjabi
Project Year: 2016
Photographs: Sebastian Zachariah, Divyesh Kargathra
出处：本文译自www.archdaily.com/，转载请注明出处。
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