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布宜诺斯艾利斯的模板混凝土度假住宅/ Luciano Kruk第1张图片

Luciano Kruk adds board-marked concrete holiday home to seaside resort near Buenos Aires

由专筑网Yumi,刘庆新编译

在布宜诺斯艾利斯附近的 Mar Azul 海滨圣地,阿根廷的建筑师Luciano Kruk设计了松树林中的混凝土度假住宅。

This concrete summer house by Argentinian architect Luciano Kruk stands among pine trees in the seaside resort of Mar Azul near Buenos Aires.

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Kruk和他布宜诺斯艾利斯的工作室把Casa H3设计成一座度假别墅,供三姐妹和她们各自的家庭使用。

Kruk and his Buenos Aires-based studio designed Casa H3 as a holiday home for three sisters and their respective families.

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住宅的混凝土墙壁被压印了轮廓线和松木板的纹理,用作模板。

这种技术(经常被 Kruk用在他的海滨住宅里)是为了创造坚固的外观并减少维修,也描绘了房子和树木繁茂的环境之间的联系。

The concrete walls of the house are imprinted with the outline and texture of the pine planks used as formwork.
This technique – often used by Kruk in his coastal architecture – is designed to create a rugged appearance and to reduce maintenance, but also to draw a connection between the house and its wooded setting.

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姐妹们要求这座房子有明确定义的社交区域,同时也有隐私的居住区域。

为了满足这些要求,Kruk在底层创建了开放布局的厨房、餐厅和休息室,在上层安置了两个卧室和共享的浴室。

The sisters requested a house with clearly defined zones for socialising, as well as areas to retreat to for privacy.
In response Kruk created an open-plan kitchen, dining room and lounge on the ground floor, and placed two bedrooms and a shared bathroom on the upper level.

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“当设计楼层的布局时,我们的目的是让它感觉起来像室内空间,由屋顶和窗户庇护,但同时介于两者之间,有一个连续的外部空间,”工作室的Mariana Piqué 说。

"When we designed this floor plan, we aimed at making it feel both like an indoor space, sheltered by the roof and the windows, but at the same time somewhere in between, in a continuum with the outside," said Mariana Piqué from the studio

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“这样,住宅的布局是按照姐妹们的意愿和希望完成的一种建筑综合样式,”她补充说。

“在这种小规模下,住宅通过本身的意志建立起来,而且还与周围的环境、自然和人类建筑相融合。”

"In this way, the layout of the house is the result of an architectural synthesis of the sisters' intentions and desires," she added.
"In its minimum scale the house rises by its own will, but also integrates itself respectfully with its surroundings, both natural and human-built."

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卧室和起居空间向基地一侧的露台敞开,凸出底层立面的上层阳台遮蔽了下方木质平台的一部分。

The bedrooms and living space open onto terraces on one side of the plot, with the base of the upper balcony projecting away from the facade to partially shade the wooden deck below.

布宜诺斯艾利斯的模板混凝土度假住宅/ Luciano Kruk第8张图片

卧室和起居空间以落地玻璃窗为特色。额外的混凝土板材离表面有一定距离,作为私密性的屏障。

The bedrooms and living space feature floor-to-ceiling glazing. Additional slabs of concrete project away from the facade to act as privacy screens.

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繁多的树木提供了大量的阴影,不需要提供建筑设备来减少太阳对室内的照射,”Piqué解释说。

"On account of the abundant shadows provided by the profusion of the woods, there was no need to reach for architectonic devices to reduce the sun's incidence inside," explained Piqué.

布宜诺斯艾利斯的模板混凝土度假住宅/ Luciano Kruk第10张图片

布宜诺斯艾利斯的模板混凝土度假住宅/ Luciano Kruk第11张图片

布宜诺斯艾利斯的模板混凝土度假住宅/ Luciano Kruk第12张图片

“事实上,住宅的窗户除了连接室内和获得视觉效果,也吸收从树木茂密的树冠渗入的阳光,”她补充说。

内部,混凝土家具被融入建筑中。

"As a matter of fact, apart from connecting the house interior and gaining visuals, the windows of the house also absorb the light that dribbles through the dense canopy of the trees," she added.
Inside, concrete furniture is integrated into the architecture.

布宜诺斯艾利斯的模板混凝土度假住宅/ Luciano Kruk第13张图片

在底层,混凝土楼梯和桌子作为组织设施,部分地分隔起居空间而不干扰视线。“为了保持最低限度的设备需求,甚至家具被设计为混凝土体量的一部分,”Piqué说。

At ground level, the concrete staircase and table are used as an organisational device, to partially separate the living space without distrupting sight lines.
"Intending to keep the needs for equipment at a minimum, even furniture was conceived as a part of the concrete volume," said Piqué.

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“考虑到房子的规模,交叉视图和消失点被使用的目的是统一和流化室内空间,”她补充说。

“他们没有把住宅的不同用途限制在分开的房间里,而是相互联系的,目的是产生空间扩张的总体感觉。”

摄影:Daniela Mac Adden

"Given the house's scale, the use of crossed views and vanishing points aimed at unifying and fluidifying the space in the room," she added.
"Instead of confining the house's different uses into separated rooms, they have been connected with each other, aiming at producing the general feeling of spatial expansion."
Photography is by Daniela Mac Adden
.

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布宜诺斯艾利斯的模板混凝土度假住宅/ Luciano Kruk第23张图片

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项目信息
建筑设计:Luciano Kruk
合作方:Ekaterina Künzel, Josefina Perez Silva, Andrés Conde Blanco, Leandro Rossi, Dan Saragusti, Giorgio Lorenzoli, Christian Studer, Isabelle Ducrest, Federico Eichenberg
项目纹理:Mariana Piqué

Project credits:
Architects: Luciano Kruk
Collaborators: Ekaterina Künzel, Josefina Perez Silva, Andrés Conde Blanco, Leandro Rossi, Dan Saragusti, Giorgio Lorenzoli, Christian Studer, Isabelle Ducrest, Federico Eichenberg
Project text: Mariana Piqué


出处:本文译自www.dezeen.com/,转载请注明出处。

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