© Kisu Park
| 项目信息:
第一个地点:中国北京798空间798艺术区 (2014.04.25-2014.05.04)
第二个地点:韩国首尔DDP (2014.06.27-2014.07.06)
设计事务所:SUH Architects
委托方:Kolon Corporation
设计师:Kyungen Kim of Kuh Krchitects
设计团队:Eulho SUH, Kwangchul Byun, Janice Wong, Jwagyum Kim, Mijung Lee, Sera Lim of SUH Architects
顾问:Imagine Group / Marcel Bilow, Ulrich Knaack, Holger Techen of Imagine Group, Thomas Auer of Transsolar
结构工程:Holger Techen of Imagine Structure
艺术电影制作:Imagebakery
音响效果:Simon Pyke of Freefarm
展览:Jaesan Kim, Jongwook An, Jaeyong Cha, Youngmin Lee, Jiseob Choi of Cheil Worldwide
装配:Seongkeun Ji, Minjun Si of AWorks
纺粘法生产:Kolon Corporation
纺粘法印刷:Arnova, Cheonseong Adcom
摄影师:Kisu Park
| Project Credits:
First location: 798 Space, 798 Art District, Beijing, China (2014.04.25-2014.05.04)
Second location: DDP, Seoul, Republic of Korea (2014.06.27-2014.07.06)
Project: SUH Architects
Client: Kolon Corporation
Designer: Kyungen Kim of Kuh Krchitects
Design team: Eulho SUH, Kwangchul Byun, Janice Wong, Jwagyum Kim, Mijung Lee, Sera Lim of SUH Architects
Consultants: Imagine Group / Marcel Bilow, Ulrich Knaack, Holger Techen of Imagine Group, Thomas Auer of Transsolar
Structure:Holger Techen of Imagine Structure
Art Film Production: Imagebakery
Sound: Simon Pyke of Freefarm
Exhibition: Jaesan Kim, Jongwook An, Jaeyong Cha, Youngmin Lee, Jiseob Choi of Cheil Worldwide
Fabrication: Seongkeun Ji, Minjun Si of AWorks
Spunbond Production: Kolon Corporation
Spunbond Printing: Arnova, Cheonseong Adcom
Photography: Kisu Park
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| “四种环境”这一系列作品承载了 Kolon 公司为建立其全球市场定位的愿景与SUH 建筑师对其工业产品范围的理解。构思灵感源自一次对位于韩国的工厂总部的参观,在参观中,建筑师们接触到了纤维、薄膜、纺织品等材料。这次参观意义非凡,建筑师们在此之后最终决定保持展品的原生态性。在经过两年的探索,无纺布因其采用具有经冷却、高压、具有气候控制及能源效益能力的聚合物切片而被选为展品的主要原材料。
160层挂布层层叠叠被喷涂并悬挂展示,从个人角度体现了人类不同意识形态的融合及演变。当参观者们徜徉在展品之中,也在探索建筑师们通过巨大的彩色轮廓展现的线性理论隐示的作为个体及社会化角色的自我。整个主题包含四个方面的思考:个人与无穷,个人与更高的自我,个人与大众,个人与唯一。这四个展示形态都是可搬移可拆卸的,并且能够适应各种展览场地。
“4 habitats” is the coalescence of kolon corporation’s vision to establish its global identity and SUH Architects’ understanding of its range of industrial products. The process started with a visit to the Korean-based company’s factories, where the architects were introduced to fibers, films, and textiles. This was necessary for the project, as it led to the conscious decision to keep the components in their raw states. after two years of research, spunbond was selected as the main material of choice due to its use of polymer chips that have been cooled, compressed, and bonded into an climate-controlling, energy efficient web.
Printed off the roll and hung, 160 layers of the cloth display different ideologies of human profiles that evolve and transform, one person at a time. As visitors travel through each of the constructs, they explore the range of selves we inhabit as solitary and social beings through colorfully massive contours that linearly force perspectives. The overall themes consists of: one to infinity, one to higher self, one to many, and one to only. these habitats are transportable, reconfigurable, and designed to adapt to its host venue.
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“唯一的自我”© Kisu Park
“更高的自我”© Kisu Park
四个展间依次排开 © Kisu Park
“唯一的自我”展间内部 © Kisu Park
“多个的自我”展间内部 © Kisu Park
“更高的自我”展间内部 © Kisu Park
“无限的自我”展间内部 © Kisu Park
每片挂布都尽量保持其原始状态 © Kisu Park
纺粘型织物家具工厂 © Kisu Park
生产过程图
组装过程图
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*本文译自www.designboom.com,转载请注明出处。*
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