木架建筑带你玩转平衡/ Hello wood-装置艺术|趣味木头-专筑网

木架建筑带你玩转平衡/ Hello wood

2014-08-26 29585 Views iarch003

艺术, 装置艺术, 趣味木头, 匈牙利, Hello wood, ákos Juhász, Dániel Eke, 木材, 木架建筑, X型

在匈牙利乡村Csórompuszta的blaton湖边，继年会之后， Hello wood 又举办了2014年夏令营，吸引了来自世界各地的设计师和学生参与设计并建造了14座木架建筑。今年活动的主题是“趣味木头”，旨在挑战建筑的稳定性与平衡性。这些形态各异的装置均采用了轻质木料，以多元的组装方式搭建了不同的空间体验。让我们来看看这14中怪异和奇妙的创作成果吧。

Set in the bucolic fields of Csórompuszta in the Hungarian countryside, the annual Hello Wood camp was recently back for its fifth year. Every year, students have one week to create wooden installations under the instruction of specially selected tutors, each of whom provide an outline idea of a project in response to a theme. This time around the challenge from the organizers was to “play with balance,” which generated ideas that investigated the balance between opposing concepts – but also generated a whole lot of play, too. See all 14 of the weird and wonderful results after the break.

© Tamás Bujnovszky

© Tamás Bujnovszky

© Tamás Bujnovszky

由匈牙利建筑师ákos Juhász 和 Dániel Eke指导建造的‘Corn-walk’ 是一条高架通道，从一块空地笔直通往玉米地。这座长40米的建筑按四根木头为一组拼成X型的方式搭建而成，并用平行木板在中间铺出一层坡道。从远处看，体验者站在通道的一端就像是突然从玉米地里浮起来一样。

Led by ákos Juhász (the new head of architecture at MOME, Budapest) and Dániel Eke (of KÖZTI), this site-specific installation features a ramp which rises above the cornfield, facing the point where the sun sets.
Using a simple repeating A-frame, which gradually modifies along its length to increase the height of the ramp, the piece creates a striking, powerful feature on the sloped site – that is until it disappears entirely into the tall plants. From a distance, users at the end of the structure appear to float above the crops.

© Tamás Bujnovszky

© Tamás Bujnovszky

© Tamás Bujnovszky

在荷兰艺术家Frank Havermans的指导下，一支由学生组成的团队完成了‘Barny’—— 一座由三个框架组成的的开放式建筑，其灵感来源于当地建筑，尤其是房屋的烟囱和屋顶构造。该项目另一个突出特点就是垫高的桁架从斜杆上探出，在空地上形成了一片覆盖区域。学生站在上面会感受到该结构的极端重，这是在学校所体会不到的。

This team, led by Architectural Artist Frank Havermans came up with a truss structure inspired by traditional Hungarian barns, but adapted to take on a modernist aesthetic. Aside from being literally unbalanced, the design also balanced the traditional barn inspiration with modern materials, as the structure was made of plywood and fixed in place with steel cables. Another important aspect of the project was the traditional communal event of the ‘barn raising’, where students would get a feel for the extreme weight of their structure, something that they don’t experience in a university setting.

© Tamás Bujnovszky

© Tamás Bujnovszky

建立在参数化设计的基础上，名为“力场”的建筑物位于斜坡上，由洛杉矶设计公司Somewhere Something的设计师Biayna Bogosian 设计建造。该建筑于楼板空洞垂直放置木棍构件，构成多孔的隔离空间。木杆并不固定，方便根据地形情况和空间安排差异而重新装配。该建筑表面可行走，最多可容纳15人。

Building on her work in parametric design, the installation titled ‘Forcefields’ occupied a sloping site, and was led by biayna bogosian of the los angeles-based design firm something somewhere. The structure places vertically oriented sticks among holes in the floor panels, resulting in a field of porous partitions. The poles are unfixed in order to be reconfigured based on the topographic conditions and spatial arrangement. The piece serves as a walkable surface able to seat up to 15 people.

© Tamás Bujnovszky

塔式建筑“Spikefort”由英奥二人组Bence Pap和Oliver Sales设计建造，塔式建筑的尖顶隐藏于结构混乱的细长构件中，形成一个动感抽象的围墙。游客可通过其多层次的板层攀爬，并坐在上面俯瞰大地。该塔还探索出了内外之间的平衡关系。内部整齐的平台和梯子组成了一个清晰可见结构，但是外部看上去却有些混乱，但是对维持平衡有很好的促进作用。

Led by Bence Pap (Studio Lynn) and Oliver Sales (DOP ARCHITECTURE), this striking tower was built to react to the wind, with a facade that, while securely fixed to the building, can wave in the breeze. The tower also explores the balance between interior and exterior; with a neatly organized interior of platforms and ladders adorning a clearly visible structure, but an exterior facade which appears to be almost entirely chaotic.

© Tamás Bujnovszky

© Tamás Bujnovszky

© Tamás Bujnovszky

András Cseh和Jelena Pejković领导一个团队建造了“飞船”，一个由居住者来控制平衡的动态建筑结构。此构造呈放射状摆放，地板是磁盘状，悬在六个高耸的塔杆上。2到10个人在进行此构造组装的时候，会体验到因不稳定而手忙脚乱的经历。

In a tongue-in-cheek presentation, project leader András Cseh (CZITA Architects) explained how his whole life had been leading to the day when he would design a spaceship out of wood. Leading the project alongside Jelena Pejković (Program director for Expeditio in Belgrade), their installation may not have gone to space but it did explore the balance between the low-tech material and a more high-tech structure.

© Tamás Bujnovszky

© Tamás Bujnovszky

© Tamás Bujnovszky

这个名叫手风琴的构造是由斯堪的纳维亚的建筑师Elias Lindhoff 和sebastian mardi设计的手风琴造型是由斯堪的纳维亚的建筑师Elias Lindhoff 和Sebastian Mardi设计的，多孔覆盖面是根据天气例如风雨状况而设计的，创造了一个动态的空间覆盖膜。此外，游客可以爬上这个木质建筑，登高望远。

“Accordion”, with instruction by Scandanavian architects Elias Lindhoff and Sebastian Mardi, takes its name from the light screen surrounding its central core. The porous cover is shaped by weather forces such as wind and rainwater to create a dynamic spatial envelope. Additionally, visitors are able to climb the timber structure for an elevated view.

Tumbleweed
Hatvany Csaba (HU)