目录

机遇与选择
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城市介入
公共艺术广场
置地星座销售中心
世纪华侨城生活艺术馆
万科体验中心
华侨城洲际大酒店美术馆
白云观珍宝花园
南澳羊筹湾培训中心
港粤国际游艇俱乐部
滨海婚庆中心
蛇口半山公寓
东莞理工学院松山湖校区教学楼
北京小学翡翠城分校
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改造与更新
华侨城创意园
U-CLUB上游开场
唐山博物馆公园规划
天津老城厢复兴
大芬美术馆
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城市地标
深圳规划大厦
福田区图书馆设计
数字北京大厦
龙岗区教育综合大厦
深圳地铁大厦
招商海运大厦
星海名城七期写字楼
捷美中心
大中华东方新天地
福田科技广场第一轮方案
福田科技广场第二轮方案
新世界纺织城中心商务区
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城市设计与研究
南油购物公园城市设计
宝安新城城市设计
岗厦村
福新村
新洲中心广场
土楼
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城市开放空间
地王城市公园
地王城市公园Ⅱ
笋岗片区中心广场
翠竹公园
CCT V媒体公园
北京2008“城市标志”
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展览
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作品索引
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后记
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合伙人简介及公司人员名单

CHOICE AND DECISION
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URBAN INTERVENTION
PUBLIC ART PLAZA
SALES CENTER FOR GRAND CONSTELLATION DEVELOPMENT
OCT LIFE ART PLACE
VANKE EXPERIENCE CENTER
ART GALLERY OF OCT INTER-CONTINANTAL HOTEL
WHITE CLOUD TEMPLE JEWELRY GARDEN
SEASIDE RESORT HOTEL, NAN`AO
CANTONG-HK INTERNATIONAL YACHT CLUB
SEASIDE WEDDING CENTER
SHEKOU MID-HILL APARTMENT
ACADEMIC COMPLEX IN SONGSHAN LAKE CAMPUS OF DONGGUAN POLYTECHNIC UNIVERSITY
BEIJING ELEMENTARY SCHOOL IN JADE CITY
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RENOVATION & REGENRATION
OCT LOFT RENOVATION
U-CLUB
TANGSHAN MUSEUM PARK
DRUM TOWER AREA RENAINSANCE
DAFEN ART MUSEUM
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URBAN LANDMARK
SHENZHEN PLANNING BUILDING
FUTIAN LIBRARY COMPLEX
DIGITAL BEIJING
LONGGANG EDUCATION BUREAU OFFICE BUILDING
SHENZHEN METRO HEADQUARTERS TOWER
MERCHANTS MARITIME & LOGISTICS LTD. TOWER
PHASE 7 OF XINGHAI MINGCHENG OFFICE BUILDING
JIEMEI CENTER
GREAT CHINA ORIENTAL NEW WORLD
FUTIAN SCIENCE & TECHNOLOGY PLAZA Ⅰ
FUTIAN SCIENCE & TECHNOLOGY PLAZA Ⅱ
NEW WORLD CENTRAL MALL
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URBAN DESIGN & RESEARCH
URBAN DESIGN OF NANYOU SHOPPING PARK
BAO'AN NEW CITY URBAN DESIGN
GANGXIA VILLAGE
FUXIN VILLAGE
XINZHOU CENTRAL PLAZA
VANKE-TULOU PROGRAM
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URBAN PUBLIC SPACE
DIWANG URBAN PARK
DIWANG URBAN PARK 2
SUNGANG CENTRAL PLAZA
JADE BAMBOO PARK ENTRANCE PLAZA
CCTV MEDIA PARK
2008 BEIJING CITY MARK
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EXHIBITIONS
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PROJECT INDEX
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POSTSCRIPT
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PARTNER PROFILE AND STAFF LIST


精彩文摘

CHOICE AND DECISION 机遇与选择

__________壹 创立 在1999年URBANUS都市实践成立之际，三位创始人对这个新事务所的定位有一个共识：要将URBANUS都市实践做成一个设计型事务所（design firm），并打造成一个有持久生命力的品牌。事务所的实践首先要立足于中国大规模的建设环境中，对当代城市进行重新思考，并以作品对话国际建筑界。实现这一目标不仅要求好的设计技能，而且更多的是指在思想方法上有独立的视角和立场以及综合的批评分析能力。

上世纪九十年代后，全球化推动了国际和国内的交流，国际建筑界开始更加关注亚洲城市化的过程，同时大规模的建造使中国建筑市场逐渐拥有了更为开阔的国际性视角和更为丰富的包容力。设计市场也经历了一个非同寻常的发展过程: 从上世纪80年代之前国营设计院独揽，进而90年代盲从潮流向西方商业设计公司一边倒，到本世纪初真正产生了关注及渴求国际建筑前沿理念及实践的需求；建筑市场的进一步开放和多样化, 展示着经济崛起的中国对新的城市建筑与文化的不懈追求，也为新型的年轻设计型事务所提供了前所未有的成长环境。

URBANUS都市实践顺应了时代机遇的召唤，将实践中心聚焦于中国的城市，通过一系列作品，使“设计型事务所”的定位，牢牢地扎根在对当前粗糙而快速的城市化的批判立场之上。为寻找对当代城市和建筑问题的完整认识和有效策略，URBANUS都市实践全方位地介入了室内设计、景观设计、建筑设计和城市设计。URBANUS都市实践认为好的思想决定了好的设计，并非好的项目决定了好的设计，而思想的火花则产生于对中国特殊的城市化条件下相关问题的应答过程之中。虽然中国建筑施工及管理方面相对落后，但面对设计技术的选择时，URBANUS都市实践看到中国目前已经是全球性的产品加工厂，开始具有相当高度的工业水准。于是始终知难而上地争取条件来运用和推进先进技术，追求能与国际接轨的高品质建筑。

_ _ _ _ _ _ _ _ _ _贰 关注城市的实践 “URBANUS源于拉丁文的‘城市’，它表述了事务所的设计主旨是从广阔的城市视角和特定的城市体验中解读建筑的内涵”。这一自始至今没有改变过的立场表述了两层意义：一、URBANUS都市实践的实践无论是大是小，都源于特殊的城市条件，并要努力作用于城市；二、对城市的认识是从特定时间与地点的体验出发，而不是从先验的知识体系出发。进一步引申这个观点，也可以看到URBANUS都市实践对“城市”这一概念的认识是随实践的推移在不断加深...


____________I. INITIATION On the last day of 1998, the future par tner s of URBANUS, who had been fr iends since college years, came to New York City to discuss the possibility of star ting an architectural firm. It was an idea that they had considered for quite some time. Despite the fact that none of them had experience in running a firm before, they shared a consensus from the very beginning: they needed to position the office in a way that would make a lasting brand name. They were determined to make a design-oriented office that would not only be technically outstanding, but also ideologically critical.

At the time, international and Chinese design markets were growing rapidly. Since the 90’s, with increasing globalization,high-end design has gained greater market shares throughout the world, allowing many young studios to aim high from the very beginning. This trend arrived in China later than most other countries. However, at the turn of the new millennium, China’s building industry quickly shif ted from a monopoly held by Western commercial firms to one that embraced high design. In addition, star architects began to show interest in Asia. As a growing economy, China was calling for designs that would represent the great ambitions and achievements of a new era. Within this context, they seized an extraordinary opportunity to realize this dream of creating a design-driven firm.

____________II. JUDGMENT A design-oriented office does not necessarily involve itself only in avant-garde projects, with no interest in mainstream projects. Good designs are not just limited to good programs. Instead, outstanding designs can come even out of prosaic types of projects. As China undergoes urbanization processes unlike any the Western world has ever seen, a good design concept must appropriately address the issues of its time. Therefore, Urbanus dislikes setting any criteria when selecting projects; instead, the firm tries to involve itself in a wide spectrum of design, including interior, landscape, architecture, and urban design, in the hope that it can develop a full-fledged understanding of the contemporary urban situation and find proper solutions to its problems...















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