Nizio Design commemorates the Holocaust with angular weathering-steel museum

由专筑网Yumi，韩平编译

Nizio Design设计了一个楔形的预制生锈的钢制博物馆，目的是致敬二战期间的波兰公民在保护犹太人生命中做出的贡献。

This wedge-shaped, pre-rusted steel museum by Nizio Design is dedicated to the role that Polish citizens played in protecting the lives of Jews during the second world war.

这个致敬波兰人保护犹太人民的Ulma Family博物馆位于Markowa，这是一个在波兰东南部的村庄，博物馆是为了纪念战争期间牺牲的波兰人和犹太人。

The Ulma Family Museum of Poles Saving Jewish People is located in Markowa, a village in southeast Poland, and is intended to commemorate the lives of both Poles and Jews who lost their lives during the war.

尤其是为了纪念1944年3月24日的事件，那时纳粹军队杀害了当地的一对夫妇Wiktoria 和JózefUlma，因为他们把六个孩子和犹太家庭隐藏起来了。

混凝土框架建筑由高出地面的山墙部分组成，这里作为展览空间，同时，地下部分的矩形体块容纳办公室在内的辅助空间。

In particular, it memorialises the events of 24 March 1944, when Nazi troops murdered local couple Wiktoria and JózefUlma, their six children and the Jewish families they had been hiding.
The concrete-framed building is made up of a gabled portion above ground, containing exhibits, and a subterranean rectilinear block, which hosts auxiliary spaces including offices.

建筑的可见部分覆盖上耐候钢板——通常大家知道的品牌名称是Corten。它以坡屋顶为特色，屋顶在一端有一个顶点，另外一端是山墙面。

“建筑简洁的形状使人联想起住宅的形式，”华沙的Nizio Design说，他们最近也在建造一个为了纪念波兰村大屠杀受害者的陵墓。

“住宅的形象让人联想到=爱和安全，但当它面对复合的形式时，又表达出焦虑和威胁。”

This visible portion of the building is clad in panels of weathering steel – commonly known by the brand name Corten. It features a sloping roof ridge, which produces a point at one end and a gable at the other.
"The ascetic shape of the building is reminiscent of a house," said Warsaw-based Nizio Design, which is also currently building a mausoleum to commemorate the victims of Polish village massacres.
"The symbolic vision of home, which is associated with love and security, was confronted with compositional forms that express anxiety and threat."

“钢筋混凝土建筑的外立面覆盖了耐候钢板，它被处理成一种生锈的外观，暗示时间的推移，”团队补充说。

山墙面中心的玻璃入口把人们引向主要的展览区域，在空间中央的玻璃立方体象征着摄影师JózefUlma 和他的妻子WiktoriaUlma的家。

"The building of reinforced concrete has facades clad in weathering steel sheets, which develop a rust-like appearance indicative of the passage of time," added the team.
A glazed entrance in the centre of the gable leads into the main exhibition area, where a glass cuboid at the centre of the space symbolises the home of photographer JózefUlma and his wife WiktoriaUlma.

方块内部，属于这个家庭的用品被展示出来，包括家具、蜂箱、书籍和JózefUlma的相机。

专题展览区设置在长方体外部的周围，它讲述了在第二次世界大战时周围村庄里更为广范围内的故事。

Inside the block, artefacts belonging to the family are displayed, including furniture, a beehive, books and JózefUlma's cameras.
Thematic displays set around the outside of the cuboid tell the wider story of the village in the context of the second world war.

在整个室内，混凝土墙基本上都暴露在外，也设置了大型的金属体块用为互动展示。

在展览空间的背面有一条裂缝，混凝土墙面聚集在一起形成尖屋顶，也将一缕光线照进房间。

Concrete walls are largely left exposed throughout the interior, which also features interactive displays set into large metal volumes.
A crevice at the back of the exhibition space, where the concrete comes together to form the pointed roof, allows a shaft of daylight to enter the room.

“博物馆室内的混凝土墙面上保留着简单但不朽的诗歌，”工作室说。

“在展览室的后部，有一条被照亮的垂直且尖锐的缝隙，这是展览的高潮，它象征着狭窄的大门，引导人们通过不可思议的死亡地带。”

建筑后方的室外区域被命名为Memory Orchard，这里种植了苹果、梨子和李子树。它参考了JózefUlma的果园和在Yad Vashem的Righteous之园——耶路撒冷的世界大屠杀纪念中心。

"The interior of the museum is kept in simple and monumental poetics of concrete walls," said the studio.
"Its culmination – at the back of the exhibition room – is the illuminated vertical and sharp gap which symbolises the narrow gate that leads through the incomprehensible area of death."
An outdoor area behind the building's point is named Memory Orchard and planted wth apple, pear and plum trees. This is both a reference to JózefUlma's orchard and to the Garden of the Righteous at Yad Vashem – The World Holocaust Remembrance Center in Jerusalem.

博物馆的前方，波兰公众的姓名雕刻在花岗岩的纪念碑上，他们都拯救了大量的犹太人民。

广场的地面本身就是一系列的牌匾，它们镶嵌在地板上并被照亮，上面列出了战争中牺牲的人的姓名。

At the front of the museum, names of Polish citizens responsible for saving a member of the Jewish community are displayed on plaques of sandblasted granite .
Embedded in the flooring of the plaza itself are a further series of plaques, which are illuminated to display the names of those who lost their lives in the process.

“越靠近博物馆入口的方向，室内光照强度越强，”Nizio Design解释说。

摄影：L Kwartowicz/Nizio Design International

"The density of the illuminated plaques increases towards the entrance to the museum," explained Nizio Design.
Photography is by L Kwartowicz/Nizio Design International

Site plan/场地平面图

Floor plan/平面图

Section one/剖面图 1

Section two/剖面图 2

Section three/剖面图 3

出处：本文译自www.dezeen.com/，转载请注明出处。