Courtesy of Yun Frank Zhang

施罗德住宅分析图展示其图像和几何的辉煌
Diagrams of the Rietveld Schroder House Reveal its Graphic and Geometric Brilliance

由专筑网李韧，韩平编译

1925年的施罗德住宅是风格派运动最具有代表性的例子，也是现代建筑中的激进案例。精炼纯粹的几何形式和色彩鲜艳的空间特性是建筑师Gerrit Rietveld的住宅设计中显而易见的特点。住宅位于乌得勒支，具有模块化的元素，可移动墙体提供了可变化的生活方式，这与设计手法息息相关。

由于其历史地位的重要性，施罗德住宅一直是许多建筑师、艺术家和历史学家的研究对象。建筑的灵感来自革命性的创新思维，建筑师和视觉艺术家Yun Frank Zhang创造了一系列的分析图表和附带的视频，以便于人们了解这座住宅的功能、尺寸和组成元素。下面是Yun Frank Zhang的图形分析。

As one of the most prominent examples of the De Stijl movement, the 1925 Rietveld Schroder House represents a radical moment in modern architecture. Categorized by refining components to their geometric forms and primary paint hues, characteristics of the movement are evident in the architect Gerrit Rietveld's approach to residential design. Located in Utrecht, the house experiments with modular elements such as collapsible walls that provide a transformable way of living that still influences design to this day.
Because of its significance, the Schroder House has been the subject of study for many architects, artists, and historians. Inspired by its revolutionary design, aspiring architect and visual artist Yun Frank Zhang created a series of analytical diagrams and an accompanying video in order to understand the functionality, dimensions, and programmatic elements of the house. Below is a sample of Zhang’s exploration.




Courtesy of Yun Frank Zhang

Zhang首先分析了建筑的几何形状，运用荷兰风格派的手法了解了建筑的各细部尺寸，蓝色的变化意味着房间的尺寸符合黄金比例1：1.618。红色则代表正方形房间。Zhang认为荷兰风格派十分强调尺寸比例。

Zhang first investigates the geometries of the house in the plan, using a De Stijl inspired color palate to understand the lengths and widths of the rooms. The gradient of blue signifies the rooms that meet the 1:1.618 criteria of the golden ratio. Red is representative of rooms that are perfectly square. In examining the mathematical qualities of the space, Zhang acknowledges the De Stijl movement’s emphasis on proportion.


Courtesy of Yun Frank Zhang

为了对一层进行深入分析，Zhang对不同的房间编注了彩色代码，如楼梯间等各种流通空间则被编录为黄色，有多个入口的房间是蓝色，其他的私人空间则是粉红色。Zhang选择对一层进行编注是由于它更具静态性质，这样能够更深入地研究内部空间。

To classify the accessibility of the first floor, Zhang color codes the programmatic uses of its rooms. Circulation spaces such as the stairwell are cataloged as yellow, rooms that have more than one entrance are blue, and private spaces such as the maiden’s room are left red.  A focus on the first floor rather than the second is due to its more static nature, which lends itself to a more valuable study of how the space is inhabited.


Courtesy of Yun Frank Zhang

而对于更具动态性的二层空间，Zhang运用了轴测图来表达其空间变化。根据隔墙的位置，则有两个不同的情况，当所有的墙体移动时，分析图的顶部部分显示地面，当墙体固定时，则分析图的下部地面，黄色标记的楼梯间和红色标记的浴室则在墙体移动时开放，而三个私人房间则一般在上方楼层出现。

如果要了解更多关于Yun Frank Zhang对于施罗德住宅的分析，可以通过他的网站进行了解，并且还能看到他的一些其他工作。

As a representation of the dynamic nature of the second floor, Zhang presents an axonometric diagram that conveys the variety of its states. Depending on the placement of the partition walls, two specific conditions emerge. The top section of the diagram displays the floor when all the walls are collapsed and the lower section illustrates when all the walls are installed. The yellow labeled stairwell and red bathroom are the only breaks in wall-free open floor plan, whereas three distinctly private rooms are created when they are up.
To learn more about Yun Frank Zhang’s analysis of the Schroder House and to see some of his other work visit his website.


Courtesy of Yun Frank Zhang


出处：本文译自www.archdaily.com/，转载请注明出处。