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这把椅子是传统与现代的交接点,是传承也是延续第1张图片

Kensaku Oshiro在Chiavari椅子的基础上衍生出CC01椅子
Kensaku Oshiro bases CC01 seat on iconic Chiavari chair

由专筑网缕夕,李韧编译

日本设计师Kensaku Oshiro在设计新椅子时,从家具制造品牌Giuseppe Gaetano Descalzito的产品中获取灵感,该品牌有着数百年的制造历史。

近期,Oshiro在米兰Maison&Objet展览会上被列入意大利人才发展计划(Italian Rising Talents),他在展览会上展示了为Kristalia和Poltrona Frau等品牌设计的作品。

Japanese designer Kensaku Oshiro looked to a centuries-old creation of furniture maker Giuseppe Gaetano Descalzito when designing his latest chair.
Based in Milan, Oshiro was recently named as one of the Italian Rising Talents at this year's Maison&Objet fair, where he presented pieces designed for brands including Kristalia and Poltrona Frau.

这把椅子是传统与现代的交接点,是传承也是延续第2张图片

展会包括由Oshiro的同名品牌发布的新款CC01椅子。它的目的是对意大利家具制造商Giuseppe Gaetano Descalzi在1807年创造的经典Chiavarina椅子进行现代式的重新诠释。

Oshiro说:“我的目标不是要重新设计一把新椅子,而是要创造一个可以将传统延续的东西,它将保留原型的印记。”

Oshiro前往意大利热那亚的一个小镇基亚瓦里(Chiavari),Descalzi的椅子最初是在那里制作。在这里,Oshiro观察学习着Chiavarina椅子的传统制造过程。

Among these was the new CC01 chair, released this year under Oshiro's eponymous brand. It is intended to be a modern reinterpretation of the classic Chiavarina chair, created by Italian furniture maker Giuseppe Gaetano Descalzi in 1807.
"The goal wasn't to design a new chair from scratch, but to create a piece that can drag a tradition to the present time, something that preserves the original archetype's imprint," said Oshiro.
The designer headed to the small Italian town of Chiavari, Genoa, where Descalzi's chair was originally made. Here, he closely observed the work process of traditional craftsmen still producing the Chiavarina.

这把椅子是传统与现代的交接点,是传承也是延续第3张图片

然后Oshiro制作了一个经典模型的模板,通过详细图纸的绘制和最终3D模型的修改,他寻到了“过去和现在”的平衡点,这就是最后的成型。为了使椅子的舒适度达到最佳状态,Oshiro增大了椅子的座位面积,让使用者有更多空间能够自由活动,同时他稍微弯曲了靠背,更贴近身体的生理曲度。

Oshiro认为传统的Chiavarina椅子“更符合人体的坐姿形态”,另外,设计师降低了CC01的扶手高度,让坐姿更加休闲。

Oshiro then made a template of the classic model, reworking it in a series of drawings and eventually 3D models until he settled on a final prototype that he felt "encountered past and present".
Wanting to optimise on comfort, Oshiro broadened the seat of the chair to allow users more freedom to move around, and slightly curved its backrest to more closely follow the natural shape of the body.
Oshiro, who believes the traditional Chiavarina chair was "conceived for a formal and posed way of sitting", went on to lower the armrests of the CC01 to allow sitters a more casual posture.

这把椅子是传统与现代的交接点,是传承也是延续第4张图片

据设计师介绍,椅子的扶手也是整体的结构构件,这表示每把椅子只需要额外增加一些固定部件,因此整个轮廓形态更加简约。

在设计师最终定稿之前,也有过一些不太完美的CC01版本,例如樱桃木框架的印第安藤条座椅,同时也有许多现代化版本,它们由黑色漆木和皮革座椅制成。

CC01椅子被Dezeen选为Maison&Objet十大作品之一,其他设计包括Tom Dixon的印花系列纺织品和Nendo生活品牌Zens的家居系列作品。

摄影: Alberto Strada

According to the designer, the chair's lowered armrests also reinforces its structure – meaning it can have fewer reinforcement beams between the legs and therefore an overall more simple silhouette.
The designer has made a "historic" edition of the CC01 which features a cherry wood frame and Indian cane seat, but there are also more contemporary versions available made from black lacquered wood with a leather seat.
The CC01 chair was selected as one of Dezeen’s top 10 launches from Maison&Objet – other chosen designs included Tom Dixon's printed range of textiles and Nendo’s homeware collection for lifestyle brand Zens.
Photography is by Alberto Strada.


出处:本文译自www.dezeen.com/,转载请注明出处。

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