This is a house for a family of three/这是一个为三口之家设计的房子。© HIROSHI UEDA

来自专筑编辑郝旭楠，许航的报道。棚田（梯田），即坡地上的稻田，在南部和西部地区是非常常见。三年前的初夏，我第一次来到这个地方。这里刚种下水稻的绿色稻田里波光粼粼，柠檬树和木兰树被微风吹拂的沙沙作响，还有水渠中流淌而过的水声，这一切都组成了这里怡人的景色。这是一个安静的地方，也没有任何东西会阻挡我的视线。

Tanada, a terraced paddy field, widely appears to its south and the west. My first visit to this site was in early summer, three years ago. The bright green and reflection of rice field water just after the rice planting, natural sounds of breeze slightly rustling the leaves of lemon trees and Magnolia figo, and the sound of running water from the waterway had created comfortable scenery there. It was a calm place and there was nothing cutting off my view from the site.

© HIROSHI UEDA

我并不想设计一个非现实的乌托邦或是一个风景线，相反，我想创造一个能分享周围流光溢彩的自然风光的房子。因此，我决定在一层设计一个南北通透的通道，在二层设计一个东西通透的通道。

I did not want to design an unsociable utopia nor a symbol of the scenery there; conversely, I wanted to create a house that can participate in the flow of the natural environment around it. Accordingly, I decided to make passages from south to north on the first floor and from east to west on the second floor.

© HIROSHI UEDA

© picasa

© picasa

组成墙壁、地板和天花板的三个门式框架在每个方向上14英寸的范围内按层级分层排列。外墙面和天花板的线条与室内线条对齐，这就使得室内和室外在视觉上得到平滑的一致性。在一层，前厅、起居室、木质露台和花园形成一条直线，自北侧向梯田斜坡方向倾斜。一层还通过南边框架间的缝隙连接到二层餐厅和书房，二层的天花板结构的间隙布置高窗，用以通风和照明。一些灰空间（次要空间）被布置在结构的空档处，成为橱柜、食品贮藏室、休息室和其他一些功能房间。

Three gate-shaped frames that compose wall, floor, and ceiling are layered in tiers of 14 inches in each direction. Outside lines of the wall surface and the ceiling are aligned with the inside lines, which make internal and external eyes fall out smoothly. On the first floor, the front room, living room, wood deck, and garden form a straight line toward the slope of tanada from the north side. The first floor also connects to the dining room and the reading room on the second floor, through the gap of the frame from the south side. On the second floor, the gaps of the ceiling frame become high side windows for ventilation and lighting. Some plastering boxes are appropriately put between frames. They are shoes closet, pantry, restroom, and so on.

© HIROSHI UEDA

© HIROSHI UEDA

© HIROSHI UEDA

我回应了业主的要求，例如“我们想要在清晨的阳光中醒来”，“我们想要在舒适的微风中打瞌睡”，“我们想要在房子中感受家庭的气氛”和“我们需要大量的储物空间”。我觉得这个房子变成了“一个景观的旅程”，依赖于空间：室内延续室外景色，在这里可以体会光、风、声音和天空的不同。

I answered the client requests “we want to awake in the morning sunlight,” “we want to doze in the comfortable breeze,” “we want to feel the atmosphere of the family anywhere in the house,” and “but we need lots of storage room.” I feel that this house became "a passage of landscape" that can feel differences of light, wind, sound, and width of the sky depending on the space; the inside and outside continue to the scenery.

© HIROSHI UEDA

© HIROSHI UEDA

© HIROSHI UEDA

© HIROSHI UEDA

© picasa

© picasa

© picasa

地点：日本东京
设计：ihrmk
类型：住宅>私人别墅
状态：建成
年份：2014
面积：0 ~1000平方英尺
摄影：HIROSHI UEDA，picasa

Toyota, Japan
FIRM ihrmk
TYPE Residential › Private House
STATUS Built
YEAR 2014
SIZE 0 sqft - 1000 sqft
PHOTOS HIROSHI UEDA, Picasa

出处：本文译自architizer.com/，转载请注明出处。