© Stanley Beaman & Sears
| 来自事务所的描述。这是由Stanley Beaman & Sears设计的祖克曼艺术博物馆。该项目位于肯尼索州立大学，包括用于永久收藏品的画廊、临时展览以及储藏室、职工办公室以及相关配套设施。肯尼索州立大学期望这个博物馆将作为一种文化资源，不仅服务于校园社区，还服务于整个亚特兰地区。因此，建设一个大胆的地标建筑至为重要。该博物馆必不可少的元素就是需要一个大胆的建筑形式，而且要成为能供游客观赏的地标。大学领导层还明确要求该建筑要与校园现状的米色和红色砖墙的建筑形成鲜明对比，而且希望该博物馆能够使校园看起来更加活泼。
From the architect. The new 9,000 SF, $3,000,000 Zuckerman Museum of Art has consolidated collections that were previously spread out across the campus of Kennesaw State University into a facility that includes gallery space for permanent collection and temporary exhibitions as well collection storage, staff offices, and support facilities. Kennesaw State University envisioned its museum as a cultural resource not only for the campus community but for the greater Atlanta area as well – the latter being something of a new undertaking for the school. Thus, it was essential that the building make a bold architectural statement, and serve as a landmark for visitors. The university leadership also explicitly sought a structure to contrast with and enliven the subdued design of the overwhelmingly beige and red brick existing campus.
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© Stanley Beaman & Sears
© Stanley Beaman & Sears
| 从主要入口看去，引人注目的几何造型、透明的外立面及建筑内部清晰可见的巨大楼梯，通过旋转升空的占主导地位的直线网格展现的淋漓尽致，也将该建筑观念充分表现出来。该建筑的角度方向被其后的贝利演艺中心所强调。而且，博物馆与贝利演艺中心相通，为其624座的演奏厅提供了一个新的扩展性的接待前厅。而且，从该博物馆的外部材料就能反映出外观背后的建筑功能。
On a site visible from a principal entrance drive, the concept achieves these goals with the dramatic geometry and transparency of its facade, with its monumental staircase, and by rotating off the campus’ dominant rectilinear grid. This angled orientation is emphasized by the larger mass of the existing Bailey Performance Center immediately behind, to which the new building is joined, and for which it provides a new and extended reception and pre-function space for the 624 seat performance hall. The exterior materials of the building reflect the programmatic functions behind the facade.
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© Stanley Beaman & Sears
| 该建筑主要公共空间朝北，使用玻璃幕墙，以让自然光线和视线渗透入这个雕塑感的展馆，而主画廊和建筑背面特别使用了金属板和抛光黑色混凝土砖。主要入口处的白色金属面板微微折叠上翘提供一定的空间，可以在游客进入建筑时，让其免遭恶劣气候影响。金属板的形式让人联想到音乐作品元素，特别是展现在艺术、文学、建筑和自然中的斐波那契数列。
The main public spaces face north and are clad in curtainwall to allow natural light into and views out of the sculpture pavilion while the main gallery and back of house functions are marked by metal panels and polished black concrete masonry unit veneer. The white metal panels fold slightly upwards above the main entrance into a slight curtsey that protects visitors from inclement weather as they enter the museum. The pattern of the metal panels is intended to recall elements of musical compositions and, in particular, the Fibonacci mathematical sequence found in art, literature, architecture and nature.
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© Stanley Beaman & Sears
© Stanley Beaman & Sears
| 除了作为展览场地，举行形式多样的展览，该博物馆还将成为该大学收藏的关于已故Ruth Zuckerman的重要收藏品场地。其中许多展品即将被安置在通往综合艺术馆的花园中，游客从这里经过时除了能欣赏到这座博物馆建筑的宏伟之处，还将会对这些艺术品大饱眼福。
In addition to changing exhibitions, the museum will be the venue of the university’s significant collection of sculpture by the late Ruth Zuckerman. Many of these pieces will be soon be installed in the gardens through which visitors will pass as they approach the arts complex established with the addition of the museum building.
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© Stanley Beaman & Sears
© Stanley Beaman & Sears
© Stanley Beaman & Sears
© Stanley Beaman & Sears
模型
总平面图
总平面图
总平面图
平面图
图解
图解
| | 项目信息：
建筑设计事务所：Stanley Beaman & Sears
地点：美国肯尼索
设计团队：Betsy Beaman, AIA, Steve Denton, RA, Clay Cameron, Josh le Francois, Brian Peterka, Brenda Dietz and Chris Bowles
土木工程师：Eberly & Associates
结构工程师：Uzun + Case
机电工程师：Newcomb & Boyd
摄影：Stanley Beaman & Sears
| Project Credits:
Architects: Stanley Beaman & Sears
Location: Kennesaw, USA
Design Team: Betsy Beaman, AIA, Steve Denton, RA, Clay Cameron, Josh le Francois, Brian Peterka, Brenda Dietz and Chris Bowles
Civil Engineer: Eberly & Associates
Construction Engineer: Uzun + Case
Electrical Engineer : Newcomb & Boyd
Photography: Stanley Beaman & Sears
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