Kki Sweets and The Little Drom Store
由专筑网罗晓茜，Vigo编译
描述来自于事务所。Kki糖果店售卖漂亮的手工制作的法国慕斯蛋糕，由日本菜得到的灵感；小鼓商店则提供艺术和具有设计感的小摆设。这两家商店共享着在新加坡艺术学院(SOTA)的一个空间。虽然设计很简单——这两个商店共享一个店面，它们需要保持自己鲜明的特点，但同时又不像两个完全独立的实体——关键的挑战在于创建一个适当的工作空间，同时又能达到SOTA建筑设计奖项的要求，并尽量在这样的一个建筑角落创造新的东西。
From the architect. Kki Sweets sells beautifully handcrafted Japanese-inspired French mousse cakes, and The Little Dröm Store offers art and design driven knick-knacks. And they share a space at the School of the Arts (SOTA) building in Singapore. While the design brief is simple – the two brands share a storefront, and thus they need to retain their distinctive identities and yet not look like two completely separate entities – the key challenge is to create an appropriate work that meets the standards of the award-winning SOTA building, and to create something new despite the influence of such a commanding piece of architecture.
© Edward Hendricks, CI&A Photography
© Edward Hendricks, CI&A Photography
Detail/图解
解决方案来源于美国文学评论家Harold Bloom（哈罗德•布鲁姆）的“焦虑的影响”。 Harold Bloom曾警告瘫痪的痛苦、怀疑和唯我主义不可避免地影响年轻的诗人，并提出六个创造性的方法来克服这一矛盾。
The solution lies in American literary critic Harold Bloom's ‘Anxiety of Influence’. Bloom had warned against the paralysing anguish, doubt and self-consciousness that masterful precursors inevitably instil in young poets, and offered six methods of creative misprision to overcome this struggle.
© Edward Hendricks, CI&A Photography
Floor Plan/楼层平面图
使用两个开花的方法——“魔鬼化”（Daemonisation）(或“counter-sublime”来自最初的灵感的源泉，自然地取代前身)和“阿伯弗里达斯”Apophrades (就是“死者的回归”，是直接参与原始设计的最终目标)——生产工坊挖掘出SOTA的深层结构，寻求对制定建筑类型学的另一种诠释，同时提供SOTA可以读懂的空间。
Using two of Bloom's methods – ‘Daemonisation’ (or “counter-sublime” which looks at the original source of inspiration that will naturally supersede the precusor) and ‘Apophrades’ (or "return of the dead" which is about direct engagement with the end objective of confronting the original design) – PRODUCE taps into the deep structure of SOTA and seeks not only to formulate an alternative interpretation of the building typology but to provide a diagram from which SOTA can be read.
© Edward Hendricks, CI&A Photography
最终设计是一个糖果空间商店和小鼓商店是一个SOTA建筑最基本空间的精华——一个分隔的基本平面和体块 (即SOTA建筑的本质是一个三角平面，底层有表演台的礼堂，顶层有教室。中间的一层是一个开放的夹层)。商店内的基准面设计成多孔框架，这样可以观察和体验到整个空间。在Kki糖果部分，平面上的体块用于满足饮食和商品的实际需求，形成桌子和货架，亲密的内部空间和严谨的表面。
The result is a shop space for Kki Sweets and The Little Dröm Store that is a distillation of the SOTA building into its most essential diagram – a datum plane and the volumes that it segregates (i.e. the essence of SOTA’s architecture is a triple-layered parti with performance auditoriums at the base and classrooms on top. The middle layer, the datum plane, is an open mezzanine looking down at the auditorium foyers). The datum plane within the shop is designed as a porous trellis so that the entire diagram can be observed and experienced from within. In the Kki Sweets section, volumes above the plane hints at the imaginary while the volumes below are adapted to practical requirements of eating and merchandising, forming tables and shelves, intimate interiors, and close-knitted exteriors.
© Edward Hendricks, CI&A Photography
平面反向延续到小鼓商店。它占据了整个空间形成“书屋”(一个与品牌密切相关的主题)，而不是形成空洞。
The plane continues into The Little Dröm Store inversely. Instead of forming voids, it occupies a volume that forms the floor of a “tree house" (a theme closely related to the brand).
© Edward Hendricks, CI&A Photography
基准面在更高的层层连接这两个商店的概念，而在地上作为单独的实体商店。他们被视为占据了一个开放的空间，被“内部街道”分离，从临街的主门和标识引导向对方。这条“街的空间”延伸到KKI糖果商店，在其间的房间空间蜿蜒。
With the idea of the datum plane linking the two shops at a higher level, the shops are actually conceived as separate and independent entities on the ground. They are seen as occupying an open space, and separated by an “internal street" leading in from the main door with their frontage and signage orientated toward each other. This street-like space extends into KKI, meandering between the volumes of rooms.
© Edward Hendricks, CI&A Photography
© Edward Hendricks, CI&A Photography
设计采用的主要材料是枫木贴面胶合板材和实心松木条。因为这两种木材明亮的颜色，使得结构就像一个空白的画布，两个商店可以用他们各种产品的多样性使其充满色彩。浅色的枫树和松树也有助于与SOTA主要空间的深颜色形成对比。
The primary materials used are maple veneered plywood for the volumes and solid pine strips for the trellis. They are selected for their light colour so that the structure acts like a blank canvas on which the two shops can fill with colours with their variety of products. The light coloured maple and pine also helps contrast with the darker colours of the SOTA atrium.
© Edward Hendricks, CI&A Photography
尽管木材的视觉效应看起来是轻的，实际上结构内部框架是钢空心型钢。地面上的支撑是则设计成成桌腿和门框，实现“解除”效应。
Despite the visual lightness the timber volumes convey, there are actually steel hollow section framework within. Supports to the ground are disguised as table legs and doorframes to achieve a “lifted” effect.
Detail/图解
Floor Plan/楼层平面图
Elevation/正面图
Elevation/正面图
Elevation/正面图
建筑设计：生产工坊（PRODUCE WORKSHOP）
地点：新加坡
设计团队：PAN Yicheng; LOH Jian Hao, Jay; Don YAP; Stanley TAN; TEO Xiao Wei; CHUA Hong Zhi; Iven PEH; Chantal TAN
面积：136.0平方米
项目时间2014年
照片：由 Edward Hendricks, CI&A摄影提供
Architects: PRODUCE WORKSHOP
Location: 1 Zubir Said Dr, Singapore 227968
Design Team: PAN Yicheng; LOH Jian Hao, Jay; Don YAP; Stanley TAN; TEO Xiao Wei; CHUA Hong Zhi; Iven PEH; Chantal TAN
Area: 136.0 sqm
Project Year: 2014
Photographs: Edward Hendricks, CI&A Photography
出处：本文译自www.archdaily.com/，转载请注明出处。
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