Cultural Center La Gota - Tobacco Museum
由专筑网韩平，杨帆编译
来自事务所的描述：La Gota文化中心是一座展览类的复合建筑，该建筑旨在Navalmoral 城市中心(卡塞雷斯)创造一个能够展示城市特征新焦点的城镇。La Gota源自该基地上建造的老房子，主人在而立之年通过牛奶解决了孩子营养不良的问题。
From the architect. Cultural Center La Gota is a hybrid building for exhibition spaces that aims to create a new focus of urban centrality in Navalmoral (Cáceres), showcasing the identity of the town. The etymology is rooted in an old building built in the same site, in the thirties, to solve the problems of child malnutrition through the "Drop of Milk".
© Miguel de Guzman
Detail 3/细节3
该建筑由画家Sofia Feliu的固定展厅，烟草博物馆和许多临时性的展厅组成。文化中心的几何形状主要来自烟草植物的结构，该种平等和多样性的原则在这些植物上也有所体现——叶片之间相似但也是独一无二的。该建筑包含一个垂直交流的核心空间和以相同尺寸和形态的植物种植的结构，该结构只在不同的高度和特征上有些许的偏移。
It hosts temporary spaces, a permanent exhibition for the painter Sofia Feliu and a Tabaco Museum. The geometry of the Centre is attributed to the structure of the tobacco plant with the principle of equality and diversity that we also see in these vegetables -the leaves are similar but different at the same time. The building contains a core for vertical communication and a structure from which plants appear with equal size and morphology, but with different heights and characters that are slightly offset.
© Miguel de Guzman
建筑师受当地同类建筑中传统砖块的启发设计了该烟草干燥大楼内的陶瓷砖外立面组织，这也为建筑室内营造了光影的氛围。阳光可以通过外立面上的孔洞有组织地进入室内空间。建筑外立面利用砖墙组织可以过滤阳光，这种精细的几何形式一定程度上也弱化了建筑的外立面。
Inside, the building brings the atmosphere of the light from the tobacoo drying-building through a ceramic fabric inspired by the traditional brick found in these kinds of buildings. Light enters -in those spaces that the program allows- through the holes in the facade. This produces a dematerialized facade with refined geometries, which allows the filtration of sunlight through the walls.
© Miguel de Guzman
建筑采取有效的加固措施，增大跨度并减小板片边缘。该系统增加了混凝土的承载力，这样既减少其变形和开裂，也增加了混凝土的使用寿命。因此，材料的应用更加有效，同时也减轻结构的自重。
The post-tensioned structure of the building permits, through active reinforcements, large spans and reduced edges of the slabs. The system increases the bearing capacity of concrete, reducing its deformation and cracking decreases, thus increasing its life. So, the use of the material is more efficient and there is a reduction in weight of the structure.
© Miguel de Guzman
该中心的五个楼层分别位于五个错开的盒子里，这些盒子一个叠着一个。悬浮在空中的盒子，地板也是交错开的，这突出了“另一个”盒子的效果。
The five floors of the Centre are set on five displaced boxes, one above the other. The floors are staggered in the areas where boxes are flying to create the effect of a box "on the other."
© Miguel de Guzman
建筑立面为双层结构，包括玻璃幕墙和以“灵活砖”命名的陶瓷编织砖墙。该结构在不影响室内视线的同时也产生了保温层，在夏季既可以隔热也构成了烟草干燥大楼的美丽外型。
The facade is made up of a double skin composed of a glass-wall and ceramic-fabric named FLEXBRICK. In this way a thermal space is created and it directs the views from the inside, prevents heating in the summer season and forms a picture of the tobacco drying-buildings.
© Miguel de Guzman
植物墙从烟草博物馆一直延伸至室外，也用来讲解烟草的种植和该植物的起源。夏季植物墙灵活地储存热量可以为建筑降温，以此节约能源。文化中心相邻建筑间还有许多空间，通过两侧植物墙和陶瓷砖网的限定，可以用作公共广场。
The green wall extends from the Tabaco Museum to the exterior, being a didactic wall with tobacco plants and vegetation of the region. It will also allow cooling for the building in summer with a consequent energy savings. The Center has some space between the adjacent building allowing the creation of a public square flanked by the green wall on one side and ceramic mesh on the other.
© Miguel de Guzman
Detail 1/细节1
建筑的立面可以说是一种灵活的陶瓷产业化系统，该系统根据室内颜色的深浅灵活采用不同的组织方式进行饰面。系统还包含了编织钢筋条，利用钢筋条可以将陶瓷片嵌入网格中，使外立面的组织更加灵活、多样、可变。
The facade is an industrialized system of flexible ceramic that covers the entire building with different drawings that are produced by various lightness and darkness inside. The system consists of braided steel bars in which the ceramic pieces are inserted into the grid, allowing flexibility, versatility and variability.
Courtesy of Losada García Arquitectos
结合烟草干燥大楼外立面设计图纸，建筑师采用了1.00m和0.75m两个模数的陶瓷砖。陶瓷砖网的上部利用螺纹钉固定在楼板上，为抵挡风荷载，砖网底部利用绳子栓在固定点上。
The ceramic facade is divided into modules of 1.00m. and 0.75m. that combines to form the outer drawing that comtemporizes the tobacco drying-buildings. The ceramic mesh is hugging the upper guides screwed to the slabs and tethered to an anchor point for the wind at the bottom.
Courtesy of Losada García Arquitectos
© Miguel de Guzman
© Miguel de Guzman
Site Plan/总平面图
Ground Floor Plan/一层平面图
Second Floor Plan/二层平面图
Third Floor Plan/三层平面图
North Elevation/北正面图
East Elevation/东正面图
Section/剖面图
Diagram 1/图解1
Diagram 2/图解2
Diagram 3/图解3
Diagram 4/图解4
Detail 2/细节2
Detail 4/细节4
建筑设计：Losada García
地点：西班牙，卡塞雷斯，Navalmoral de la Mata（10300）
项目负责人：Ramiro Losada, Alberto Garcia
面积：1220.0 平方米
摄影：Miguel de Guzman , Courtesy of Losada García Arquitectos
施工工程师：Oscar Gonzalez
项目经理：Ramiro Losada, Alberto García, óscar González
助理：Lucía Bentué, Toni Gelabert, Adriana Marina Melchor Quesada
结构和设备：Valladares
承包商：Dragados
结构设计：Reco SL
电气，照明，卫生设备，水暖，空调和PCI：Render Industrial Group SL
Architects: Losada García
Location: 10300 Navalmoral de la Mata, Cáceres, Spain
Architects in Charge: Ramiro Losada, Alberto Garcia
Area: 1220.0 sqm
Photographs: Miguel de Guzman , Courtesy of Losada García Arquitectos
Construction Engineer: Oscar Gonzalez
Project Management: Ramiro Losada, Alberto García, óscar González
Collaborators: Lucía Bentué, Toni Gelabert, Adriana Marina Melchor Quesada
Structure and Facilities: Valladares
Contractor: Dragados
Structure: Reco SL
Electricity, lighting, sanitation, plumbing, air conditioning and PCI: Render Industrial Group SL
出处：本文译自www.archdaily.com/，转载请注明出处。
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