NMIT Arts and Media in Nelson

由专筑网Brick，杨帆编译

该大楼位于新西兰一个以艺术孵化器闻名的地区，它是成对美好愿望的交集。尼尔森地区在现实和哲学方面上需要前沿的艺术教学环境，新西兰政府的目标是建造一座地标式木建筑，同时展示建筑内的结构木材。

Set in a region of New Zealand renowned for being an arts incubator, this building is the built intersection of paired aspirations; the Nelson region’s physical and philosophical requirement for a leading edge arts teaching environment, and the New Zealand Government’s objective for a landmark timber structure that showcases structural timber within architecture.

在全国设计大赛获奖之后，事务所接受委托建造这座新建筑，它重新连接各种艺术学科，鼓励协作和交叉融合。该设施使重要的校园十字路口更加具有意义，通过三层中庭将艺术教学、工作室、表演和车间设施与校园连接起来。

Commissioned following success in a National Design Competition, this new building reconnects a variety of artistic disciplines to encourage collaboration and cross fertilisation. Completing a significant campus crossroad, the facility connects arts teaching, studio, performance and workshop facilities to the campus via a three level atrium.

校园交通空间享受北向阳光和宽阔屋檐下的远景，鼓励集中于艺术陈列、评论和展览的社会互动。教学和工作室区域收集柔和的南向光线，不需要复杂的阳光控制，可以从中庭和城市看到。艺术教育的愿景是“展不受抑”，这个愿景使建筑内木质组件的表达相近，并且与周围的社区相对应。

Enjoying northern sun and outlook beneath a broad, protective eave, this campus circulation space encourages social interaction centred on the display, critique and exhibition of art. Teaching and studio areas gather soft south light without the need for elaborate sun control and are readable both from the atrium and the city. This vision of ‘Exhibition not Inhibition’ for art education parallels the expression of timber components within the building and to the surrounding community.

木材被用作结构，进一步使教学环境温暖明晰，是脱离制度化的结果。所有木材元件处于展示中，表达它们的功能，并且强调木材作为设计和结构元件的潜力。建筑将单板层积材用于所有的结构组件。

Timber is used as structure, but further to warm, articulate and de-institutionalize the teaching environment. All timber elements are left on show to express their function and highlight timber’s potential as a design and structural element. The building utilises Laminated Veneer Lumber (LVL) for all structural components.

世界上首个“避免伤害”地震工程包含后张法预应力剪力墙的木材。这些使直柱和重力框架梁的使用成为可能，因简单而显得清晰。木制品虽然高端，显示了传统的国内木结构，也发展了本地精制的概念。

World first ‘damage avoidance’ seismic engineering incorporates post tensioned timber shear walls. These enable use of a straight forward post and beam gravity frame, immediately legible in its simplicity. The timberwork, while up-scaled, speaks of conventional domestic timber structures, developing the notion of a crafted provincial vernacular.

所有结构组件都在八十公里的“资源半径”内形成、铣削研磨、制造和建立。所有木材基本上是当地的，充当碳汇，这是环境敏感的设计理念的基石。项目采用可持续的被动方法来采光通风和遮阳，结合双层玻璃、高隔热值和大量热质来减少能耗。

All structural components are grown, milled, manufactured and erected within an eighty kilometre ‘Radius of Resource’. All timber is fundamentally local, acting as a carbon sink, the foundation stone of an environmentally sensitive design philosophy. Sustainable passive approaches to daylighting, ventilation and shading are combined with double glazing, high insulation values and extensive thermal mass to reduce energy use.

这座新颖的木建筑提供了令人振奋的学习环境、经济的社区资产和高等教育设施的可持续的解决方案。

This innovative timber building provides an uplifting environment for learning; an economic community asset and a sustainably sound solution to the provision of tertiary education facilities.

在严重的2011年坎特伯雷地震之后，设计方法和项目倡导的结构理念的变化正在改变新西兰政府的方式，建筑产业和坎特伯雷地震重建机构正考虑基督城的重建。

In the aftermath of the severe 2011 Canterbury Earthquake, the design approach and change in structural philosophy pioneered in this project is changing the way that NZ’s Government, Construction Industry and the Canterbury Earthquake Recovery Authority contemplate the reconstruction of Christchurch.

建筑设计：Irving Smith Architects
项目位置：新西兰，尼尔森

Design: Irving Smith Architects
Location: Nelson, New Zealand


出处：本文译自www.e-architect.co.uk/，转载请注明出处。