The Bob Dylan Center

由专筑网缕夕，刘庆新编译

提交时间：2017年5月12日
注册时间：2017年5月12日
语言：英语
地点：美国，塔尔萨
奖品：详见下文
类型：开放型

乔治•凯泽家庭基金会（GKFF）正在向有兴趣竞标的机构征求资格要求，以便为位于俄克拉荷马州塔尔萨的鲍勃•迪伦中心（BDC）制定总体规划、设计、初始安装和展览组件。这个项目将通过有效和创新的策略和公共项目，搭建室内装潢、设施和展览以及该项目计划，以有意义的方式使BDC的资金能够用在其建筑物上。项目必须在2017年5月12日前提交。


介绍

鲍勃•迪伦中心致力于学习和欣赏鲍勃•迪伦及他的全球文化思想，通过六十多年的开创性创作，拥有他的录音、歌曲创作、现场表演、书籍和电影。作为“鲍勃•迪伦档案馆”的主要场地，该中心将策划和展示超过六千件物品的无价收藏品，涵盖迪伦独特近60年的人生。存档的无价内容包括手写手稿、笔记本和通讯；电影、录像、照片和作品；纪念品、个人文件和财物；未发行工作室和音乐会录音、乐器等等。

鲍勃•迪伦（Bob Dylan），作为高尚和大众文化界限的破坏者，既是艺术家，也是全球非凡的人，他提供了一个独特的机会，以探索在二十一世纪和二十一世纪被定义的“美国经验”。作为永久性、临时性住宅和旅游展览，鲍勃•迪伦中心是一个多元化的场所，可以接触到公众、艺术家、历史学家、音乐学家，文化评论家等，让人们有所互动，促进对迪伦工作的深刻理解，以及产生的无数影响力。最后，作为其核心任务的一个重要方面，鲍勃•迪伦中心建立文化意识和宽容，促进了对世界的更多了解和更深刻的了解，并且超越了任何一个世界观或意识形态。

BDC的总体规划将为未来关于设施、物理和环境结构、部分访问以及现场需求的决策提供框架。BDC应设计为适应无数的活动和功能，包括：
•        公众参与的档案资产
•        互动和沉浸式的博物馆关于鲍勃•迪伦基于档案资产，永久和临时展品
•        研究与程序合作学者，迪伦学者和文化评论家
•        教育计划
•        室内活动和表演
•        直播和录制视频制作
•        与鲍勃•迪伦中心相关的商品零售
•        鲍勃•迪伦工作人员办公室

提交本项目资格的机构将根据他们所展示的专业技术技能和与档案资产的多名管理人员合作的能力进行评估，以识别和解决未来设施的实际设计；通过安装，展览和学术研究，及其组成部分的要素；以及其资产的现场需求。


背景

2016年，GKFF和塔尔萨大学（TU）收购了鲍勃•迪伦档案馆。存档是永久性的，在塔尔萨大学的赫尔默里奇美国研究中心的管理下。包括近6000年鲍勃•迪伦独特艺术、独特的职业和全球文化思想的6000多个作品，档案包含数十年的从未见过的手写手稿、笔记本和通讯；电影、录像、照片和作品；纪念品、个人文件和财物；未发行工作室和音乐会录音、乐器等等。最终，“档案馆”的永久展览空间将在塔尔萨艺术区的伍迪•格思里中心附近，该艺术区内设有一个致力于美国民歌和俄克拉何马州本土的伍迪•古特里的博物馆。


资格声明提交要求

参与机构应提供一份原始资料和7份资质证明文件，并以CD格式以电子格式提交的所有材料一份。请提供以下信息：

1. 传送
函传送信件应包含机构主要联系人的姓名，地址和联系信息，以及该机构参与团队成员的简要概述。
2. 概念方法和描述和团队理念
本节应包括团队的愿景和创新，详细说明团队提出的解决所需任务和保证项目成功的要素的方法。
3. 资格声明
该环节的目的是让GKFF清楚了解团队所完成的工作历史，清晰了解已完成项目的风格，外观和风格，工作方式以及如何融入周围景观。
4. 团队概述
描述您团队的经验，提供团队工作的项目的例子，特别是那些涉及高知名度公园和文化项目的场地开发的项目。讨论你对塔尔萨或其他类似城市的发展过程的了解，以及最大可持续性的概念规划。
5. 经历记录
提供有关团队成员事先相关经验的详细信息。此外，提供展示最终产品的视觉表示（照片，插图，视频剪辑）的细节，至少有两个，最多五个团队在过去五年内完成的项目。
6. 组织和管理计划
包括提案人组织结构的描述，清楚地标识与拟议工作相关的项目经理和关键人员。
7. 公司信息
简要介绍该机构的办公地点和重点项目人员简历。


审查程序

所有提交将由GKFF及其同事审核。审核组的结果将提交给GKFF委员会，以便最终批准。

将从RFQ提交中选出两到四名机构入围者名单; 选定的机构将被要求提供详细的建议，包括如何完成工作范围内的任务。经仔细评估详细建议后，将选择一家机构与GKFF，档案人员以及博物馆和中心的项目管理，法律，施工管理，公众宣传和公关代表密切合作。


注册和问题

所有感兴趣的人士或机构应以电子邮件的形式发送电子邮件至
DylanRFP@gkff.org
有关请求报价的流程及相关项目的问题请直接发送到：
电子邮件：DylanRFP@gkff.org
电话：918-392-1612


提交日期

必须在2017年5月12日的下午5点之前提交一份原件、7份资质声明副本以及以电子格式提交的所有材料的一份，并附上标签和索引CD。


Submission: May 12, 2017
Registration: May 12, 2017
Language: English
Location: Tulsa, USA
Prizes: Please see details below
Type: Open

The George Kaiser Family Foundation (GKFF) is soliciting Requests for Qualifications from agencies interested in submitting proposals for the development of a master plan, design and initial installation and exhibition components for The Bob Dylan Center (BDC) in an existing building in Tulsa, Oklahoma. This master plan will establish desired standards and best practices for building interiors, installations and exhibitions, as well as the agency’s plans to make the BDC’s assets accessible to its constituencies in meaningful ways through effective and innovative curatorial approaches and public programs. RFQ submissions must be received by May 12, 2017.

INTRODUCTION
The Bob Dylan Center is dedicated to the study and appreciation of Bob Dylan and his worldwide cultural significance through six decades of his prolific and groundbreaking creative endeavors, including his recordings, songwriting, live performances, books and films. As the primary venue for The Bob Dylan Archive, The Center will curate and exhibit a priceless collection of more than 6,000 items spanning nearly 60 years of Dylan’s singular career.  The Archive’s priceless contents include handwritten manuscripts, notebooks and correspondence; films, videos, photographs and artwork; memorabilia and ephemera; personal documents and effects; unreleased studio and concert recordings; musical instruments and many other elements.
An iconoclast who exploded the boundaries between high and popular culture, Bob Dylan, both the artist and global phenomenon, offers a unique opportunity to explore a broad range of subjects that have come to define the “American Experience” in the 20th and 21st centuries. Housing permanent, temporary and traveling exhibitions, The Center is a multivalent venue readily accessible to the public, and one in which artists, historians, musicologists, cultural critics, and others have a central forum to engage the public and each other with an aim to foster a deeper comprehension of Dylan’s work and the myriad of influences it both embodies and engenders. Finally, as a tacit but important aspect of its core mission, The Center promotes a greater knowledge and a more profound understanding of our world, beyond any single worldview or ideology, in an effort to build cultural awareness and tolerance.

The master plan for the BDC will provide a framework for future decision-making about the facility, its physical and environmental structure, constituent access and experience, and on-site preservation needs. The BDC should be designed to accommodate myriad activities and functions, including:
•        Public engagement with archive assets
•        Interactive and immersive museum about Bob Dylan based on the archives assets, with both permanent and temporary exhibits
•        Research and programmatic collaboration among academics, Dylan scholars and cultural commentators
•        Educational programs
•        Indoor events and performances
•        Live and recorded video production
•        Retail of merchandise related to The Bob Dylan Center
•        Offices for BDC staff
Agencies submitting their qualifications for this project will be evaluated based on their demonstrated professional and technical skills and their ability to collaborate with multiple stewards of the archive’s assets to identify and address the future facility’s physical design; accessibility of its elements by its constituencies through installations, exhibitions and scholarly research; and the on-site preservation needs of its assets.

BACKGROUND
In 2016, GKFF and The University of Tulsa (TU) acquired The Bob Dylan Archive. The Archive is permanently housed in Tulsa, under the stewardship of TU’s Helmerich Center for American Research. Comprised of more than 6,000 items spanning nearly 60 years of Bob Dylan’s unique artistry, singular career and worldwide cultural significance, the archive includes decades of never-before-seen handwritten manuscripts, notebooks and correspondence; films, videos, photographs and artwork; memorabilia and ephemera; personal documents and effects; unreleased studio and concert recordings; musical instruments and many other items. Ultimately, a permanent exhibit space for The Archive will be designated near the Woody Guthrie Center in Tulsa’s Arts District, which houses a museum dedicated to American folksinger and Oklahoma native Woody Guthrie. Guthrie was one of Dylan’s most significant early influences, even inspiring one of Dylan’s first tracks, “Song to Woody,” on his 1962 self-titled album.

STATEMENT OF QUALIFICATIONS SUBMITTAL REQUIREMENTS
Participating agencies should provide one original and 7 paper copies of the Statement of Qualifications and one copy of all materials submitted in electronic format on a CD. Please provide the following information:
1. Letter of transmittal
The letter of transmittal should contain the name, address and contact information for the agency’s primary contact, as well as a brief overview of the agency’s participating team members.
2. Conceptual approach and description and team philosophy
This section should include the vision and innovation of the team, detailing the means by which the team proposes to address required tasks and elements that will guarantee project success.
3. Statement of Qualifications
The intent of this section is to give GKFF a clear idea of the history of work the team has accomplished, showing a clear picture of the style, look and feel of completed projects, how they work and how they are integrated into the surrounding landscape.
4. Overview of the team
Describe the experience of your team, providing examples of projects you’ve worked on as a team, particularly those involving site development for high-visibility parks and cultural projects. Discuss your familiarity with Tulsa or other similar city’s development processes, and conceptual planning for maximum sustainability.
5. Experience Record
Provide details regarding team members’ prior relevant experience. In addition, provide details, including visual representation (photos, illustrations, video clips) of showing the final product, for at least two and up to five projects that the team has completed within the past five years.
6. Organization and Management Plan
Include a description of the proposer’s organizational structure that clearly identifies the project manager and key personnel associated with the proposed work.
7. Firm Information
Provide a concise description of the agency’s office location(s), and resumes of key project personnel.

REVIEW PROCESS
All submittals will be reviewed by GKFF and associates. The results of the review team will be presented to the GKFF board for final approval.
A short list of two to four agency finalists will be chosen from the RFQ submittals; selected agencies will be asked to provide detailed proposals that include how the tasks in the scope of work will be accomplished. Following a careful assessment of detailed proposals, one agency will be chosen to work closely with GKFF, archive personnel, as well as the museum and center’s project management, legal, construction management, public outreach and public relations representatives.

REGISTRATION AND QUESTIONS
All interested agencies should email an intent to respond to this RFQ to:
Email: DylanRFP@gkff.org
Questions regarding the RFQ process and related project should be directed to:
Email: DylanRFP@gkff.org
Phone: 918-392-1612

SUBMITTAL DUE DATE
One original and 7 copies of the Statement of Qualifications and one copy of all materials submitted in electronic format on a labeled and indexed CD must be delivered no later than 5 p.m. CST on May 12, 2017.


出处：本文译自competitions.archi/，转载请注明出处。