本文转载自搜建筑
在该建筑的对面，那里采用了Caproni工厂有韵律的一系列砖块，拥有棚屋顶和工业考古学魅力：M89酒店 - 通过Mecenate的89号新的四星级目的地，面向工厂大厅，一百年前，由Piuarch改造和扩建项目之后，该公司已是领先的航空公司之一，现在也是Gucci的所在地。
From the architect. Opposite the building, there is the rhythmic series of brick blocks of the Caproni factory, with their shed roof and industrial archaeology charm: the M89 Hotel – the new four-star destination at number 89 of via Mecenate– faces the factory halls that one hundred years ago hosted one of the leading aviation companies and which are now home to Gucci, after a meticulous renovation and expansion project by Piuarch.
新总部成立后的几个月，Piuarch已在米兰东郊开展了一个新的项目，以加强其向城市开放的动态商业中心的特色。与周边城市布局的对话 - 应用于时尚公司占地面积超过3.5万平方米的生产工厂的概念的支点，也定义了酒店设施项目，该项目的建筑设计与预先存在的体量，增强邻里的建筑特征。
A few months after the inauguration of the maison new headquarters, Piuarch has started a new project in the east outskirts of Milan, to reinforce its character as dynamic business hub, opened to the city. The dialogue with the surrounding urban fabric – fulcrum of the concept applied to the over 35,000 m2 of the production plant occupied by the fashion company–, also defines the project for the hotel facility, whose building is designed in continuity with the pre-existing volumes, enhancing the architectural identity of the neighbourhood.
在外面，酒店暗示着工厂大厅的轮廓：底层设有宽大的玻璃幕墙，带有金属格栅，工业建筑的高度相当于街道上可渗透门面的理想延续。相反的，屋顶以现代化的方式重新诠释了工业系统：盖子形成一个迷人的复杂形状，并退回到由玻璃幕墙构成的露台上。屋顶还设有全景餐厅，可欣赏到米兰天际线的景致，既向酒店客人和公众开放。
On the outside, the hotel hints at the outline of factory halls: the ground floor features a wide glass wall with a metal grate, at the same height of the industrial buildings as an ideal continuation of the permeable facade on the street. The roof, instead, reinterprets the industrial shed system in a contemporary key: the cover takes the shape of a fascinating complex profile and takes a step back to leave room to the terrace framed by full-height glass walls. The roof also hosts the panoramic restaurant, with a view of the Milan skyline, open both to hotel guests and to the public.
在室内，酒店拥有与其外表相同的简约特征：其商业用途激发了流线型设计，围绕炭疽灰色，白色和绿色之间的精致色彩对比，以及现代家具和标志性的20世纪50年代的混合体。
Indoors, the hotel boasts the same minimalist character of its enclosure: its business vocation inspires a streamline design, revolving around refined colour contrasts between anthrax grey, white and green and a mix of contemporary furniture and iconic 1950s pieces.
在入口，一个大型的流体区域设有接待处，大厅备有舒适的沙发，搁置在地毯的几何图案上，还有一个酒吧：白色的天花板，闪烁着圆柱形的灯具，与六方地板砖形成对比，营造出令人回味的装饰效果；炭疽灰色墙壁代替装饰着再现前Caproni工厂的建筑遗产的印刷品，我们在顶层的餐厅区域再次找到。
At the entrance, a large fluid area hosts the reception desk, the lobby –with its comfortable sofas resting on the geometric patterns of the rugs–, and a bar: the white ceiling, spangled with cylindrical light fixtures, is in contrast with the hexagonal floor tiles, creating an evocative decorative effect; the anthrax grey walls, instead, are embellished with prints reproducing the architectural heritage of the former Caproni factory and which we find again in the restaurant area on the top floor.
从第一层到第五层共有50间客房和5间套房，其内部装饰为公共区域的负面部分：墙壁是白色的，天花板是灰色的，从而为私人区域提供更大的亮度。面积分别为24平方米和42平方米，房间与套房的区别是细节处理，橡木镶木地板比优雅的胡桃细木护壁板更加珍贵。
The floors from the first to the fifth host the 50 rooms and 5 suites, whose interiors are decorated as a negative of the public areas: the walls are white and the ceiling is anthrax grey, thus delivering greater brightness to the private areas. With a surface of 24 m2 and 42 m2 respectively, what differentiates the rooms from the suites are the finishing details, more precious in the suites with oak parquet floors and elegant walnut boiserie.
没有什么是多余的，建筑材料和功能布局的巧妙结合确保了建筑的完美结合，这个项目可以在室内外之间创造出完美的一致性，以及顶层的多面轮廓作为修复建筑的真正角色。
Nothing is superfluous and the décor is ensured by the wise combination of materials and functional distribution, for a project that creates perfect consistency between indoor and outdoor, with the crowning and its multi-faceted outline as the true protagonist of the restored building.
▼ 平面图
▼ 立面图
▼剖面图
建筑师：Piuarch
地点：意大利
面积：2500平方米
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