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这座小木屋为电影而生,也为电影而焚毁第1张图片

这座小房子为电影场景而建(在拍摄后被烧毁)
This Tiny House Was Built as the Set of a Movie (Then Burned to the Ground after Filming)

由专筑网李韧,曹逸希编译

建筑师Alfredo Thiermann最近与智利电影导演Marialy Rivas在最新电影“Princesita”之中合作,电影将于下周在多伦多国际电影节首映。
   
Alfredo Thiermann长期从事建筑与其他媒体行业的互动,这也是他与Fabula Productions公司最近一次的合作成果,这座小屋因Pablo Larrain的学术提名作品“No”和Sebastian Lelio的作品“Gloria”为人们所熟知。

Architect Alfredo Thiermann has recently collaborated withChileanmed chilean Filmmaker Marialy Rivas in her latest film “Princesita." The film will be premiered next week at the Toronto International Film Festival.
Alfredo Thiermann’s practice has been long involved in the interaction of architecture with other medias (Artifact Nr. I  Dynamics of the Void Noise Tower ) and here is the result of his last collaboration with “Fabula Productions," also known for Pablo Larrain’s academy- nominee ”No” and Sebastian Lelio’s “Gloria."

这座小木屋为电影而生,也为电影而焚毁第2张图片
Cortesía de Alfredo Thiermann Riesco

建筑设计:Alfredo Thiermann Riesco
地点:智利
客户:Fabula Productions
导演:Marialy Rivas
项目:电影制作
项目时间:2016年
建筑时间:2017年
建筑面积:80平方米

Architect: Alfredo Thiermann Riesco
Location: Lago Llanquihue, Chile
Client: Fabula Productions
Director: Marialy Rivas
Program: Film Set
Project Year: 2016
Construction Year: 2017
Built Area: 80 m2

这座小木屋为电影而生,也为电影而焚毁第3张图片
Cortesía de Alfredo Thiermann Riesco

来自建筑事务所的描述:House I是幻想与现实之间的产物,建筑的外观体量完整沉重,而建筑内部则呈现为半透明形式。

From the architects: House I is a hybrid between a permanent illusion and a limited existence; between a monolithic —and at the same time heavy— appearance and a semi-translucent interior.

这座小木屋为电影而生,也为电影而焚毁第4张图片
Cortesía de Alfredo Thiermann Riesco

House I的设计目的更多是用于观赏,而非使用,大多数时间,这座建筑都处于电影镜头之下,与其他房屋不同,在建筑内部事件的发生被精确的设计在限定的时间内。House I的墙面与屋顶是由某个元素不断重复而形成的,这一元素的重复次数甚至比最初设定得数量还要多,这样可以在镜头下拍摄出更具景深的视觉效果。

House I was designed to be seen more than to be used. To be seen and multiple time registered by a film camera with anamorphic lenses. Unlike other houses, in its interior, events were precisely designed with a limited temporal duration.
House I has one single profile made out of one continuous —and over structured— element which defines walls and roof. This single element is repeated more times than what is strictly necessary, making the camera believe that there is more depth than what it exists in reality.

这座小木屋为电影而生,也为电影而焚毁第5张图片
Cortesía de Alfredo Thiermann Riesco

这座小木屋为电影而生,也为电影而焚毁第6张图片
Cortesía de Alfredo Thiermann Riesco

从外表上看,这所房子只能远观。它坐落于景观丛中,建筑呈不透明形态,然而,过度对称使人们对上述的相似性产生怀疑。

From the exterior, the house is meant to be seen only from afar. It appears in the landscape as an opaque and monolithic object —with uncanny typological similitudes with the construction that normally surround the area. However, the excessive symmetry places the doubt in the aforementioned similarities.

这座小木屋为电影而生,也为电影而焚毁第7张图片
Imágenes de la película. Image Cortesía de Alfredo Thiermann Riesco

这座小木屋为电影而生,也为电影而焚毁第8张图片
Cortesía de Alfredo Thiermann Riesco

从室内看,这座建筑看上去比其他任何房子都要轻。木制的外壳可以让自然光穿过,但人们却无法一眼望穿。建筑内部空间必须具有很强的私密性,这是导演对于建筑设计的唯一要求。

Seen from the interior, the house looks lighter than any other house. The wooden cladding allows natural light to go through, but not a single glance. What happens in the interior has to remain a secret, that was the only requirement of the brief.

这座小木屋为电影而生,也为电影而焚毁第9张图片
Cortesía de Alfredo Thiermann Riesco

几天之后,电影主角站在远处,静静地观望着这座建筑被烧毁。

After a few days, House I was intentionally burned while it was seen carefully from afar.

这座小木屋为电影而生,也为电影而焚毁第10张图片
Cortesía de Alfredo Thiermann Riesco

来自导演的描述:

在世界最南端一个遥远的地方,居住着一个12岁的小女孩Tamara,她在一个由Miguel领导的教会组织中长大。当她成长为一名年轻女子时,她接受了自己的人生使命:为Miguel生一个神圣的孩子。在这个黑暗的童话里,Tamara意识到这个人生并非自己所期待的,如果她不服从安排将会有难以想象的后果,但她仍然拼命地试图获得自由。

From the director:
In a distant land on the southernmost tip of the world lives Tamara, a twelve-year-old girl who has been raised in a cult led by the charismatic Miguel. As she becomes a young woman, she receives instructions for her mission in life: to carry a holy child, fathered by Miguel himself. In this dark fairytale, Tamara will realize that what she wants for her life is not what Miguel has chosen for her, and her disobedience will have consequences she could never have imagined as she desperately tries to gain her freedom.

这座小木屋为电影而生,也为电影而焚毁第11张图片
Cortesía de Alfredo Thiermann Riesco

这座小木屋为电影而生,也为电影而焚毁第12张图片
Cortesía de Alfredo Thiermann Riesco

这座小木屋为电影而生,也为电影而焚毁第13张图片
Imágenes de la película. Image Cortesía de Alfredo Thiermann Riesco

这座小木屋为电影而生,也为电影而焚毁第14张图片
Imágenes de la película. Image Cortesía de Alfredo Thiermann Riesco

这座小木屋为电影而生,也为电影而焚毁第15张图片
Imágenes de la película. Image Cortesía de Alfredo Thiermann Riesco

这座小木屋为电影而生,也为电影而焚毁第16张图片
Imágenes de la película. Image Cortesía de Alfredo Thiermann Riesco

这座小木屋为电影而生,也为电影而焚毁第17张图片
Imágenes de la película. Image Cortesía de Alfredo Thiermann Riesco

这座小木屋为电影而生,也为电影而焚毁第18张图片
Imágenes de la película. Image Cortesía de Alfredo Thiermann Riesco


出处:本文译自www.archdaily.com/,转载请注明出处。         

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