一堆磨砂玻璃和耐候钢组成的Vendsyssel剧院
Schmidt Hammer Lassen pairs frosted glass with weathering steel for Vendsyssel Theatre

由专筑网朱王倩，严越编译

Schmidt Hammer Lassen 建筑事务所在丹麦的Hjørring设计了这个剧院，作为一系列特种钢制立方体，在生锈的墙壁上覆盖了一层磨砂玻璃。

Schmidt Hammer Lassen Architects designed this theatre complex in Hjørring, Denmark, as a series of Corten steel cubes, but has covered some of the rusty walls behind a layer of frosted glass.
     

这个4200平方米的Vendsyssel剧院和体验中心包括一个音乐厅、排练厅、一个430座的剧院，以及穿插在许多线性体块里的车间和更衣室。

The 4,200-square-metre Vendsyssel Theatre and Experience Centre includes a music hall, rehearsal hall, a 430-seat theatre, and a workshop and dressing rooms arranged in several rectilinear blocks.
   

一些体块上面板的材质是一种预生锈钢，也称为耐候钢。这些表面中的一些被磨砂玻璃覆盖，期间设置着颜色变化的LED灯。

Some of the volumes in panels of Corten – a type of pre-rusted steel, also known as weathering steel. Some of these surfaces are covered in frosted glass, with colour-changing LED lights sandwiched in between.
   

丹麦公司在2013年赢得了设计文化综合体的竞赛，选择了材料的混合物作为代表Hjørring周边建筑的砖和石膏立面的参考。

The Danish firm, which won a competition in 2013 to design the cultural complex, chose the mixture of materials as a reference to the brick and plaster facades that typify Hjørring's surrounding architecture.
   

建筑师John Foldbjerg Lassen说：“我们的目标是建筑物将在城市景观中呈现出新的有活力的组织。”
   
“这是一座具有文化意义的建筑，敢于大胆创新，也不会忽视了城镇现有的品质。”

"It is our ambition that the building will manifest itself as a new living organism in the cityscape," said architect John Foldbjerg Lassen.
"It is a building which stands by its cultural significance and which dares to be different without taking focus away from the town's existing qualities."
     

建筑物前面的广场可以举办不同类型活动，也作为开放式大厅和大楼梯。
   
建筑师说：“广场室外空间用于举办定时活动和特别活动，门厅内部和大楼梯上的空间，让游客自由选择旁观还是参与活动。”

The plaza in front of the building is intended as a venue for different types of events and activities, as are the open-plan lobby and large staircase.
"Space has been created for both scheduled and ad-hoc events outside at the plaza, inside the foyer and on the grand staircase where visitors can choose to be spectators or even participates in the activities," said the architects.
   

建筑内是开放式布局，展出空间里的窗户让不同领域之间进行视线交流。

The open-plan layout inside the building, as well as windows into performance spaces, allow views between the different areas.
   

“我们的设计强调艺术家和观众之间的互动”，团队补充说。
   
“室内所有主要大厅都可以通向门厅，在不同的房间里的玻璃和窗户可以建立视觉连接，表演者可以从顶层的休息室瞥见观众。”

"We've designed emphasis on the interaction between artists and spectators," added the team.
"Inside, all the major halls can be opened to the foyer, the use of glass and windows in different rooms creates visual connections and the performers can get a glimpse of the public from their lounge on the top level."
   

建筑物的前面的玻璃幕墙，和顶部的长天窗，让阳光引入大厅和咖啡厅。
   
剧院下层有木制长椅，末端的弧线凸出到后面的走廊区域。

Glazed walls run along the front of the building to bring plenty of light into the lobby and cafe area, which is also topped by a long skylight.
The curved end of the theatre, which juts into the lobby space, features wooden benches carved into its lower level.
     

上面的楼层，带有玻璃栏杆抬升的走道通向技术室和办公室，可以看到下面的空间。
   
整座剧院的特点是完全黑色的内饰，配有座椅。位于第二个礼堂的面向前方的座位也是全黑的。

On the floor above, a raised walkway with glass balustrades leads to the technical rooms and offices with views to the space below.
The theatre features completely black interiors with seats are arranged in the round. Seats in the second auditorium, which is also completely black, are forward-facing.
   

音乐厅内部较为轻盈，墙上覆盖着木块。一方面，墙的下部是开放的，以露出在立面后面开着的LED灯。

The musical hall has lighter interiors, with blocks of wood lining the walls. On one side, the lower part of the wall is open to reveal the LED lights slotted behind the facade.
   

Schmidt Hammer Lassen由建筑师Morten Schmidt，Bjarne Hammer和John F Lassen于1986年于Aarhus创立。
   
该公司目前在哥本哈根，上海和伦敦设有办公点，其他项目包括Scandinavia的最大的图书馆，挪威的向天空向倾斜的钛合金大教堂，瑞典运河边的文化综合体。
   
建筑摄影为AdamMørk。

Schmidt Hammer Lassen was founded by architects Morten Schmidt, Bjarne Hammer and John F Lassen in Aarhus in 1986.
Other projects by the firm, which now has offices in Copenhagen, Shanghai and London, include Scandinavia's largest library, a titanium-clad cathedral in Norway that spirals up towards the sky and a canal-side cultural complex in Sweden.
Photography is by Adam Mørk.
   

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