20世纪70年代风格的回归
New trend report signals a return to deep space and 1970s style

由专筑网王帅，李韧编译

Clippings在线家具平台的室内设计报告指出，20世纪70年代的设计风格逐渐回归。

该公司委托编写的一份新报告称，回归20世纪70年代夜生活的喧嚣设计和流行时尚，这些都是今年国际设计展览中出现的趋势。

“2018年Clippings室内设计趋势报告”调研了今年在米兰、纽约、哥本哈根、巴黎、斯德哥尔摩和伦敦举办的设计博览会的装置、项目和产品发布情况。然后确立了五个主要的美学主题。

The 1970s are back, according to an interior-design report by online furniture platform Clippings.
A return to the louche designs of 1970s nightlife and a revival of marquetry are among the trends emerging from this year's international design shows, says a new report commissioned by the company.
The Clippings Interior Design Trend Report 2018 examines installations, projects and product launches from this year's design fairs in Milan, New York, Copenhagen, Paris, Stockholm and London, and identifies five dominant aesthetic themes.


确定回归的趋势是20世纪70年代的设计风格，例如Studiopepe的超现实秘密会员俱乐部／One trend identified is a return to 1970s design, as shown in Studiopepe's surreal secret members club

第一个大趋势是回归20世纪70年代设计风格的实验性魅力，当时的设计深受迪斯科（disco）和当时大胆艺术的影响。

在米兰的几次介绍中，这种全新的趋势较为明显，例如设计品牌Gufram和Studiopepe的超现实秘密会员俱乐部内的迪斯科舞厅系列。这两个品牌都以大胆的图案、浓烈的色彩和超现实的细节表达了这十年的繁荣状况。

The number one trend identified is a return to the experimental glamour of 1970s design, heavily influenced by disco and the daring arts scene of the time.
This new mood was evident at several presentations in Milan, including a discotheque-inspired collection shown by design brand Gufram and Studiopepe's surreal secret members club. Both of these projects embraced the exuberance of the decade with bold patterns, intense colours and surreal details.


设计师们也参考了飞行的天体。例如， Lara Bohinc设计的最新座椅就参考了行星及其轨道／Designers are also referencing celestial bodies in flight. For instance, Lara Bohinc's latest seating collection references planets and their orbits

另一个设计趋势是参考飞行中的天体，其中既有单一的月亮，也有整个宇宙的运动。

例如Lara Bohinc由引力轨迹设计而成的座椅，Bec Brittain与John Hogan合作设计的黄铜、玻璃灯。

The next trend has designers referencing celestial bodies in flight, moving on from pieces that merely resemble the moon to those that consider the movement of the universe as a whole.
Examples include Lara Bohinc's seating based on gravitational trajectories and Bec Brittain's lighting collaboration with John Hogan, arranged in constellations of brass and glass.


家具设计中出现了镶嵌细工，如Finsa设计的“进行中的木材”（Wood in Progress）项目／There is a resurgence of marquetry in furniture design, as seen in Finsa's Wood in Progress project

接下来，报告还宣布了家具设计领域的流行趋势，展示了运用了传统技术的最新当代作品。

这让人想起Finsa设计的“进行中的木材”（Wood in Progress）项目，项目的中密度纤维板（MDF，medium density fiberboard）和芯木板中都使用了镶嵌细工，而Gabriel Hendifar为纽约品牌Apparatus也对传统伊朗的镶嵌细工进行了探索。

Next, the report announces the resurgence of marquetry in furniture design, showcasing recent, contemporary work that freshens up traditional techniques.
It calls to mind Finsa's Wood in Progress project, where marquetry adds value to MDF and particleboard, and Gabriel Hendifar's exploration of traditional Iranian marquetry for New York brand Apparatus.


Bouroullec兄弟对拱形非常着迷／The Bouroullec brothers are among those that have capitalised on the rising fascination with arched shapes

最近，出于对装饰艺术和孟菲斯风格的兴趣，设计师对拱形造型的迷恋从建筑转向家具。

Bouroullec兄弟在米兰设计周的奇幻玻璃项目中充分利用了这一点。其拱形柱廊形式同样应用在Anne酒吧，此外还有许多镜子、屏风、灯具和墙壁上都应用了拱形元素。

The fascination with arched shapes moves from architecture into furniture and accessories, fuelled by recent interest in art deco and Memphis styles.
The Bouroullec brothers capitalised on this with their project for Wonderglass at Milan design week. It also featured at Bar Anne, in the form of an arched colonnade, and on a host of mirrors, screens, lights and wall coverings.


在家具作品中，也有“茧形”的设计趋势，Katrin Greiling为米兰金纳桑展厅安装的装置就显示了这一点／There is also a trend for "cocooning" at home, shown in Katrin Greiling's installation for the Milan Kinnasand showroom

触感地毯、壁挂和东方式座椅坐垫都拥有70年代的风格，同时其形态也参考了国内“茧形”趋势。

Clippings还指出了Kiki van Eijk为谷歌制作的叙事纺织品、Katrin Greiling为米兰金纳桑展厅安装的装置，以及纽约设计节期间在科勒尼（Colony）展出的雕塑挂毯。

这份30页报告中的每一种趋势都通过三个突出的项目来说明，其中有家具、照明和家居用品。Clippings强烈要求策展人、记者和设计师做出回应。

Clippings的主编Etherington说：“我们的编辑参加了每一次设计博览会，他们经常能够感受到处于设计前沿的全球设计师之间时常出现某些共同风格特征。”

她对Dezeen的记者说：“如果只是通过Instagram和Pinterest等平台上，人们或许很难发现其中的共同点。通常真正吸引我们注意的是，在某个时间段内所发生的某些微妙且持续的转变。”

“在今年年中，我们觉得有必要总结一下2018年以来所看到的数千件作品，并结合设计师们的关注点，再找到其中的共同之处。”

在米兰设计周之后，250多名室内设计师出席了公司的趋势报告活动，在此之后，Clippings决定编写这份报告。

Clippings的首席执行官Adel Zakout表示：“室内设计师能为客户所做的，便是将设计领域的最新趋势与用户所希望的东西联系起来。”

“我们看到，尽管市场日益多样化，但我们这个团体对趋势的洞察力仍在增长。”

Tactile rugs, wall-hangings and eastern-inspired seating nod, again, to the 1970s, but also reference a broader trend for "cocooning" at home.
Clippings points to Kiki van Eijk's narrative textiles for Google, Katrin Greiling's installation for the Milan Kinnasand showroom and sculptural tapestries presented at Colony during NYCxDesign.
Each trend in the 30-page document is presented alongside three stand-out projects and an edit of furniture, lighting and homewares sharing the same inspiration. Clippings also pressed curators, journalists and designers for their take.
"Our editors travel to every design fair and we often see common threads of interest emerging among creators working at the forefront of design for interiors around the world," said Clippings editor-in-chief Rose Etherington.
"These can be difficult to grasp if you're consuming design amid all the noise on platforms like Instagram and Pinterest," she told Dezeen. "Often what really catches our attention is a subtle but significant shift in a trend that's been slowly building for some time."
"At this mid-point in the year, we felt it made sense to take stock of the thousands of works we've seen so far in 2018 and draw together the influences that are preoccupying designers into coherent narratives, which we believe will inform interiors over the coming months."
Clippings decided to compile the report after more than 250 interior designers turned up to the company's trends briefing event following Milan design week.
"One of the many ways interior designers bring value to their clients is by connecting knowledge of what's current in the world of design with what's desirable to end users," said Clippings CEO Adel Zakout.
"We've seen growing demand for trend insights among our community despite the increasingly diverse and fragmented market."