奥地利Heldenberg 博物馆
Heldenberg Museum / PETER EBNER and friends ZT GmbH

由专筑网王沛儒，李韧编译

来自建筑事务所的描述。这座众所周知的私人神龛在19世纪由一位爱国军人为纪念奥地利帝国和皇家军队而建造。同时他也是伟大的奥地利司令官Radetzky的军事供应商和债权人。他在Marshall元帅的墓地周围竖起了石碑和方尖碑，还建立了一座小型柱状大厅，这是一座像乐高一样堆积放置的罗马神坛，向伟大的战争英雄致敬。

Text description provided by the architects. The private shrine erected by a 19th century army enthusiast in honor of the Imperial and Royal Austrian Army is a well-known curiosity. A supplier to the military and creditor of the great Austrian commander, Radetzky, erected here around the Field Marshall`s burial place stelae, obelisks and even a small-scale columnar hall – a kind of Forum Romanum with Legoland dimensions that pays homage to famous war heroes.



为了在奥地利地区的展览中增加全新的展览空间，这个破旧的建筑群已经经过翻新改造，同时还可以在那里展示军事历史以外的主题内容。

For the Lower Austrian regional exhibition the decaying complex has been completely renovated and enhanced by the addition of a new exhibition space, where themes other than military history can also be presented.





建筑师并不希望该项目相较于19世纪由金银丝装饰的建筑过分瞩目，所以就将展览馆嵌入到纪念场地后面的大山里。

The architects had no wish to enter into competition with the filigree 19th century complex and thus the exhibition building was embedded in an existing hill behind the memorial site.







该项目的精髓在于其将空间自由塑造，建筑师还在地下设置了建筑空间，这个空间可以作为各种实验展示的理想空间“白盒子”。事实上，每一种形式的空间都能用展览的内容来呼应。

The quintessence of the project is its free shaping  of space – which the underground location makes possible – while it also delivers a critical comment on the „white box“ that exhibition makers constantly call for as the allegedly ideal space for every kind of experimental presentation. In fact each form of space offers opportunities to respond to it with the contents of an exhibition.





在这里，建筑师安排了一个通道，这个通道不是“引导”游客通过的空间，而是通过扩大和缩小来指示方向，这里有着不规则间隔的上升和下降的天花板，还可以通过观察的外部景观来指明方向。项目预算有一定的限制，所以周围的环境就保持原样。

Here the architects create a passage that does not „conduct“ the visitors through a tube-like space but instead indicates the direction by widening and narrowing, by a ceiling that rises and sinks at irregular intervals as well as by allowing carefully considered views of the landscape outside. The budget was radically restricted and therefore the environs were left as they were.



入口悬在地面之上，为人们提供了视角定位，出口通向旧的行政大楼，再往前面走，人们就会来到一个柱状大厅，在树林里有奥地利英雄的石碑和半身像。第二个出口通向经过重新设计过的Heldenberg博物馆的场地，那里古老的环形沟渠系统已经得以重建。

The entrance hovers above the ground to offer visual orientation, an exit leads into the old administration building that at the front mutates into a columnar hall at the hallowed grove with its stelae and busts of Austrian`s heroes. The second exit leads into the redesigned grounds of Heldenberg, where prehistoric circular ditch systems have been reconstructed.







因此，智能展览大楼成为了两座老建筑之间的连接体系，其中一座是建造于19世纪的建筑。在这里，人们会直接看到内部空间，而非室外空间的石柱，这个空间在周围环境的各个构筑物之间创造了平衡，并且不失其自身特色。

The intelligent exhibition building thus functions as a contemporary connection between two curiosities, one prehistoric, the other 19th century. Instead of the stelae and the stakes in the two outdoor complexes, here we encounter an interior that presents a surprising balance between depicting the tectonics of its surroundings and making a subjective gesture.

















建筑设计：PETER EBNER and friends ZT GmbH
地点：奥地利
项目类型：扩建项目
照片摄影：Margherita Spiluttini
制造商：Roxul, Saint Gobain, Schüco, Bauder

Architects: PETER EBNER and friends ZT GmbH
Location: Austria
Category: Extension
Photographs: Margherita Spiluttini
Manufacturers: Roxul, Saint Gobain, Schüco, Bauder