Civic建筑事务所将20世纪30年代的市政厅建筑改造为鞋类博物馆
Civic Architects converts 1930s town hall buildings into shoe museum

由专筑网江鹏，小R编译

位于阿姆斯特丹的Civic建筑事务所在荷兰瓦尔韦克（Waaliwijk）设计了这座鞋类博物馆，圆形的开口直接切入了现有的砖墙，构成了穿越该博物馆的展览空间的视野。

Schoenenkwartier博物馆展示了瓦尔韦克鞋履设计和生产的历史，几个世纪以来，瓦尔韦克一直是北布拉班特地区传统工艺的重要中心。

Circular openings sliced into an existing brick wall provide views through to exhibition spaces inside this shoe museum, which Amsterdam-based Civic Architects designed in Waalwijk, the Netherlands.
The Schoenenkwartier Museum presents the history of shoe design and production in Waalwijk, which for centuries was an important centre for traditional craft within the North Brabant region.


▲ 增加了拱形窗户，让更多的光线进来
Arched windows were added to let in more light

Civic建筑事务所的设计任务是将一组列入遗产名录的建筑改造成能够容纳12000件藏品，以及其他博物馆设施、咖啡馆和设计和原型的实验室。

Raadhuis建筑群由建筑师Alexander Kropholler设计，适应与原始市政厅相关的功能。它在20世纪30年代分阶段建成，并在20世纪80年代扩建，增加了一座办公大楼。

Civic Architects was tasked with converting a cluster of heritage-listed buildings to house a collection of 12,000 objects, along with other museum facilities, a cafe, and laboratories for design and prototyping.
The Raadhuis ensemble was designed by architect Alexander Kropholler to accommodate functions associated with the original town hall. It was built in phases in the 1930s and expanded in the 1980s with the addition of an office block.


▲ Civic建筑事务所添加了一些“微妙的颠覆性”设计细节
Civic Architects added "subtly subversive" design details

鞋类博物馆延续了Kropholler在他最初的设计中应用的原则，最初的开放式拱廊和一个小亭的布局，辅以厚橡木框架的新拱形窗户。

Civic建筑事务所说：“我们巧妙地运用颠覆性的设计细节来细微区别Alexander Kropholler过于严格和死板的建筑风格”。

“因此，增加的细节部分不是一个时尚或矛盾的图标，而是揭开建筑历史层面的新篇章。”

The Shoe Museum extends the principles applied by Kropholler in his original design, with the original layout of open arcades and a small kiosk complemented by new arched windows framed in thick oak.
"We applied subtly subversive design details to nuance Alexander Kropholler's overly restrictive and rigid architectural views," said Civic Architects.
"As such, the addition is not a fashionable or contradictory icon, but a fresh new chapter in the historically layered story of the building."


▲ 博物馆有一个宽敞的门厅
The museum has a generous foyer

博物馆占据了Raadhuisplein广场的一个重要位置，从那里可以通过巨大的拱形开口看到它的主要公共功能，即咖啡馆和开放的车间。

人们可以从广场或相邻的拱廊通过大型旋转门或滑动门进入建筑。入口通向宽敞的门厅，有一条砖砌小路路，让它感觉像是公共广场的延伸。

中央门厅与其他开放的底层空间相连，其中包括咖啡馆和展览区。

游客可以选择自己的路线穿过建筑，精心布置的楼梯和走廊在关键区域之间构成了捷径。

The museum occupies a prominent site on the Raadhuisplein square, from which its main public functions – including the cafe and open workshops – are visible through the large, arched openings.
The building can be entered from the square or from an adjacent arcade through large pivoting or sliding doors. The entrances lead to a generously proportioned foyer featuring a brick path that makes it feel like an extension of the public square.
The central foyer connects with the rest of the open-plan ground-floor spaces, which include the cafe and exhibition areas, which were designed by Dutch studio Tinker Imagineers.
Visitors can choose their own route through the building, with carefully positioned staircases and corridors providing shortcuts between key areas.


▲ 该工作室在上世纪80年代的扩建部分设计了圆形开口
The studio cut circular openings into a 1980s extension

对现有结构的主要干预措施之一是在20世纪80年代增加的办公楼的立面上切开一排圆形开口。这些孔提供了从大厅看展览区的视线通廊。

现有元素的保留，表达了与场地历史的联系，而坚固和具有触感的材料调色旨在确保新添加的部分能够经受住常规使用，并随着时间的推移而不断改进。

One of the main interventions to the existing structures is a row of circular openings cut into the facade of an office wing added in the 1980s. These apertures provide a glimpse of the exhibitions from the lobby.
The preservation of existing elements retains a connection to the site's history, while a robust and tactile material palette aims to ensure the new additions will withstand regular use and improve with age.


▲ 改造旨在成为圆形设计策略的一个案例
The renovation was intended to be an example of a circular design approach

Civic建筑事务所补充道：“综合体的基调是由砖、钢、混凝土和木材等熟悉的材料设定的，它们强调了藏品和历史建筑的氛围，从而形成了一个集体艺术品。”

现有立面的保留和适应性利用反映了整个鞋类博物馆设计和制造车间推广的圆形设计方法。

"The tone in the complex is set by familiar materials such as brick, steel, concrete and wood," the architects added. "They reinforce the atmosphere of the collection and of the historic building, thus forming one collective artwork."
The retention and adaptive reuse of the existing facade reflects the circular design approach promoted throughout the Shoe Museum's design and manufacturing labs.


▲ 接待台由石灰麻复合材料构成
The reception desk is constructed from lime hemp composite

Civic建筑事务所通过使用各种可回收和可重复使用的材料强化了这一理念。主接待桌由石灰麻复合材料制成，而合成毡天花板则由回收的PET瓶制成。

入口区域的特色是由陶瓷砖制成的雕塑墙，有不同的浮雕图案，通过3d打印成型。创意机构La-Di-Da帮助开发了这堵墙，它使用了从其他玻璃工艺中回收的废料。

Civic建筑事务所专注于公共建筑，包括图书馆、宗教建筑、博物馆和基础设施项目。

该公司之前的项目包括将荷兰蒂尔堡市的一个前机车棚改造成明亮的图书馆和活动空间。

摄影：Stijn Bollaert

Civic Architects reinforced this philosophy by utilising various recycled and reusable materials. The main reception desk is made from a lime hemp composite, while the synthetic-felt ceiling panels are manufactured using recycled PET bottles.
The entrance area features a sculptural wall made from ceramic tiles with different relief patterns that were moulded in 3D-printed forms. Creative agency La-Di-Da helped develop the wall, which uses waste salvaged from other glazing processes.
Civic Architects specialises in public architecture, including libraries, religious buildings, museums and infrastructure projects.
The firm's previous projects include the transformation of a former locomotive shed in the Dutch city of Tilburg into a bright library and events space.
The photography is by Stijn Bollaert.