Hubertus Chapel / CAN Architects

由专筑网叶中玉，李韧编译

“...对我们来说真好”// Mark 9：5 //

建筑如同一个位于木质平台上的帐幕。周围有一些放牧马。建筑由三根支柱支撑，这是一个礼拜场所。它的原型是一个路边的教堂，也是一个巴洛克风格的三角覆盖物。那里人们穿着卡其布服装在这里聚集，庆典开始时，有些人会携带喇叭、鹿角，其他人则负责装饰教堂，这是一个特定人群聚集的场所，这里有如猎人般的古代传教士，他们遵循古代传统习俗进行捕猎仪式，所以教堂的位置远离居住区。一个响铃过后，标志着活动即将结束。在周围一片嘈杂声中，铃声响彻森林。这座建筑时这片神圣空间里的唯一装饰物，其三角形的空间向观众开放，并在后方保持开放。天黑之前一切庆典都将结束，马可以重新在这片空地上活动，留下一座帐幕独自伫立在这一片寂静的原始森林之中。

„…it is good for us to be here…” //Mark 9:5//
There is a tabernacle stands in the glade made of wood. Some grazing horses are around. There are a shrine with three stools under the roof. A place for liturgy. Its antitype is a wayside shrine or a barocque triangular covering. It is almost a chapel, but a church. Sancuary of the glade where people gather wearing khakis outfit. Some are carrying horn, antlers while others are decorating as the Saint Hubertus celebration has begun… It is a private company. The Hunters - I mean. Keepers of an ancient tradicion. The ritual of chasing and kill for living. So its place is far from settlements. …a tune of a bell beat the air finishing the preparation. It is much too small in size compare to its sound. The only temporary adornment of the sacred space. The triangular santcuary opens towards the audiance, but unclosed in the back focus to infinity. Furniture are gone by the end of the day and horses can re-enter the field. There is a tabernacle stands alone in the glade framing by the silence of a primeval forest.

祭坛/Altar. Image © Szilárd Köninger

这座森林的管理部门委托建筑师为狩猎者创建一个教堂般的建筑，用于庆祝Hubertus Day。森林管理部门对于这个事件很感兴趣，但对建筑的序列组织却不清楚。 因此他们提出以下几点要求：

The call from the forestry was to create a chapel-like building for hunters to celebrate the Hubertus Day. As the Forestry was fascinating about the happening but unclear in programatic the building. The key was to make the rules clear for the start in the following points:

夜景/Night. Image © Szilárd Köninger

轴测/Axonometric

目标：

礼仪：确定人们聚集仪式的方式，同时容纳300人的功能空间
对象：在一片荒芜人烟的地方找到适合的场所
材料：使用天然木材（来自森林）

GOALS
Liturgy: to determine a method of liturgy make the mass and the ceremony functional for around 300 people
Objet Trouvé: to find a reference system in the absence of consecrated place in the neighbours
Materiality: naiveté use of wood (from the Forestry)

屋顶/Roof. Image © Szilárd Köninger

目标：

礼拜：露营礼拜
对象：路边教堂是这个地区独特的建筑，专注于三位一体的设计来源于巴洛克时代德国所流传下来的习俗。神秘的数字“3”是设计的根源，从柱形雕像以及三列支撑屋顶的支柱中可以见证这一点。
材料：木材是建筑中的唯一材料，在细部做法和家具中也只能使用木材，屋顶、路面和屋顶盖也都是由当地的木材所覆盖。

INSTRUMENTS:
Liturgy: camping liturgy
Objet Trouvé: The wayside shrine is the uniqueness of this region in sacred building ，focusing on the Trinity   was a german impact in baroque age. The mysterious number three  was the root of the design was seen in the base of column statues or even in shelter roofs supporting by  three columns.
Materiality: timber is the only material we use, even in joinery and furnitures. The roof, the pavement   and the roof cover are us the local wood

节点/Detail

室内/Interior. Image © Szilárd Köninger

建筑是三个主要元素的复合体。布局是一个等边三角形，定义了一个向观众开放的空间和向远处无限延伸的背面。建筑悬浮在草地上，祭坛和三个凳子在教堂设计中遵循相同的方法和秩序，由木制板条制成。家具可移动，但它们的形式决定了它们在这座建筑中的作用。

The architecture is a compound of the three points. The layout is an equilateral triangle define a space open up to the audience and unclosed on the back. Levitating on grass. The altar and the three stools follow the same method and order in design as the chapel. Made of series of lath with wooden joineries. The furniture are mobile, but their form define their place in the sanctuary.

细节/Detail. .Image © Szilárd Köninger

平面图/plans

建筑设计：CAN Architects
位置：匈牙利
主创建筑师：ádám Tátrai, Szilárd Köninger
面积：27.0 m2
年份：2014年
摄影：Szilárd Köninger
咨询顾问：Ferenc Fekete
客户：Kisalföld Erdőgazdaság Zrt. (Kisalföld Forestry Inc.)

Architects: CAN Architects
Location: Csapod, Göbös major, 9372 Hungary
Architects in Charge: ádám Tátrai, Szilárd Köninger
Area: 27.0 m2
Project Year: 2014
Photographs: Szilárd Köninger
Consultant: Ferenc Fekete
Client: Kisalföld Erdőgazdaság Zrt. (Kisalföld Forestry Inc.)


出处：本文译自www.archdaily.com/，转载请注明出处。