AMO为阿姆斯特丹的市立博物馆创建“开放式”展示系统
AMO creates "open-ended" display system for Amsterdam's Stedelijk Museum

由专筑网王帅，李韧编译

OMA研究设计工作室为阿姆斯特丹市立博物馆的永久收藏品创造了一个展示系统，这个系统由43个修长的独立钢板墙组成。

这个展示系统称为“市立博物馆之基”，展示系统轻便灵活，其特点是由钢板制成的独立式墙，钢板由荷兰Tata钢铁公司开发，厚度为15毫米。

OMA's research and design studio AMO has created a display system made up of 43 slim free-standing steel walls for the permanent collection of Amsterdam's Stedelijk Museum.
Called Stedelijk Base, the light and flexible display system features freestanding walls made from 15-millimetre-thick steel plates developed by Tata steel in the Netherlands.

钢板采用激光切割，然后将各个部分连接在一起，形成坚固稳定的三角形结构。

Rem Koolhaas是OMA工作室和AMO工作室的创始人，他表示：“通过与市立博物馆、Arup和Tata钢铁的合作，我们创造了像屏幕一样的墙壁，这得益于钢结构的轻薄。”

他继续说：“这样可以轻松和灵活地在展览空间中排布，并鼓励观众在展览空间中选择不同的路径，就像在城市中穿梭般自如。”

The laser-cut pieces are then coupled together to create solid and stable triangular structures.
"In a productive collaboration with Stedelijk, Arup and Tata Steel, we have created walls like screens, thanks to the slimness of the steel structure," said Rem Koolhaas, OMA and AMO founder.
"These enable a lightness and flexibility in navigating the exhibition space, and encourage the viewer to take different paths in the space, as adventurous as circulation through any city," he continued.

展览位于博物馆的下部美术展区，这里目前只用于临时展览。

组装后的墙并没有将空间分割成较小的空间，而是使墙的组合能够呈现成一个整体，并按时间顺序沿着廊道空间逐步呈现。

45毫米的薄墙是展览的特定需求，并为艺术和设计品的展示提供橱窗和平台。

The display is located in the museum's Lower Level Gallery, which until now was only used for temporary exhibitions.
Instead of breaking the space into smaller rooms, the assembled walls enable the collection to be presented as a whole – chronologically along the perimeter of the gallery space, and thematically on the steel walls which intersperse the gallery.
Each of the 45 millimetre-thin walls is devoted to a specific aspect of the collection and feature vitrines and platforms for displaying art and design objects.

项目的牵头人Rem Koolhaas 和Federico Martelli，与市立博物馆的馆长、研究人员和技术人员密切合作了将近两年，他们不断地探索博物馆的各项收藏品。

在此期间，他们表示“艺术品和收藏品之间具有复杂的关系系统”，这种关系反过来又影响了展示系统的架构。

展示系统的布局设计为开放式，参观者可以在藏品中任意选择参观路径，从而在1880年直至1980年的艺术作品中发现不同的联系。

Rem Koolhaas and Federico Martelli, who led the project, worked closely together with the curators, researchers and technical staff of the Stedelijk Museum for almost two years – exploring its archives and collections.
During this time, they said "a complex matrix of relations between artworks and objects in the collection" emerged, which in turn influenced the architecture of the display system.
The display's open-ended layout was designed so that visitors can forge their own path through the collection and make unexpected connections between modern and contemporary art and design from 1880 until 1980.

为了确保展览满足稳定安全的严格标准，AMO与Arup工程师们密切合作，设计和制造了薄而坚固的展示墙体。

Martelli：“这次展览是对吸收信息新方式的回应。参观者能够做到同时专注于许多事情，这个环境中信息的多样性激发了我们的好奇心。”

他继续说：“展览的组织机构对博物馆藏品的深入研究做出了回应。其实的联系并不是一成不变，我们设计了一个能让游客发现各种艺术品之间联系的空间系统。”

To ensure that the display met strict standards of stability, vibration and security, AMO worked in close collaboration with Arup engineers to design and fabricate the thin yet solid walls.
"The exhibition responds to new ways of absorbing information," said Martelli. "Viewers have become capable of focusing on many things at the same time, and the multiplicity of information in our environment stimulates our curiosity."
"While the organisation of the exhibition responds to thorough research of the museum's collection," he continued. "It is not rigid, we have designed a landscape which allows visitors to discover associations between various artworks and objects."

“市立博物馆之基”并不是由位于鹿特丹的工作室设计的第一个艺术品展示系统，在一份声明中，工作室负责人解释说，该设计作品是工作室以前设计过的两个临时展览演变而来的。

第一个是在2014年威尼斯双年展的“建筑元素”展览，工作室将这次展览称作是一个起点，其目的是“反思作为建筑元素中最初为结构构件的墙体作用，除了单纯的分区构件，墙体还有哪些功能”？

此外，AMO还为普拉达文化艺术基金会设计了“连续和移动的经典”展览，此次展览使工作室重新思考了在基座上展示古典雕塑的传统观念。

摄影：Delfino Sisto Legnani、Marco Cappelletti

Stedelijk Base is not the first artwork display system designed by the Rotterdam-based office, and in a statement, the studio explained that the design is an evolution of two previous temporary exhibitions it created.
The first is the Elements of Architecture exhibition at the 2014 Venice Biennale, which the studio says was the starting point for "reconsidering the role of walls as building elements that were initially structural, but that have become mere partitions".
In addition, AMO designed the exhibition display of Serial and Portable Classic for the Fondazione Prada, which reexamined traditional notions of displaying classical sculpture on a pedestal.
Photography is by Delfino Sisto Legnani and Marco Cappelletti.

出处：本文译自www.dezeen.com/，转载请注明出处。