由专筑网王晓梦，刘庆新编译
来自事务所的描述。布莱斯表演艺术中心是一座包含400个座位的表演艺术中心。它极具雕塑感，独特的室内空间和优质的声学效果为Iona学院音乐和戏剧表演创造了一个新的奇妙空间，对北哈弗洛克更加宽阔的社区来说也是一项很有价值的资产。
From the architect. The Blyth Performing Arts Centre is a 400 seat concert chamber and assembly hall. Its sculptural form, innovative interior spaces and outstanding acoustics create an exciting new place for music and theatre performance for Iona College, and a valuable asset to the wider community of Havelock North.
© Mark Smith
学院想让我们通过设备完善、音质良好的音乐会大厅来创造一个“卓越的音乐表演中心”，这个大厅应专为不使用扩音的音乐、唱诗班、演讲等表演类型设计，但同时也能适应其它表演艺术（形式）。
The School came to us looking to create a “centre of musical excellence” through the creation of a well-equipped, well-tuned Concert Chamber designed specifically for unamplified sound - chamber music, choral singing, speaking, while also accommodating other performing arts.
© Mark Smith
Ground Floor Plan/底层平面图
该建筑坐落在Lona学院入口附近的一片树林的缓坡上，成为欢迎群众驻足的一个新地标。蜿蜒的曲线和成角度的平面表达出强烈雕塑感，让人联想到乐器的形状和Te Mata Peak的折叠景观。巨大的金属屋顶弯曲变成一个拉紧但优雅、活力十足的回响式形状。
The building sits amidst the trees on a gentle slope near the entry to Iona College as a new symbol and public gesture of welcome. The strong sculptural language of sinuous curves and angled planes is drawn from the shapes of musical instruments and the folded landscape of Te Mata Peak. The great metal roof is bent and shaped into a form that is taut yet graceful, and resonant with energy.
© Mark Smith
© Mark Smith
入口大堂是一个强调“场景感”的巨大的两层通高空间。它是一个带有接待处、吧台、休息和人流集聚的流动空间。宽敞的玻璃门朝东，将大堂和室外的景观连成一体。
The Entry Foyer is a dramatic double height space which emphasises the 'sense of occasion'. It is a flowing space with areas for reception, bar, sitting and gathering. The expanse of glazing orientates and connects the Foyer to the landscape beyond.
© Mark Smith
音乐会表演大厅是一个声学效果极佳的宽阔而优雅的空间。它包含中心位置处递升的300个座位，及沿着稍远处楼厅的100个座位，创造了一种迷人的剧场氛围。不对称的曲线式天花板和成角度的墙体为整个大厅营造一种雕塑感和曼妙空间感。
The Concert Chamber is a generous and elegant room with finely tuned acoustics. It has tiered seating for 300 people in the centre and a further 100 seats around the balcony, creating an engaging theatrical atmosphere. The asymmetrical curved ceiling and angled walls give the space a sculptural quality and a sense of spatial intrigue.
© Mark Smith
高大的玻璃窗从南部投射进自然光线，低窗则形成景观的框景。大厅的一面装有百叶窗的墙体，在音乐和戏剧表演时，能产生不同的混响效果，天花板中也安置了“绸带”感的声学反响面板。
A high window brings in natural light from the south and a low window frames a view to the landscape. A louvered wall in the chamber enables different reverberation for musical and theatrical use, and acoustic sculpted ‘ribbon’ reflective panels are integrated into the ceiling.
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Longitudinal Section/纵截面
该建筑的材料主要是来自新西兰本地，符合节约成本和可持续原则，为长期低花费维护而选择。他们创先被用于一种与景观和谐共存的雕塑美感和设计哲学中。被锯断的粗糙的松木材料作为表演大厅和公共大堂中的室内里衬。
The materials used are mainly NZ made, cost efficient, sustainable and are chosen for durability and low maintenance. They are used innovatively to elevate them to a sculpted form of beauty in harmony with the landscape and design philosophy. Rough sawn pine is used as an internal lining in the concert chamber and the foyer.
© Mark Smith
打磨光滑的混凝土地板铺满室内各处。凹形结构连接了天花板和混凝土表演大厅，使得这种雕塑感形式彰显出来。材料选择达到了事半功倍的效果，从平凡中创造出了美感。在音响表演时，室内安置了双倍绝佳的热阻隔热材料，来保证舒适的室内环境。
Polished concrete floors run throughout the interior. Gib lines the ceiling to the concert chamber allowing the sculptural form to stand out. The choice of materials creates a lot with a little, creating beauty from the ordinary. Optimized thermal insulation R-values have been installed coupled with acoustic performance to ensure a comfortable internal environment.
Cross Section/横截面
© Mark Smith
场馆工作区设施为演员和音乐器材的高效运转而设计。舞台边侧的演员休息室与表演大厅有着视觉联系。进料台和机房则设置在后面的隐蔽处。
The Back of House facilities are designed for the efficient movement of performers and instruments. The Green Room located to the side of the stage has a visual connection to the Concert Chamber. The Loading Bay and Plant Room are discretely located at the rear.
© Mark Smith
我们认为最好的建筑是形式与功能的完美结合，它不仅应该是美观的，而且使用的效果也应该是绝佳的。通过设计的布莱斯表演艺术中心，我们希望能创造一种力量和优雅兼存的建筑表现，一次接近音乐超群美感的体验。
We believe the best architecture is a perfect synthesis of form and function, not only should it be beautiful but it should be beautiful to use. With our design for the Blyth Performing Arts Centre we aimed to create an architectural expression of strength and grace, and an experience that approaches the sublime beauty of music.
© Mark Smith
First Floor Plan/一层平面图
North Elevation/北立面
South Elevation/南立面
East Elevation/东立面
West Elevation/西立面
建筑设计师：Stevens Lawson Architects
项目位置：新西兰 北哈弗洛克
面积：1479.0平方米
竣工时间：2014年
摄影师：Mark Smith
项目团队：Gary Lawson, Nicholas Stevens, Yvette Overdyck, Barry Tobin, Raukura Turei
承包商：Mackersey Construction
结构工程师：Holmes Consulting Group
机械与电气工程师： eCubed Building Workshop
室内设计：Stevens Lawson Architects
建筑照明：eCubed Building Workshop
声学设计：Marshall Day Acoustics
工料测量：Rider Levett Bucknall
检测员：Surveying The Bay
设计顾问：Environmental Management Services
消防顾问：Holmes Fire
剧场设计顾问：Dorita Hannah
剧场服务顾问：John McKay
项目成本：6,248,000美元
Architects: Stevens Lawson Architects
Location: 42 Lucknow Rd, Havelock North 4130, New Zealand
Area: 1479.0 sqm
Project Year: 2014
Photographs: Mark Smith
Project Team: Gary Lawson, Nicholas Stevens, Yvette Overdyck, Barry Tobin, Raukura Turei
Contractor: Mackersey Construction
Structural Engineer: Holmes Consulting Group
M&E Engineer: eCubed Building Workshop
Interiors: Stevens Lawson Architects
Lighting: eCubed Building Workshop
Acoustics: Marshall Day Acoustics
Quantity Surveyor: Rider Levett Bucknall
Surveyor: Surveying The Bay
Planning Consultant: Environmental Management Services
Fire Consultant: Holmes Fire
Theatre Design Consultant: Dorita Hannah
Theatre Advisory Services: John McKay
Project Cost: $6,248,000
出处：本文译自www.archdaily.com/，转载请注明出处。
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