由专筑网陈静，许航，卢荣姝编译
第54届米兰设计周（也被称为米兰家具展）已落下帷幕。在庆祝它成功之际，我们编制了一份今年谈论最多的建筑设计师设计的展品清单。看看由雷姆•库哈斯、扎哈•哈迪德、大卫•奇普菲尔德等建筑师突破性的新作品。
The 54th edition of Milan Design Week (also known as Salone del Mobile) recently came to a close. In celebration of its success, we have compiled a list of the most talked about architect-designed products showcased this year. Take a look after the break to see new products from Rem Koolhaas, Zaha Hadid, David Chipperfield, and more.
Fayland / David Chipperfield. Image © e15
Fayland / David Chipperfield. Image © e15
大卫•奇普菲尔德为设计周设计的作品：芙兰（Fayland）,芙利（Fawley） 和兰利（Langley）。
他们原本是为英国乡村一个建筑项目设计的家具，奇普菲尔德的“优雅的”芙兰长桌（Fayland table）是为了突出“线性形式和明确的结构概念”。这一系列全木“家族”还包括有芙利长凳（Fawley bench）和兰利椅凳（Langley stool）。
David Chipperfield for e15: Fayland, Fawley and Langley
Originally designed for an architectural project in rural England, Chipperfield’s ”elegant” Fayland table is intended to highlight “linear form and a clear structural concept.” The all wood “family” is complete with the Fawley bench and Langley stool.
Open / Rem Koolhaas. Image © Olivari via Domus
Open / Rem Koolhaas. Image © Olivari via Domus
雷姆•库哈斯 和扎哈•哈迪德 为Olivari（意大利门锁品牌）设计的作品：开启（Open）和雪佛龙（Chevron）
Olivari发布了三个新门把手中的两个：哈迪德的雪佛龙（Chevron）灵感来源于她在纽约的第一个项目，而库哈斯的开启（Open）门把手的最基本元素是：轮轴和杠杆。
Rem Koolhaas and Zaha Hadid for Olivari: Open and Chevron
Two of three new handles released by Olivari, Hadid’s “Chevron” was inspired by the form of her first project in New York City, whereas Koolhaas’ “Open” strips the door handle to its most basic elements: the hub and lever.
Offset-Frame Chair / Nendo. Image Courtesy of Nendo
Nendo设计事务所为日本国誉公司设计的作品：简框椅（Offset-Frame Chair）
”一把简单的折叠椅，”Nendo设计的简约的“简框椅”是由“一个带有一个统一靠背和坐板的塑料树脂壳与一个（略凸的）金属框架”组成，它可以轻易地被移动。它有8种不同的型号，并且有6种树脂的颜色和3种金属框架的变化形式。
Nendo for Kokuyo: Offset-Frame Chair
“A casual stacking chair,” Nendo’s simplistic “Offset-Frame Chair” is comprised of “a plastic resin shell with a unified back and seat section and a (slightly protruding) metal frame” that can be easily maneuvered. It comes in eight different models with six resin color and three metal frame variations.
One Series / David Adjaye . Image © Sawaya & Moroni
大卫•阿贾耶为萨瓦亚和莫罗尼设计的作品：一系列（One Series）
一套包含了紧凑型生活理念的多功能家具作品，阿贾耶的“一系列“将桌子、书桌、沙发和躺椅组合到同一个组件中。
David Adjaye for Sawaya & Moroni: One Series
A multifunctional furniture piece that embraces the idea of compact living, Adjaye’s “One Series” combines the table, desk, sofa and chaise lounge into a single component.
Blur / Ron Arad. Image © Moroso via Dezeen
Blur / Ron Arad. Image © Moroso via Dezeen
罗恩阿诺德为莫罗索设计的作品：滑翔机（Glider）、模糊（Blur）和马特丽夏（Matrizia）沙发
不像“马特丽夏（Matrizia）”的灵感来源于纽约街头发现的一个废弃床垫，”滑翔机（Glider）”和“模糊（Blur）”则采用了从单一的两种色调体量的“传统沙发”。
Ron Arad for Moroso: Glider, Blur and Matrizia Sofas
Unlike the “Matrizia,” which was inspired by a discarded mattress found in the streets of New York, ”Glider” and “Blur” carved a “classic sofa” from a single, two-toned volume.
Re-launch of Meinhard von Gerkan's Berlin Chair / gmp architekten. Image © Peter Schumacher, Stuttgart, Germany
GMP建筑事务所为沃尔特•诺尔设计的作品：重新推出的迈因哈德・冯・格康的柏林椅
在其推出40年后，这款重新上市的柏林椅保持着它的“简洁性、逻辑性和可靠性”以及“高度抛光的钢支撑”和“柔软的皮革”的外观。
gmp architekten for Walter Knoll: Re-launch of Meinhard von Gerkan’s Berlin Chair
Forty years after its introduction, the relaunched Berlin Chair maintains its “succinct, logical, authentic” appearance with its “highly-polished steel supports” and “supple leather.”
Tau / Zaha Hadid . Image © Jacopo Spilimbergo
Quad / Zaha Hadid . Image © Jacopo Spilimbergo
扎哈•哈迪德为希特科（Citco）设计的作品：塔乌（Tau）和四方（Quad）
”看起来像花瓣一样纤弱“，Hadid的“塔乌”花瓶的展出，以一系列复杂的褶来表达自然生长系统的正式的复杂性。大理石的“四方” 桌的特点是“光滑的表面”出现了“紧绷和褶皱，突破了它结构固有的延展性。
Zaha Hadid for Citco: Tau and Quad
“Seemingly as delicate as flower petals,” Hadid’s “Tau” vases ”emerge as a series of intricately rendered pleats expressing the formal complexity of natural growth systems.” The marble “Quad” table features a “fluid surface” that appear “taut and pleated, denying the inherent unmalleability of its structure.”
Gemma Armchair / Daniel Libeskind. Image © Moroso
丹尼尔•里伯斯金为莫罗索设计的作品：吉玛扶手椅
”这款吉玛扶手椅......是建筑学在小规模场景下的运用。其不对称的硬边由豪华的柔软材料包裹着，内部装饰从深蓝色到白色。它多面的轮廓让人联想到一种珍贵的宝石和源于十五世纪的意大利挂毯上的典型几何形状”。
Daniel Libeskind for Moroso: Gemma Armchair
“The Gemma armchair… is an exercise in architecture on a small scale. Its asymmetrical hard edges are offset by a luxurious soft ombré of deep blue to white upholstery. The multi-faceted profile is both reminiscent of a precious gemstone and of the geometries typical offifteenth century Italian tapestries.”
Soft / Nendo. Image Courtesy of Nendo
Nendo设计事务所为意大利玻璃家居品牌Glas Italia所设计的作品 ：柔软（Soft）
“柔软（Soft）”是九种磨砂玻璃桌子的统称，旨在建立自然和柔软的“渐变”的感觉，”就好像桌子边缘的颜色是模糊的感觉“。
Nendo with Glas Italia: Soft
“Soft” is a collection of nine frosted glass tables that aim to achieve a “gradient” of natural and soft images, “as if the colors on the edges were blurring.”
UNX2 / Ben Van Berkel. Image © United Nude
UNX2 / Ben Van Berkel. Image © United Nude
UNX2 / Ben Van Berkel. Image © United Nude
扎哈•哈迪德, 费尔南多•罗梅罗和本•范•伯克尔 为United Nude设计的作品：重新创作的鞋（Re-Inventing Shoes）
“这个重新创作的鞋的项目是关于探索和推动快速发展的技术界限，通过最大量的自由雕塑来创造鞋。”罗梅罗设计的红色的“菊石”，哈迪德设计的“火焰”和范•伯克尔设计的“UNX2″ 重新定义了脚后跟。
Zaha Hadid, Fernando Romero, and Ben Van Berkel for United Nude: Re-Inventing Shoes
“The Re-Inventing Shoes project is about exploring and pushing the boundaries of this rapidly developing technology by creating shoes with the largest amount of sculptural freedom.” Romero’s red “Ammonite,” Hadid’s “Flames” and Van Berkel’s “UNX2″ redefine the heel.
Offset-Frame Chair / Nendo. Image Courtesy of Nendo
Glider / Ron Arad. Image © Moroso via Dezeen
Offset-Frame Chair / Nendo. Image Courtesy of Nendo
出处：本文译自www.archdaily.com/，转载请注明出处。
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