Pink Moon Saloon

由专筑网Brick，杨帆编译

来自建筑事务所的描述。项目纲要勾画了场地沿着阿德莱德“充满活力的”巷道运行的构思。讲述了关于烧烤食物和森林露营的户外童年的故事，粉月吧的体验与其相互交织在了一起。

From the architect.The brief for the project outlined a concept for a venue, running off a 'vibrant' lane way in Adelaide. The experience of this bar was to be entwined with a narrative. This narrative was of the outdoors, a childhood memory of fire cooked food and camping in the forest.

Courtesy of Sans-Arc Studio

理念

在整个设计过程中，构思逐步发展，选定探索荒野小屋的类型。小屋位于偏远地区，经常在地理上独特的地方。一般来说材料来自本地。因此荒野小屋的物质性和美学性是多种多样的，但也有一些共同的线索。通常，木材是通过现场砍伐树木获得的，而石头或土是从附近搜集的。这种方法为小屋赋予了一种乡土风格，带有与特殊区域或地点相关联的不同元素或细微差别。

Concept
Throughout the design process the concept evolved and settled on exploring the typology of the wilderness hut. Huts are located in remote or isolated areas and often in geographically unique places. Generally speaking materials have to be sourced locally. As a result the materiality and aesthetics of the wilderness hut are varied but with a few common threads. Often timber is sourced by felling the trees on site and stone or earth is gathered from nearby. This approach creates a vernacular style amongst huts, with different elements or nuances associated with a particular region or locality.

Courtesy of Sans-Arc Studio

Courtesy of Sans-Arc Studio

粉月吧通过小屋应有的方式来设计和建造，意在创造其独有的特征或语言。首先，需要了解其独特的环境。项目位于两座不高的办公楼之间，东西向的场地狭长，获得的直射阳光有限。小屋需要融入其周围环境，不是支配它们，而是美化和欣赏它们。在环境的遮蔽与庇护之下，小屋营造了一种温馨的氛围。

The intention with Pink Moon was to create its own identity or vernacular; by designing and building in the way a hut should be. Firstly, an understanding of its unique climate. Sitting between two low-rise office buildings, narrow and long, running east-west with limited access to direct sunlight. The hut needs to embrace its surroundings, not dominate them, but embellish and appreciate them. Creating a moment of warmth and shelter within whatever context.

Courtesy of Sans-Arc Studio

体量和空间规划

3.66 x 28米的场地很狭窄，适合采用日本的设计方法。项目显然需要光线的渗透，还要在有限宽度的情况下建立紧凑的平面图。其结果是产生了两间小屋，它们被大小类似的院子从中间分开，酒吧临街，餐厅小屋置后。这种分层的方法能让光线渗入空间，但也强调了穿行空间的运动，人们穿过多个门槛，体验三个不同的空间。

Volume and Spatial Planning
At 3.66 x 28 metres, the narrow site lent itself to a Japanese approach to programming. There was an obvious need for light to penetrate the space as well as create a compact, floor plan that dealt efficiently with the limited width. The result was two huts, separated in the middle by a courtyard of similar size, the bar to the street, a dining hut to the rear. This layered approach allows light to filter into both spaces, but also accentuates the movement of walking through the space, crossing multiple thresholds and experiencing three different spaces.

Courtesy of Sans-Arc Studio

Floor Plans/平面图

Courtesy of Sans-Arc Studio

内部天花板倾斜，显现了60度的屋面坡度和木桁架结构。项目通过强调高度和整体体量，试图减缓与狭窄空间相关的紧张感。前面的酒吧小屋是明亮通风的，餐厅小屋的光线是较为昏暗的，集中在炉火周围。中央庭院几乎没有自己的照明，而是在白天让光线照进两间小屋，在晚上被小屋照亮。

The internal ceilings are raked to express the 60 degree roof pitch and timber truss structure. This attempts to relieve the feeling of tightness associated with a narrow space by accentuating the height and overall volume. The front (drinkers) hut is light filled and airy whilst the dining hut is darker, dimly lit and focussed around the fire. The central courtyard has little of its own lighting, but instead allows light into the two huts during the day and is lit by them at night.

Courtesy of Sans-Arc Studio

材料

所有的选材基于建造小屋的原则，根据材料的影响/可持续性和再利用能力来考虑。尽可能使用熟悉的澳大利亚材料。结构是木构架的，使用本地澳大利亚硬木作包层，其次使用斑桉、塔斯马尼亚橡木和铁皮木。尽可能限制过度使用钢材或其它原材料。bessa砌块墙和铺路石被视为阿德莱德最有地方特色的砖石，它是我们“当地的石头”。颜色略受喜马拉雅山小屋的奇怪颜色组合的启发，但是极具粉月吧的特色。

Materiality
All of the material selection was based around the principles of hut-construction and have been considered in relation to their impact / sustainability of production and ability for re-use. As much as possible, there was an attempt to use familiar Australian materials. The structure is timber framed and uses locally sourced Australian Hardwood as cladding; seconds of Spotted Gum, Tasmanian Oak and Ironbark. Excessive use of steel or other virgin materials was limited as much as possible. The bessa block walls and paving can be seen as the most vernacular masonry option in the Adelaide, our 'local stone'. The colours are slightly inspired by the weird colour combinations of Himalayan mountain huts, but very much the Pink Moon Saloon.

Courtesy of Sans-Arc Studio

Courtesy of Sans-Arc Studio

Courtesy of Sans-Arc Studio

Courtesy of Sans-Arc Studio

Elevation - Section/立面图-剖面图

建筑设计：Sans-Arc Studio
项目位置：澳大利亚，阿德莱德，21 Leigh St
建造：Brojed Construction
项目面积：102.48平方米
摄影：Courtesy of Sans-Arc Studio
厂商：Beeline design, Boral Timber

Architects: Sans-Arc Studio
Location: 21 Leigh St, Adelaide SA 5000,Australia
Builder: Brojed Construction
Area: 102.48 sqm
Photographs: Courtesy of Sans-Arc Studio
Manufacturers: Beeline design, Boral Timber


出处：本文译自www.archdaily.com/，转载请注明出处。