楔形社会主义博物馆/Archohm-文化建筑|博物馆-专筑网

楔形社会主义博物馆/Archohm

2016-09-20 19800 Views iarch001

建筑, 文化建筑, 博物馆, 印度, 勒克瑙, Archohm Consults, 混凝土

Archohm completes wedge-shaped socialism museum in northern India

由专筑网Yumi，刘庆新编译

建筑公司Archohm在勒克瑙完成了一座楔形博物馆，献给已故的印度独立活动家Jayaprakash Narayan。

建筑名为Jayaprakash Narayan 展出中心，收藏了一系列关于社会改革者的展品。

Architecture firm Archohm has completed a wedge-shaped museum in Lucknow dedicated to the late Indian independence activist Jayaprakash Narayan.
Named Jayaprakash Narayan Interpretation Centre, the building houses a series of exhibitions about the social reformer.

Photograph by Andre J Fanthome

该建筑以两个三角形的立面和一个倾斜的屋顶为特色，赋予给它一个独一无二的螺旋形式。

倾斜的屋顶有阶梯，让游客爬到顶端，俯瞰城市和邻近公园的风景。

确切地说，这座公园是献给Narayan的同伴积极分子——印度的独立者Ram Manohar Lohia。

The structure features two triangular facades and a sloping roofline that give it a distinctive slice-shaped form.
The sloping roof is stepped, allowing visitors to climb to its apex and take in views of the city and an adjacent park.
Fittingly, this park is dedicated to Narayan's fellow activist for Indian independence Ram Manohar Lohia.

Photograph by Andre J Fanthome

“庞大和大胆的建筑形式代表了一种立场，渗透出一种认可，”建筑师说。

“不管建筑的规模和非常规的形状，它清洁和清晰的线条看似简单，”他们补充说。“就像它所代表的人，意义深远的深度和复杂性在室内展示出来，它只是强化了植根于深刻的思想和反应中的简单性概念。”

"The monolithic and bold form of the building takes a stance and exudes empowerment," said the architects.
"Despite the scale and the unconventional shape, the building with its clean and clear lines is deceptively simple," they added. "Just like the man it represents, the profound depth and complexity is revealed on the inside and it only reinforces the notion of simplicity being rooted in deep thought and reflection."

Photograph by Andre J Fanthome

混凝土结构被覆盖着泥土色调的赤陶土瓷砖，和博物馆同名的人的肖像装饰了它的立面。

“材料的选择传达一定的永恒性和易维护性——这些元素被这种自然的公共空间所需要，”建筑师说。

The concrete structure is clad in earth-toned terracotta tiles, and a portrait of the museum's namesake adorns one facade.
"The material choice conveys a certain timelessness and ease of maintenance – both elements much needed for a public space of this nature," said the architects.

Photography by Bharat Agarwal

博物馆被设计成到达Jayaprakash Narayan展示中心的途径——就在相邻的基地上建设——体量侧面的一个巨大的弧形切口将该中心内的视野囊括其中。

博物馆的楔形形式的灵感也来源于该会议中心，它将以一个大型的三角洞为特色。

The museum is designed as a gateway to the Jayaprakash Narayan International Convention Centre – still under construction on the next plot – and a huge arched cut-out in the volume's flank will later frame a view of the centre.
The museum's wedge-shaped form also takes its design cues from the convention centre, which will feature a large triangular cavity.

Photograph by Gopendra

博物馆内部，一个红色的曲线楼梯和一组坡道引导游客通过三层的入口大厅到达一系列的画廊，它们展出教育展品。

这些画廊有低层次的照明，与明亮、自然采光的中庭形成对比。

Inside the museum, a red curving staircase and a series of ramps guide visitors up through the three-storey entrance lobby to a series of voluminous galleries featuring educational exhibits.
These galleries have low-level lighting that contrasts the brightly and naturally lit atrium.

Photograph by Bharat Agarwal

“而信息空间是昏暗的，沉思空间沐浴在柔和的光线之下，创造一种飘渺轻盈的感觉，”工作室解释说。

底层的售票处沿着图书馆和儿童区安置，深花岗岩台阶作为露天的会议场所的入口。

"While informative spaces are dimly lit, contemplative spaces are washed in muted light to create an ethereal lightness of being," explained the studio.
The ticket office is placed alongside a library and a children's area at ground level, and a deep granite steps acts as an open-air meeting spot by the entrance.

Photograph by Andre J Fanthome

下沉式庭院引入自然光到建筑的地下室，而楼上由天窗照亮。

Sunken courtyards introduce natural light into the basement level of the building, while the upper floors are lit by wells.