【内容简介】
阿道夫·路斯(1870-1933)作为二十世纪最伟大的建筑师之一，然而，在中国，人们对他作品与思想的了解却常常止于“装饰就是罪恶”，这与其在国际建筑界的重要地位形成很大反差。在装饰批判之外，Raumplan 也是路斯对现代建筑的重要贡献之一。Raumplan促进了现代建筑话语从“体量”与“装饰”向“空间”的转换;作为一种建筑设计的方法论原则，它不仅仅包括路斯对建筑本身的思考，而且与路斯对文化、社会、艺术、历史、传统等多个问题的思考密切相关。通过“Raumplan”可以更全面的了解路斯对建筑的思考，尤其是对建筑空间的思考。
Raumplan and Adolf Loos’Architectural Ideas
Adolf Loos (1870-1933) is one of the greatest architects in the twentieth century. While in China, despite his fame and importance, we know little about his works and thoughts other than “Ornament is Crime”. As one of his most important contributions to modern architecture, Raumplan impelled the the matictransformation of architectural discourse from mass and ornamentation to space. As amethodological principle of his architecture, Raumplan not only include histhinking about architecture itself, but also themes not limited to culture, society, art, history and traditions. Through Raumplan, we can build a morecomprehensive understanding of thoughts on architecture of Adolf Loos, especially ideas about architectural space.
