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本文转载自 清风寨

来自伦敦的Universal Design Studio于本月完成了位于斯德哥尔摩Brunkebergstorg广场的At Six酒店设计。该酒店共有343间客房,同时还容纳了欧洲最具雄心的当代艺术收藏之一。At Six酒店由Nordic Hotels & Resorts持有,并由BALTIC当代艺术中心的前任馆长Sune Nordgren负责策展工作。

London-based architecture practice Universal Design Studio this month completes At Six, a new 343 room hotel in Stockholm’s Brunkebergstorg Square housing one of Europe’s most ambitious contemporary art collections within a hotel. At Six is owned and operated by Petter Stordalen of Nordic Hotels & Resorts and curated by Sune Nordgren, formerly of the BALTIC Centre for Contemporary Art.

▼酒店位于一栋粗野主义风格的建筑内,the hotel is located in a brutalist high-rise structure

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这座粗野主义的高层建筑由瑞典建筑公司Boijsen & Efervgren设计于1970年代,最初便计划用作酒店,但最后成为了瑞典银行的总部大楼,其初衷一直没能真正实现。除该建筑外,广场上还有另外三栋建筑,皆属于政府的建设项目,主要针对将市中心的大部分具有战前风格的宏伟建筑替换为粗野的现代主义风格。作为改造计划中的一部分,Brunkebergstorg广场将恢复其在19世纪末的繁荣景象,成为城市中富有活力的社交枢纽。位于广场中心的At Six酒店也将因此成为瑞典首屈一指的当代奢华酒店。

The building, a brutalist high-rise structure, was originally designed in the 1970s by Swedish architects Boijsen & Efervgren. Originally built as a hotel, the building functioned ultimately as the Head Quarters of Swedbank, never fulfilling its original intent. This is one of four of buildings that occupy the square, each built during a government initiative aimed at replacing much of the city centre’s belle époque grandeur with brutal modernity. As part of a wider regeneration programme, Brunkebergstorg Square will return to its place as one of the city’s vibrant, social hubs as it was in the late in the 19th Century. This effort will centre around At Six, which will make its mark as Sweden’s premier contemporary luxury hotel.

▼酒店大堂,hotel lobby

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▼接待处,reception

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▼用餐区,dining room

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▼大堂的花岗岩楼梯,the white granite grand staircase in the lobby

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▼皮革扶手由瑞典当地的马鞍工匠制作,leather-wrapped handrail by Swedish saddle maker

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通过进行完整的室内改造,同时修建全新的入口立面,Universal Design Studio对建筑的粗野主义美感和广场周围的建筑景观重新进行了诠释。建筑师的设计意图在于将斯德哥尔摩的世界性和本地性以最佳方式呈现出来。酒店中包含了众多精选的优质现代和古典家具,Universal Design Studio还专门委托当地的工匠和斯堪的纳维亚的设计师定制了一系列家具。Rubn公司为每间客房提供了定制照明,来自当地的玻璃工匠Carina Seth Anderson则为公共区域创作了手工玻璃制品。建筑师还请来本土的马鞍工匠来为大厅的白色花岗岩楼梯制作扶手。酒吧内还摆放着一张由当地艺术家Lies-Marie Hoffman设计的取材于一整块瑞典榆木共享桌子。公共区域将展示Jaume Plensa、Olafur Eliasson、Julian Opie、Sol Le Witt、Tacita Dean、Spencer Finch、Richard Long和Marijke van Warmerdam等艺术家的原作,客房内则展示Kristina Matousch的个人作品。另外还有瑞典摄影师Dawid的作品让酒店收藏变得更加丰富。

Universal Design Studio has taken care to reinterpret the brutalist aesthetic of the building and the immediate architectural landscape of the square through a complete interior renovation and the design of a new entrance façade. Universal’s approach was to bring the best of both international and local to Stockholm. A fine selection of contemporary and classic furniture pieces is complemented by bespoke pieces by local makers and established Scandinavian designers Universal commissioned directly for the project. Custom lighting by Rubn feature in each room, local glassmaker Carina Seth Anderson was commissioned to create handmade glass pieces for the public areas, while a local saddle maker hand-wrapped the Swedish leather handrail for the white granite grand staircase in the lobby. In the wine bar sits a communal table carved from a single Swedish Elm trunk by local artist Lies-Marie Hoffman. Original artwork by Jaume Plensa, Olafur Eliasson, Julian Opie, Sol Le Witt, Tacita Dean, Spencer Finch, Richard Long and Marijke van Warmerdam will be displayed within the public spaces as well as individual artworks by Kristina Matousch in the guest rooms. Works by Swedish photographer Dawid complete the hotel art collection.

▼餐厅之一,one of two restaurant

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▼葡萄酒吧,wine bar

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▼鸡尾酒吧,cocktail bar

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新的室内空间以石材、黑色钢材、精细木材以及抛光的花岗岩为基调,为酒店赋予坚固耐用的品质。与粗野主义常见的强硬特质不同,建筑师为酒店打造了一种令人感到舒适的时尚风格。室内设计旨在使建筑变得人性化,并为之赋予粗野主义通常不具备的奢华魅力,使之成为城市大酒店的当代范例。为实现这一点,建筑师从广场的建筑语境入手,将温暖的灰色和具有丰富纹理的天然材料与软装及古典家具并置,形成明与暗,以及细致与粗糙的对比。这种对比不仅体现在公共区域,同时还被带入了客房之中:定制的家具和灯光与镜子和木制墙壁和大理石壁橱彼此呼应。

A palette of sawn stone, blackened steel, fine timber and polished granite lends a sense of permanence and authenticity to the new interior. Moving away from the uncompromising and unforgiving aesthetic characteristics often associated with the brutalism – Universal’s brief was to create a desirable, fashionable destination. Universal’s design is focused on humanising the architecture, bringing a sense of desirability and luxury to a brutalist building not often associated with these traits, turning the hotel into a contemporary version of a metropolitan grand hotel. To do so, Universal started with the architectural context of the square. Warm greys and highly textured natural materials are contrasted with soft furnishings and classic furniture editions presenting a theme of juxtaposition throughout. Light against dark, fineness against mass. This plays out across the public floors and into the guest rooms where custom furniture and bespoke lighting meets mirror and timber wall panelling and marble credenzas that run the full length of each room.

▼客房内部,guest room

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▼总统套房的休息区域,seating area in presidential suite

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设计方案包含了10个客房楼层、一间顶层套房、一间可容纳100人的餐厅、葡萄酒吧、鸡尾酒吧、斯堪的纳维亚的首个慢听休闲吧(slow listening lounge)以及一个2000平方米的活动和灵活工作空间。

Universal’s scheme includes ten floors of guest rooms, a penthouse suite, a 100 cover restaurant, a wine bar, cocktail bar, Scandinavia’s first slow listening lounge and an 2000 sqm events and flexible work space.

▼慢听休闲吧,slow listening lounge

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▼慢听吧沙发一角,a corner of the lounge

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