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竞赛:什么是酒店?——SWITCH第1张图片


WHAT IS A HOTEL? – SWITCH

由专筑网缕夕,李韧编译

提交日期:2019年1月31日
注册日期:2019年1月31日
语言:英语
定位:概念型
奖励:请参阅下面的详细信息
类型:创意大赛

根据字典的解释,“酒店”是“为旅行者和游客提供住宿、膳食等服务的机构”。这是对酒店字面意义上的解释。然而,SWITCH竞赛鼓励参赛者对未来酒店进行思考设计,抑或可以思考,“未来的酒店有哪些功能?”

本次竞赛的目的是思考酒店的设计概念,并改变人们心目中对于这种建筑类型的刻板印象。竞赛鼓励参赛者探索更多可能性,并提出创新和非传统的解决方案,增强和改变酒店建筑的界限。这是一次创意竞赛,参赛者可以自由地为酒店提出自己的构思,可以体现为建筑、艺术、诗歌、产品等形式。参赛者可以自由地设计酒店的平面、功能、结构,竞赛任务并没有给出明确的方案规模、功能空间、规格、尺寸和项目地点,参赛者可以自行安排,从而更好地适应设计方案。

竞赛对所有专业的人员开放。主办方相信建筑可以更有趣、更具社交性。通过学术性的竞赛交流沟通,相信能更好的促进酒店建筑的发展。主办方鼓励参赛者就酒店类型学的本质提出问题,这可以帮助参赛者构建他们的设计。同时,建筑对话或设计的背后故事也能够增强参赛者对于酒店项目的理解。参赛者可以自由选择设计背景、场地和方案规模。本次竞赛并不需要深刻的技术细节,而是需要具有创造性和激进的建筑概念。

所有的创新思路都可以超出既定的先例和规则,创造更好地空间,拓宽现有视野。如果需要提出问题或进行建筑对话时,那么便需要找到符合这种类型的基本框架。

  • 酒店是临时住宿的地方。住宿是暂时的,但酒店建筑是永久的。那么,是否需要固定的地点?酒店建筑可以移动吗?可以有弹出式酒店、可折叠酒店或临时式酒店吗?
  • 传统酒店通常是一栋有N个房间的建筑物。酒店建筑是否固定一成不变?可以单纯将睡眠空间定义为“酒店”吗?它可以是散布在某个场所的“房间系统”吗?它可以只有一张床的大小吗?它可以是一辆大而舒适的车吗?
  • 随着时间的推移,酒店的功能变得非常精细。它本身就是一个整体,可以为人们提供各种体验。那么它们是否会影响其所处的环境?额外服务是否是酒店的重要组成部分?酒店是否是整体背景环境中的某一部分?还是保留其自身的丰富体验?环境如何影响酒店?
  • 酒店建筑限制较多,并且可创新的空间非常小。酒店不能像步行过道一样被组织成传统的房间。睡觉属于私人活动吗?它仅限制在房间的传统布置之中吗?可以在公共空间睡觉吗?根据白天的休息需求,使用者可以使用不同类型的睡眠空间吗?
  • 使用系统有时会以强大的方式影响空间的体系结构。午睡可以设置在独特的酒店空间之中吗?酒店是否可以租用?人们可以交换睡眠空间吗?以物易物的方式针对酒店而言是否成立?这些框架的变化是否会影响酒店的整体结构?


要求

作品没有规模、场地或功能的要求。根据参赛者的需要,竞赛作品可以自由地发挥。设计方案可以是不同的规模和类型,可微观,也可宏观。项目可以放在抽象的位置或特定的场所。每个作品都应该注重概念性,这些需要进行清晰地阐述。


参赛资格

竞赛对所有人开放,不限年龄与专业。可以个人参赛,也可以团队参赛,每个团队最多可有3名成员。每组团队只需支付一次注册费用。


奖励

奖金共3000欧元,分配如下:
第一奖:1500欧元
第二奖:1000欧元
第三奖:500欧元
除了获奖者之外,评审团还将选择10名“荣誉提名”,获奖作品将在竞赛官方网站和世界各地的国际杂志和网站上展示。获奖者和荣誉提名将获得荣誉证书。

竞赛网站:https://switchcompetition.com/

Submission: January 31, 2019
Registration: January 31, 2019
Language: English
Location: Concept
Prizes: Please see details below
Type: Ideas Competition

By its dictionary definition, a hotel is ‘an establishment providing accommodation, meals, and other services for travellers and tourists.’  This is a basic idea and perception of what a hotel is at the present. However, the competition encourages participants to debate the course of hospitality in the future or as we can put it, ‘WHAT CAN A HOTEL BE ?
The aim of this competition is to question the very notion of a hotel and confront the stereotypes and conventions of this building typology. The competition encourages the participants to explore new possibilities and come up with innovative and unorthodox solutions that can enhance and change the boundaries of hotel architecture. This is an idea competition where the participants are free to create their own vision for a hotel that could be manifested in the form of architecture, art, system, poetry,  product etc. The participants are free to re-interpret the idea of a ‘hotel’ w.r.t  to its program, function, architecture wherein the scale of intervention, functional program, specifications, dimensions and site are not given and they can be arranged by the participants to better suit their proposal.

The competition is open to everyone from all professions. We believe architecture can be more interesting, more fun and more social. Communication is omnipresent and good communication helps great ideas change the world.  We want to encourage the participants to ask questions on the essence of a hotel typology that can help them frame their narrative. We believe that indulging in a dialogue or creating a story will help the participants develop original scenarios for their interpretation of a hotel. They are free to choose their context, program and scale of intervention. We are not searching for any profound technical detailing, but some original, creative and risky architectonic conceptualisations.
All maverick innovations occur beyond the set precedents and rules, where it is aimed to widen the horizon of the existing system. When we say that we need to ask questions or indulge in a dialogue, then we need to hit the basic framework that governs this typology.
  • A hotel is a place where you stay temporarily. If the stay is temporary, should the hotel be permanent. Does it need to have a fixed footprint ? Can we move hotels? Can there be any such thing as a pop-up hotel, foldable hotels or temporary pavilion-like hotels ?
  • A traditional hotel is generally a building with ‘n’ number of rooms up for sale. Does a hotel need to have a designated building ? Can we propose any kind of habitable sleeping space as a ‘hotel’ ? Can it be a ‘network of rooms’ scattered around a place ? Can it be reduced to the size of an object, like say a bed ? Can it be a big, comfortable vehicle?
  • The function of a hotel has become very elaborate with time. It is a whole unit in itself that can provide you a variety of experiences. So are they in a way hindering the experience of the context and the environment they are located in ? Are the extra services an essential part of the hotel? Should a hotel be a bare minimum part of the contextual experience or a different experience in itself ? How should a context influence the hotel ?
  • Hotel architecture is very predictable and boring and has very less room for spatial innovation. Can a hotel not be organised as a conventional rooms around a walking aisle. Should sleeping be a private activity ? Should it be restricted to the standard version of a room ? Can sleeping happen in a common space ? Can there be different types of sleeping spaces at the disposal of users based on their resting needs during the day ?
  • A system can sometimes affect the architecture of a space in a powerful manner. Can there be an exclusive hotel space for an afternoon siesta ? Should a hotel have to be rented ? Can people exchange sleeping spaces ? Can barter be a vector to get access to a hotel space ? How can these framework changes impact hotel architecture ?

REQUIREMENTS
There is no scale, site or program to the given problem. The competition will allow for full freedom of approach to the briefs, as the participant sees fit. Intervention can be of various scales and types, from nano to macro levels. The intervention can be placed in abstract locations or specific places depending upon the narrative. Every proposal should be focussed on their concep and their story, that is clearly communicated and developed.

ELIGIBILITY
The competition is open to all,  from every age and professional background, working in groups or individually. Teams can be formed by a maximum number of 3 people. The registration fee is paid per team.

PRIZES
Prizes worth EUR 3000 are up for claim with the distribution as follows:
FIRST PRIZE: EUR 1500
SECOND PRIZE: EUR 1000
THIRD PRIZE: EUR 500
Apart from the winners, the jury will select ’10 Editors’ Choices’ who will be featured on our website and several other international magazines and websites across the world.  The winners and Editors’ Choices will be provided with an honorary certificate

competition’s website: https://switchcompetition.com/

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