Trevarefabrikken 酒店 / Jonathan Tuckey Design建筑事务所
Trevarefabrikken / Jonathan Tuckey Design
由专筑网若山，小R编译
Trevarefabrikken身处北极圈，位于挪威罗弗敦群岛奇特的Henningsvær岛上。该建筑最初是上世纪40年代的鳕鱼肝油工厂和木匠车间，如今逐步转型成为康养度假主题酒店和文化枢纽。在Jonathan Tuckey Design建筑事务所的指导下，Trevarefabrikken即将完成第一阶段。故事要追溯到2014年，四位好友一起买下了这栋闲置的建筑，在家人、工匠和当地社区的支持下，逐渐为该场地冠上了“合作”“复兴”的强有力标签。
Nestled in the arctic circle, on the otherworldly island of Henningsvær in Norway’s Lofoten archipelago is Trevarefabrikken. Originally opened in the 1940s as a factory (fabrikk in Norwegian) to produce cod liver oil and house a carpentry workshop, the once abandoned site is undergoing a character evolution into a hotel and cultural hub focused on wellbeing and leisure. The first phase of Trevarefabrikken is nearing completion with the guidance of Jonathan Tuckey Design. Four friends spontaneously purchased the dilapidated factory in 2014, and with the help of family, craftspeople and the local community have gradually transformed the site into a powerful symbol of collaboration and rejuvenation.
Trevarefabrikken的形象焕然一新，这归功于新开的桑拿浴室、瑜伽工作室、咖啡店和著名的燃木披萨炉，更别提那些每年夏天都门票售罄的音乐节、文化节、Trevarefest节。2019年，业主们向Jonathan Tuckey Design事务所讨教建筑改造利用的专业知识，将大体量的开放空间进行了细致的分区。要在保留混凝土外墙触感、视线和氛围的同时，新增温暖的材质组合和亲密的卧室功能区来迎接远方的游客，这是一个不小的挑战。业主们在提出设计需求时，明确要像伦敦的公共和私人空间设计典例一样，既能反映场地的工业遗产，又具有令人惊叹的景观效果。于是，建筑师给出的答案是对自然光线和季相变化的庆祝，人工制品、新增的入口和室内玻璃，呼应地球昼夜极端地区的特质。
Trevarefabrikken has a new-found image thanks to additions like an ocean sauna, yoga studio, café and renowned wood-fired pizza oven; not to mention its sell-out music and cultural festival, Trevarefest, each summer. In 2019, the owners sought Jonathan Tuckey Design’s architectural expertise in working with existing buildings to sensitively compartmentalise the substantial open plan factory floor. The challenge was to harness the tactility, sightlines and atmosphere of the concrete shell whilst implementing a warm material palette and network of intimate bedrooms to welcome distant travellers. The owners briefed the London-based practice to design public and private spaces that could simultaneously reflect the site’s industrial heritage and embrace the breathtaking landscape. A celebration of natural light and seasonality is the outcome, with the extremities of day and night in this part of the globe accentuated by artefacts, additional thresholds and internal glazing.
这个项目真正实现了事务所和业主的联手合作。Jonathan Tuckey Design事务所给出的设计方案在现有建筑表面上做了巧思，业主可以根据自己的意愿，随着时间的推移来慢慢实施。这种温和的做法在很大程度上是对建筑演变历程的致敬。Jonathan Tuckey Design事务所来牵头设计概念和设计细节，业主和建筑工人、朋友、志愿者团队完成建造和木工。改造计划原本十分简单、目标明确，随着团队对自己的技艺和能力越来越有信心，这个计划愈发饱满和成熟。整个过程为所有参与者带来了经验和启迪，使团队能够继续与岛屿社区密切合作，确保该项目为当地带来经济效益和认可。比如淡季期间，本地人会为住在酒店的游客制作售卖细木工家具。
The project is a true collaboration between studio and client. Jonathan Tuckey Design composed a scheme that celebrated the existing built fabric, which would be implemented by the owners over time at their own discretion. This gentle approach is very much indicative of the building's historic evolution. As Jonathan Tuckey Design has led the conceptualisation and detailed design, the owners and their cohort of builders, friends and volunteers have carried out construction and carpentry work. This started as a deliberately simple scheme which grew into something rich in skill and craft as the team grew more confident in their tools and abilities. The process has breathed educational experience for all those involved, enabling the team to continue to work closely with the island community to ensure the project brings economic benefits and recognition to the area. This is illustrated by the joinery and furniture made by locals and travellers living at the hotel during the off season.
由于Trevarefabrikken是一个长期发展的项目，现场人员能花足够多的时间来思考有效的小干预措施，并充分利用现有的东西——它的价值、特性以及所有材料元素如何相互作用。这是Jonathan Tuckey Design事务所设计理念成型的关键点，如何使空间具有精致，又不失手工的质感，反映Trevarefabrikken的原始精神。事务所的设计范围覆盖了三个主要空间，每一个都有对比鲜明的目的和主题。一楼的走廊几乎没有干预，故意营造出“身处黑夜”的氛围，与漫长的夏日和冬夜循环产生共鸣。温暖的光线通过客房门上方的横窗照射进走廊，反射到树脂抛光的原始混凝土地板上，让人想起夜里平静的大海。走廊中，遗存的机械零星点缀，保留了工业记忆，投射出迷人的阴影，与各处放置的镜子形成对比，进一步放大了明暗效应。大厅里有细长的钢踢脚线，用来防止行李或体育设备损坏，工厂旧烟囱里的再生砖可以作为通往客房的台阶。
As Trevarefabrikken remains an ever-evolving work in progress, those on site have been able to take the time to consider small, thoughtful interventions to make the most of what is already available - its value, its character and how all of the material elements interact. This has greatly informed JTD’s design concepts, giving the space a refined yet handcrafted value that reflects the organic spirit of Trevarefabrikken. The studio’s design covers three main spaces, all with contrasting purposes and themes. The corridors on the first floor have overall witnessed very little intervention, kept purposefully ‘in the dark’ to resonate with the cycle of long summer days and winter nights. Nuanced light flows into the corridors via transom windows above the doors to the guest rooms, reflecting off resin-polished retained concrete floors reminiscent of the surrounding sea on a calm evening. Original machinery punctuates the corridor, preserving the industrial memory and casting intriguing shadows, contrasting with mirrors placed throughout to further amplify the dichotomy between light and dark. Slender steel skirting lines the hall to protect from damage by luggage or sporting equipment, and reclaimed bricks from the factory’s old chimney, perform as raised steps into the guest rooms.
Jonathan Tuckey Design事务所把系列客房和套房放置在一楼现有的混凝土结构中。人们走入房间的一瞬，仿佛从黑暗走向光明，因为保留的工业细节与定制的细木工木制品、海绵绿和奶油色的柔和配色形成了鲜明对比。所有木材都来自当地岛屿，包括家具、镶板和百叶窗，每个房间都有不同的特色。同样，团队在现场安装了弯曲的木质衣柜门，这是一个优雅的小细节，可以让客人最大限度地欣赏窗外远处山体的起伏。
JTD placed the range of guest rooms and suites within the existing concrete structure on the first floor. Upon entering the rooms, one moves from dark to light as retained industrial details contrast sharply with the bespoke timber joinery and soft colour scheme of seafoam green and cream. All timber elements were sourced from local islands, including the furniture, panelling and shutters which feature differently in each room. Likewise, curved timber wardrobe doors were shaped by the team on site, an elegant detail that allows guests maximised views of the space and impressive vistas to the rugged topography beyond.
原有的服务设施均为露天，包括其混凝土天花板和地板，而新的服务设施则隐藏在木制床头板后面，给人一种最小干预的假象。红色框架的玻璃灯笼，以及深色、光滑的浴室内部，再次与温暖的睡眠空间形成对比。“T”形橱柜门把手，是Trevarefabrikken新身份的唯一一处公开标志。尽管许多客人来到Trevarefabrikken可能是为了体验自然、享受宁静，但酒店最终被设计成一个供游客聚集和联系的社交空间。
Existing services were left exposed, as were the concrete ceilings and floors, while new services were concealed behind timber bedside panelling to maintain the illusion of minimal intervention. Red-framed glazed lanterns, as well as dark, glossy bathroom interiors again contrast with the warm sleeping spaces. Discrete ‘T’ shaped cabinet door handles mark the only overt nod to Trevarefabrikken’s newfound identity. Yet while many guests may come to Trevarefabrikken to experience nature, relaxation and tranquillity, ultimately the hotel has been designed to be a social space for visitors to gather and connect.
一楼的酒吧和餐厅名叫Trandamperiet，就是这样一个社交空间。保留的木材漏斗是以前的鱼肝油生产设施。穿过一条黑暗的走廊和沉重的门，来到一处亮堂的空间，光线透过可以俯瞰维斯特峡湾壮丽景色的玻璃窗。Jonathan Tuckey Design事务所利用原有的开窗，将广阔的视野作为一种装饰形式，使房间作为白色画布，远景框在其中。酒店到处都有保留下来的或者来自当地的材料，比如在瓷砖缺失的地方，选择粉刷墙壁，而不是重新再贴上新的白色瓷砖。在混凝土天花板裸露的地方，旧木板的印记仍然可见，新铺设的木地板上也同样如此。
One such social space is the wine bar and restaurant Trandamperiet on the first floor, the former cod liver oil production facility as evidenced by retained timber funnels.. Passing through a dark corridor and heavy door, a space engulfed by light is revealed, illuminated by glazing and providing sublime views across the Vestfjorden sea. JTD took advantage of these existing apertures to utilise the expansive views as a form of decoration themselves, keeping the room a neutral white to frame the vistas as paintings. Local and retained materials feature throughout the hotel, including restored white tiling, with walls painted where tiles are missing rather than replaced. Where concrete ceilings have been left exposed, imprints of old timber boarding are still visible, mirrored in new timber flooring laid below.
为了营造社交氛围，餐厅设有5米长的公共餐桌。最初，Jonathan Tuckey Design事务所建议使用胶合板，但这种材料进口到偏远的岛屿成本过于高昂。这时，一位来自附近种植长落叶松的岛屿的业主，提供了一个既呼应酒店理念，又实现事务所对100%支持当地经济的承诺的可持续解决方案。其他可持续性措施包括客房地板的隔音、墙壁和屋顶的隔热，以及为了提高住在老工厂的客人的舒适度安装的三层玻璃。对现有木地板的悉心保护包括用浇注的混凝土替换腐烂的地方，这让人想起早期工厂使用木浇注混凝土的原始结构，创造性地保护了原始建筑特征，同时又不破坏场地的真实性。
To nurture a social atmosphere, Trandamperiet features 5-metre long communal dining tables. Initially, JTD suggested using sections of plywood, but importing the material to the remote island proved costly. Instead, the owners sourced from a nearby island which grows long-length larch trees, a sustainable solution that echoes both Trevarefabbriken’s and JTD’s wholehearted commitment to supporting local economies. Additional sustainability measures include acoustic insulation in the guest room floors, wall and roof insulation and triple glazing installed throughout to improve comfort for guests staying in the old factory. Careful preservation of existing timber floors involved replacing any rotten ends with poured concrete—harking back to the factory foundation’s original construction using wood-cast concrete —creatively conserving original architectural features without disrupting the authenticity of the site.
酒店二楼尚在建设中，可能作为额外的活动空间、住宿房间或者酒吧。Trevarefabrikken至今仍然屹立不倒，代表着社区合作振兴旧建筑的力量。对原始建筑细节、真实性的谨慎关注以及对工业设施的适应性再利用，为社交和放松创造了空间，为一个世代为罗弗敦群岛服务的遗址赋予了新的生命。Jonathan Tuckey Design事务所通过最简洁的干预，帮助引导Trevarefabrikken将新旧氛围结合在一起，同时又不失其独特地方性，不失与壮观景色的联系。
The second floor remains a work in progress, with potential to serve as additional event space, flexible accommodation and/or bar. That Trevarefabrikken still stands today represents the power of community collaboration to reinvigorate the life of old buildings. Vigilant attention to original architectural details, authentic materiality, and adaptive reuse of industrial facilities to create spaces for both fellowship and relaxation have given new life to a site that has served Lofoten for generations. With only a light touch, Jonathan Tuckey Design has helped steer the atmosphere of Trevarefabrikken to unite both old and new without losing its unique sense of place and connection to the spectacular natural surroundings.
建筑事务所：Jonathan Tuckey Design
类别：旅馆，文化建筑
建造年份：2023年
摄影：Andrea Gjestvang, Elin Fröderberg
建筑设计师：Jonathan Tuckey, Dan Stillwell, Ryuta Hirayama, Rob Leechmere
项目所在城市：Henningsvær
项目所在国家：挪威
HOTELS, CULTURAL ARCHITECTURE
HENNINGSVÆR, NORWAY
Architects: Jonathan Tuckey Design
Year: 2023
Photographs:Andrea Gjestvang, Elin Fröderberg
Project Architects: Jonathan Tuckey, Dan Stillwell, Ryuta Hirayama, Rob Leechmere
City: Henningsvær
Country: Norway
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