Rose Museum / NEXT architects

由专筑网李韧，韩平编译

来自建筑事务所的描述：北京玫瑰博物馆是2016年世界玫瑰大会的主会场，共有三十多个国家参加。在约100公顷的玫瑰园里，展出的玫瑰品种超过2000种。

From the architect. The Beijing Rose Museum is the main venue for the 2016 World Rose Convention, in which over thirty countries participate. In this 100 hectare rose park over 2.000 species of roses will be exhibited.

© Xiao Kaixiong

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玫瑰花深深扎根于中国的文化，其渊源至少可以追溯到公元前11世纪。为了展示这段历史和传统玫瑰文化，NEXT architects建筑事务所设计了一个大型博物馆建筑。这个博物馆由一个300米长、17米高、玫瑰图案不锈钢外表皮所覆盖。在这个独特的表皮之下，除了博物馆主体之外，还有四个半开放庭院之间，玫瑰图案在内部空间不断演绎着变化的戏剧性光影效果。这些开放的空间被建筑所围合，暗喻着中国传统的院落空间。夜晚的建筑将自身衬托得更加高贵：玫瑰镂空立面灯火辉煌，倒影着建筑形成一朵朵美丽的花。

Roses and floriculture are deeply rooted in Chinese Culture, dating back at least to the 11th century B.C.. To showcase this history and the rose culture in general, NEXT architects designed a large-scale, new museum building. The museum is covered by a soft, stainless steel façade of 300 meter long, 17 meter high that is perforated by a rose-shaped pattern. This detached skin creates four half open courtyards between the façade and the main museum building, where the rose pattern creates an ever changing play of light and shadow. The way in which these open spaces are embraced and enclosed by the building, strongly reminds of the traditional Chinese walled-off courtyards. At night the building inverts itself: the museum façade lights up and projects shadows of flowers outside the building.

© Xiao Kaixiong

该方案在2014年的国际竞标中胜出，因为其具有传统与创新结合、内部与外部结合的特点。古往今来，内向型庭院是中国传统建筑文化，这成为了建筑的“理想模型”，体现社会阶层之间以及人与自然之间的和谐。在北京尤其如此，四合院的建筑模型以平民百姓的住房为基础，但也有如庙宇与宫殿那样更复杂的建筑。庭院的封闭空间提供私密性与安全感，标志着“内”与“外”的空间和意识形态边界。

The design was selected in an international competition in 2014 for its capacity to combine tradition and innovation, inner- and outer spaces. Throughout the ages, the Chinese walled-off courtyard epitomized traditional Chinese architecture and culture; it became the “ideal model” to embody social hierarchies as well as the harmony between man, house and nature. This is especially true in Beijing, where the courtyard architectural model stands at the basis of common people’s housing, but also more complex structures such as temples and palaces. The enclosed spaces of the courtyard offered privacy, protection, and marked the — spatial and ideological — boundary between “inside” and “outside.”

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© Xiao Kaixiong

NEXT architect建筑事务所的玫瑰博物馆设计，以庭院为出发点，创造了一个具有全新体验的中国院落建筑。在这里，镂空墙体与周围空间相结合，与一般博物馆建筑的整体性形成鲜明对比。John van de是NEXT建筑事务所的合伙人，他告诉我们：“玫瑰博物馆面临的主要挑战是与现代特征相结合，它的意义内涵深深植根于中国文化之中。”

NEXT architect’s design for the Rose Museum takes this theme as its point of departure and plays with these oppositions by creating a new version of the historical Chinese courtyard. This time, the semi-transparent walls do engage with the surrounding space, in contrast to the solid heart of the museum building. John van de Water, partner at NEXT architects, tells that: “The main challenge with the Rose Museum was to find a modern Chinese identity for a building which significance is so deeply rooted into Chinese culture.”

© Xiao Kaixiong

建筑设计：NEXT architects
地点：中国 北京
面积：17000平方米
项目时间：2016年
摄影：肖凯雄
客户：北京天恒建筑设计咨询有限公司
施工顾问：北京天恒建设工程有限公司
安装顾问：天目集团
建筑技术顾问：天目集团、山东雄狮建筑工程有限公司
主要承办单位：北京天恒建设工程有限公司
安装：天目集团、山东雄狮建筑工程有限公司

Architects:NEXT architects
Location:Beijing, China
Area:17000.0 m2
Project Year:2016
Photographs:Xiao Kaixiong
Client:Beijing Tianheng Building Design Consulting Co., Ltd.
Advisor Construction:Beijing Tianheng Construction Engineering Co., Ltd
Advisor Installations:Tianmu Group
Advisor Building Technic:Tianmu Group, ShanDong Xiongshi Building Decoratton Engineering Co., Ltd
Main Contractor:Beijing Tianheng Construction Engineering Co., Ltd
Installations:Tianmu Group, ShanDong Xiongshi Building Decoratton Engineering Co., Ltd


出处：本文译自www.archdaily.com/，转载请注明出处。