山东平度是只有150万人口的小城市，但拥有三千年历史文化。平度市位于青岛北侧郊区，受到青岛的影响，平度近年来的城市化进程速度较快。原位于市中心的政府部门迁移到新开发区，我们受邀参与本市最古老的中心区域再开发的总体规划设计。

Pindu is a small city with 1.5-million populations and of 3000 years' history. Located in the northern outskirts of Qingdao, this city has recently experienced rapid urbanization. The government offices moved from the downtown area to the new town area and their master plan to develop the old main streets was launched.

© Jong Oh Kim

© Jong Oh Kim

因为拥有数千年的历史，我们试图去寻找历史遗迹。但令人遗憾的是进入民国以后的住宅及政府楼都是忽视原来的记忆建造的。经过几番波折，我们找到了古代地图，庆幸当时的很多道路至今依然存在。以这些时空为线索，“地文(land⁃script)”为主题，我们先完成了总体规划，并命名为“平度历史地区再生计划(Pingdu Historical Area Regeneration Plan)”。

People expected that they would find relics of ancient times in this old city of several thousand years' history and unfortunately, they realized that the apartment houses and government offices built there had already ruined all of the relics. However, a fortunate thing is that ancient maps shows that many of the old roads are still used. So based on this framework, a master plan for urban restoration was established focusing on "Landscript" and named Pingdu Historical Area Regeneration Plan.

© Jong Oh Kim

© Jong Oh Kim

© Jong Oh Kim

负责开发的万科公司后来又委托我们设计示范区兼万科住宅文化馆的建筑设计。万科住宅文化馆用地位于树木茂密的原市委大楼位置上。有着两三百年树龄的参天古树是必须要保留的，因此建筑物只能躲开树的位置。为了在前面的红旗路上能够认知此建筑的存在，建筑需要与红旗路相连接，因此在道路边上设置了混凝土构筑物与建筑相连，这些混凝土构筑物起到了展示的功能。在这里建筑只是从空间尺度上界定建筑周围树木的工具而已，因此，其实建筑本身是不存在的。建筑内部日后要做样板间，为了使未来的空间和原有的空间形成对比，设计使用了几个箱子倾斜布置并平面上突出的形式，为内部空间增添不少趣味。即便如此，在这里珍贵的还是原有的树木，这些树木是验证过去岁月的最重要的因素，也为新设计的建筑提供最重要的线索。

Vanke Group that took charge of the regeneration plan requested to redesign the first building to use it as a housing culture center for public relations of the project. The construction site was a part of the site for a small building attached to the city hall with dense woods that were all over 200~300 years old and required to be preserved. So there was no option but to build the new building on an empty land. The problem was that it was required to connect this new building to the road so that citizens can recognize it. For this, concrete frames were installed on the boundary line of the road. These concrete frames were given a function as a street gallery and connected with the building through the gallery built over the access road. However, all these structures are merely a tool that defines the spatial boundaries of the beautiful woods around the building, not existing in terms of architectural concept.

© Jong Oh Kim

© Jong Oh Kim

© Jong Oh Kim

© Jong Oh Kim

© Jong Oh Kim

© Jong Oh Kim

© Jong Oh Kim

Roof Plan/顶层平面图

Second Plan/二层平面图

First Plan/一层平面图

Front Elevation/正立面

Front Elevation/正立面

Rear Elevation/背面立视图

Left Elevation/左侧视图

Right Elevation/右侧视图

Section/剖面图

建筑师：承孝相/履露斋建筑事务所
地点：山东平度
占地面积：3000 m2
建筑面积：2340.80 m2
完工：2013年
摄影：Jong Oh Kim

Architect: Seung H-Sang/IROJE Architects & Planners
Location: Pingdu, Shandong, China
Gross Floor Area: 3000 m2
Building Area: 2340.80 m2
Completion: 2013
Photography: Jong Oh Kim


承孝相/Seung H-Sang



1952年出生，毕业于首尔大学，他曾就读过维也纳工科大学。15年的时间拜金寿根为师，于1989年开创建筑师事务所履露斋，他是引领韩国建筑界新风气的<4•3集团>成员之一，也曾经为了探索新的建筑教育而参与了首尔建筑学校的设立过程。著作有《贫者之美（1996美建社）》、《智慧的城市/智慧的建筑（1999首尔论坛）》、《建筑，思维的符号（2004石枕）》、《地文（2009悦话堂）》、《卢武铉的墓址/为自愿流亡者的风景（2010讷窝）》、《古老之美2012Culturegrapher）》等。1998年承孝相历任北伦敦大学的客座教授，曾经在首尔大学教学，也在韩国艺术综合大学出讲过。他从主导20世纪的西方文明的批判中出发，提出《贫者之美》主题，并将此放在他建筑工作的中心，目前已荣获《金寿根文化奖》，《韩国建筑文化大奖》等各种建筑奖项。作为坡州出版城市的总设计协调者，他指挥了崭新的城市建设，因此美国建筑师协会授予了他名誉会员的荣誉，并且作为建筑师第一次被选为国立现代美术馆主办的“今年的艺术家”，并举行了《建筑师承孝相展》。在美国和日本、欧洲等各地举办过个人展及团体展，他的建筑领域目前已经延伸到中国国内和亚洲、美国、欧洲等地。

韩国政府对他在韩国文化艺术上的贡献表示肯定，在2007年授予了《大韩民国艺术文化奖》。2008年承孝相出任威尼斯双年展韩国馆的策展人，并且被选为2011光州设计双年展的总监，2013年开始被任命为首尔市建筑政策委员长，2014年被任命为首尔市总建筑师（City Architect）。

Born in 1952, Seung H-Sang graduated Seoul National University and studied at Technische Universitaet in Wien. He worked for prominent South Korean architect Kim Swoo Geun from 1974 to 1989 before setting up his own practice "IROJE Architects & Planners' in 1989 in Seoul. He was a core member of “4.3 Group” which strongly influenced Korean architectural society, and participated in founding “Seoul School of Architecture” for a new educational system. He is the author of 'Beauty of Poverty (1996 Mikunsa)', 'Architecture, Signs of Thoughts (2004 Dolbegae)', ‘Landscript (2009 Yoelhwadang)’ and 'Graveyard of Roh Muhyun (2010 Nulwa)', and was a visiting Professor of North London University and taught at Seoul National University and at Korea National University of Art.
His works are based on his own critical concerns on Western culture of the 20th century whose subject is 'beauty of poverty'. He won various prizes with his practice and works, and was the coordinator for 'Paju Book City'. The America Institute of Architects invested him with Honorary Fellow of AIA in 2002, and Korea National Museum of Contemporary of Art selected him as 'the artist of year 2002', first time for an architect and had a grand solo architecture exhibition. He gained world-wide fame as architect with his architectural achievements and through various international exhibitions, has spread out his architectural field over Asia, Europe and America. In 2007, Korean government honored him with ‘Korea Award for Art and Culture’, and he was commissioned as director for Gwangju Design Biennale 2011 after being the director for Korean Pavilion of Venice Biennale 2008. In 2014 he was appointed as the first City Architect of Seoul Metropolitan Government.


来源：本文由承孝相/履露斋建筑设计事务所提供稿件，所有著作权归属承孝相/履露斋建筑设计事务所所有