Glass Gallery at the Kadar Media Lab Building
由专筑网韩平，刘庆新编译
来自事务所的描述：Geotectura 建筑事务所为申克尔大学在一座90年的老房子里设计了这间“Michal和Avraham Kadar媒体实验室”。这个项目通过改造和增加构建体块的手法设计了许多实验室和工作室，但是主体建筑还是利用现存的结构设计的漂浮的钢和玻璃结构体块。该项目包含了一个设计及技术交流中心、电脑游戏实验室、塑料工作室和3D打印实验室。
From the architect. The Michal and Avraham Kadar Media Lab was designed by Geotectura for Shenkar College within an 90 years old building. The project has many labs and workshops as part of a retrofit and add-ons design but the main element is a floating steel and glass structure within the existing fabric. The project includes a center for interaction design and technology, a computer gaming lab, plastic workshop and 3D printing lab.
© Lior Avitan
申克尔工程设计学院位于以色列拉马特甘市，该市紧邻特拉维夫。与该地密集的城市肌理相似，申克尔大学的校园也由许多建筑组成，既有老建筑也有新建筑。从19世纪20年代起，学校的塑料系就设立在这栋老建筑中。
Shenkar College of Design and Engineering is located in the city of Ramat Gan, bordering Tel Aviv, in Israel. The campus is composed of several buildings, some older and some newer, within the dense urban fabric in the area. The department of plastics is accommodated within the old building from the 1920’s.
© Lior Avitan
申克尔大学组织了一场建筑竞赛，希望能够找到解决塑料系馆问题的方案。建筑大赛的获奖方案是由Geotectura建筑工作室设计的。我们在勘测了现存的建筑肌理和历史遗迹后，建议采用改造的形式，不建议拆除旧结构建造新建筑。通过对拉马特甘城市档案的调查，建筑师发现该基地是20世纪20年代期间建立的戈德堡橘子园的一部分。原来的果树林源自Yitzchak Leib Goldberg (1860-1935)的善意之举。在该地演变为城市之前，橘子园一直是当地人们主要的收入来源。但是之后橘子园也被人们遗忘了。基地中间的老建筑建于1928年，可以说是该地第一个现代结构的包装大楼。暴露于室内木质屋顶结构和纤薄的硅酸盐砖块使建筑有了独特的外观，因此无论是从审美的角度还是历史价值，我们都应该将其保留下来。
Shenkar College organized an architectural competition to propose a solution for the building that contains the department of Plastics. The winning proposal was from architectural office Geotectura that by looking at the existing fabric and its heritage, suggested a retrofit, rather than replacing the old structure with a new building. Research into the Ramat Gan City Archive revealed that the site was part of Goldberg's orange orchard that was established during the 1920's.The original grove was the result of a philanthropic action by Yitzchak Leib Goldberg (1860-1935). It was the main income source for the people in this area long before it became a city, a legacy that was forgotten since.The old building in the middle of the site was actually the first modern packing structure in the country, built in 1928. The wooden roof structure, exposed from the inside, together with the thin silicate bricks in the walls are giving the building a unique appearance that should be preserved for aesthetic reasons, as well as for its historical value.
© Lior Avitan
Exploded Diagram/图解
我们在设计的时候有意识的将历史作为我们所有干预性设计的主要出发点。过去的记忆将反映在建筑的角角落落，甚至是与新设计结合的部分也有所体现。在室内的一面墙上，设计团队放上了一张100年前从相同角度拍摄的照片，希望人们可以回忆起过去存在的事物。这也象征了申克尔大学当代的开拓性和现代化的教学方法：学校一直希望结合创新和可续发展的同时，将学术性、专业性的实践与前沿的技术结合在一起。在新的建筑平面上，被遗忘的果园将重新引入基地紧挨着保留的包装大楼。新建筑由两个圆形组成。圆形可以最大限度的扩展新橘子林的室外面积。之后我们还会减少一些城市公共空间与校园基地间的栅栏。
A conscious decision was made that the history should be the main initiator of all the design intervention. The past would be reflected in every corner, even when it was combined with a new design. On one of the interior walls, the design team put a printed image that was taken from the very same spot almost 100 years ago, as a reminder of the legacy that this place contains.The legacy represents pioneering and modern methods that are also part of Shenkar's approach to nowadays: the college is always seeking to combine academia and professional practice with cutting edge technology, together with creative and sustainable thinking. The forgotten orchard will be reintroduced to the site thanks to the new building plan next to the preserved packing building. The new building is composed by two circular shapes that maximize the exterior area for a new orange grove and will eliminate the need for separating fences between the public area and the campus site.
© Lior Avitan
© Lior Avitan
对于具有历史建筑价值的建筑保留、保护及再利用的第一步是基于历史记录，对其现状做一个全面详细的调查。数字化的文化遗迹记录方法在建筑和调查领域都是最先进的。由Joseph Cory和Rebeka Vital两位博士编写的两个数字建筑记录方法都应用在这个建筑中：激光扫描和摄影测量。
The first step to preservation, conservation and re-use of a building that has a historical architectural value is to create a comprehensive survey of its existing condition, as well as a reference of its historical record.Digital methods in documenting cultural heritage sites are the latest endeavor both in the field of architecture and survey. Two main methodologies for digitally documenting the building were used in this project by Dr. Joseph Cory and Dr. Rebeka Vital: laser scanning and photogrammetry.
© Lior Avitan
Section/剖面图
因为完全尊重了整个空间原有的室内饰面，所以对于室内表面我们不做设计。因此在不接触和破坏原有脆弱的硅酸盐砖墙的前提下，我们利用INP300的钢梁和玻璃墙打造了整个漂浮的画廊，未来这些材料也可以回收再利用。3D扫描技术的实现给接下来的每个设计决定都增加了信心。通过展示建筑内现存工作机械的分布和高度进一步有助于避免大型机械与画廊之间的冲突。
The desire to respect the existing interior envelope of the main space, led to a design intervention that was offset of all interior surfaces.
One of the results was a INP300 steel beams and glass walls that shaped a floating gallery without touching or damaging the original and fragile silicate walls and using materials that can be recycled in the future.The implementation of 3D scanning gives great confidence to each design decision that need to be taken along the way. The point cloud helped further by showing the distribution and heights of the existing workshop machinery inside the building, so to avoid collisions of large machines with the proposed gallery.
© Lior Avitan
然而使用BIM数据库及其教程已经开始成为新建筑设计的一个惯例，在为数不多的个案研究中，BIM应用在现有建筑的干预性设计，而且数字化的调查也成为BIM数据库中必不可少的一部分。将数字调查纳入BIM数据库,也是该建筑的干预性设计有了一个坚实的基础。数据库内的数字化调查坚定了保持建筑真实性特征的设计决策，也使所有团队成员都能尊重其历史和建筑元素。
While using BIM databases and processes starts becoming an established practice for new buildings, one encounters few case-studies where BIM is used for design interventions for existing buildings and where the digital survey becomes an integral part of the BIM database. Incorporating the digital survey into the BIM database, gave a solid foundation to the decision making for the design intervention of this building. The digital survey within the database anchored the design decision to the authenticity of the character of the building and contributed to the respect of all team members of its history and architectural elements.
© Lior Avitan
© Lior Avitan
André Breton讲道：“我将会一直住在我的玻璃房子里。在这里你可以清晰地看到谁来拜访，所有的东西都挂在天花板上或挂在墙上，就像施了魔法一样，不会改变。晚上，我睡在玻璃床上，躺在玻璃上，我感觉自己迟早会变成一颗钻石。”
“I myself shall continue living in my glass house where you can always see who comes to call, where everything hanging from the the ceiling and on the walls stays where it is as if by magic, where I sleep nights in a glass bed, under glass sheets, where who I am will sooner or later appear etched by a diamond.”
© Lior Avitan
© Lior Avitan
Floor Plan/楼层平面图
Floor Plan/楼层平面图
Floor Plan/楼层平面图
Elevation/正面图
Section/剖面图
Section/剖面图
Render/着色
Render/着色
Historical Image/历史形象
建筑事物所：Geotectura Studio
地点：以色列，拉马特甘
主建筑师：Dr. Joseph Cory
面积：1200㎡
项目年份：2015年
摄影：Lior Avitan
结构工程：Sayag Engineers
机械工程：Eyal Niv Engineers
照明顾问： Rebeka Vital博士
项目经理：Ofer Gabay
承包商：Ida 投资公司
业主：申卡尔大学
玻璃画廊面积：100平方米
Architects: Geotectura Studio
Location: Ramat Gan, Israel
Architect in Charge: Dr. Joseph Cory
Area: 1200.0 sqm
Project Year: 2015
Photographs: Lior Avitan
Structural Engineer: Sayag Engineers
Mechanical Engineer: Eyal Niv Engineers
Light Consultant: Dr. Rebeka Vital
Project Manager: Ofer Gabay
Contractor: Ida Invest
Client: Shenkar College
Glass Gallery Area: 100 sq.m.
出处：本文译自www.archdaily.com/，转载请注明出处。
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