Fernando Menis combines crushed brickwork and concrete for cavernous concert hall in Poland

由专筑网Yumi，杨帆编译

特内里费建筑师费尔南多•梅尼斯声称已经开发出一种新的施工技术，这座波兰音乐厅的由碎砖和混凝土组成的外表面可以证明。

Tenerife architect Fernando Menis claims to have developed a new construction technique, demonstrated by this concert hall in Poland featuring faceted surfaces of crushed brick and concrete.

费尔南多•梅尼斯混合水泥和碎的红砖块——他称之为picado 的技术——为CKK Jordanki音乐厅创建类似洞穴一样的内部，旨在音乐表演时提供最佳音响。

Fernando Menis mixed concrete and broken red brick – a technique he calls picado – to create the cave-like interior of the CKK Jordanki concert hall, which is intended to provide optimum acoustics during music performances.

“除了实现粗略的表达外，picado也达到了完美的声效，”Menis说，他在2005特内里费岩浆艺术大会上第一次验证这一技术。

“这一表达更加令人信服、有力、准确，其结果是经过了先进技术研究的精心调整。”

"Besides achieving a rough expression, the picado allows excellent acoustics results," said Menis, who first experimented with the technique for the Tenerife-based Magma Art & Congress in 2005.
"The expression is more convincing, forceful and precise, the outcome has been finely tuned through advanced research."

“由于其动态的天花板，建筑可以实现有效地吸收演出交响乐、戏剧、歌剧、电影的声音，以及满足戏剧设计师提出的任何声学要求，”他补充说。

2008年，梅尼斯赢得了设计联合国教科文组织保护的Toruń 镇上21800平方米的音乐厅的竞赛。这一提案在后来的2010年度世界建筑节上斩获了文化类建筑一等奖。

"Thanks to its dynamic ceiling, the building can be tuned to effectively absorb symphonic performances, chamber, theatre, opera, and film and meet any acoustic requirements the theatre designer requires," he added.
Menis won a competition to design the 21,800-square-metre concert hall for the UNESCO-protected town of Toruń in 2008. The proposal also won first place in the Future Projects: Cultural category at the World Architecture Festival in 2010.

项目位于城镇的新旧区块之间，小的建筑体量使它更好地融入现有的建筑规模，弧状的温室保留了面向沿河景观的视线。

Set between the medieval and new parts of the town, the building's small stature is intended to help it blend with the scale of existing architecture, while an arc of greenery retains views to a river.

立面上让场地的红砖区域衬砌出下部的隐隐露出的苍白的混凝土壳——参考了在小镇历史中心的传统砖特性。

Cutaways in the facades allow areas of the venue's red brick lining to peep from beneath the pale concrete shell – a reference to the traditional brick properties in the town's historic centre.

梅尼斯比喻这种特性像吃Zurek一样的体验——这是在波兰流行的一种特殊汤菜，加在一个空心面包里来进行食用。

“音乐厅的外表面仍然是刚性的，内部的空间却是流动的，汇集了不同的功能，它有许多不同的共生元素，慢慢地结合再相互作用，”他说。“视觉效果的产生来源于自然物体，岩石。”

Menis likens this feature to the experience of eating Zurek – a popular soup dish in Poland that is served in a hollowed loaf.
"While the concert hall's outer skin remains rigid, inside, the building acts like a fluid that brings together the different functions, its many different co-existing elements, slowly combining them and playing off each other," he said. "The visual effect achieved is that of a natural object, a rock."

隔断墙和可移动的座椅，意味着这两个音乐厅可以组合或分开，以适应不同类型的性能或更多的观众人数。

Partition walls and removable seats mean the two concert halls within can be joined or separated to suit type different types of performance or for larger spectator numbers.

“我想设计一个礼堂，有着最好的效率，能够适应不同的事件和容纳公众的各种能力，甚至可以同时容纳多个独立的行为，”梅尼斯说。“这可能是从性能到性能的改变，就像一块海绵。”

"I wanted to make an auditorium that has the best efficiency possible, one that can adapt to different events and various capacities for public, and even to be able to house several independent acts simultaneously," said Menis. "It may change from performance to performance, like a sponge."

为了户外表演或举办大型音乐会，舞台可以敞开在公园中。

The stage can be opened onto the park for outdoor performances and concerts during larger gatherings.

费尔南多•梅尼斯在2010年创立了他的特内里费工作室。工作室过去的项目包括一座由压碎的火山岩建造的教堂和上面有一个公共广场的地下博物馆。

Fernando Menis founded his Tenerife-based studio in 2010. Past projects by the office include a church lined with crushed volcanic rocks and an underground museum with a public square on top.

一层平面图/Ground floor plan

二层平面图 /First floor plan

三层平面图 /Third floor plan

屋顶平面图/ Roof plan

长剖面1 /Long section one

长剖面2/ Long section two

长剖面3/ Long section three

出处：本文译自www.dezee.com/，转载请注明出处。