Ibda Design uses contrasting sandstone and white marble for mosque in Dubai

由专筑网Yumi，杨帆编译

Ibda 建筑事务所设计的迪拜清真寺的砂岩立面上有拱形的门洞，带领信徒们走进明亮的大理石院落，院落中有一个带纹理的光塔。

Arched openings in the sandstone facade of this Dubai mosque by Ibda Design lead worshippers into a bright marble courtyard with a textured minaret.

该建筑事务所在清真寺的外墙上使用了沙特的砂岩材料，这种砂岩存在于著名的沙都阿联酋城市中。其用意是使建筑看起来宛如沙漠环境的一种延伸。

The architects used Saudi sandstone for the outer walls of the mosque, which is located in the famously sandy United Arab Emirates city. The aim was for the building to look like an extension of the desert environment.

赭石色的墙壁与建筑中明亮的白色穹顶和大理石的室内铺地产生了对比，旨在提供一种对于“物质世界的严酷环境”的静思。

The ochre-toned walls offer contrast to the building's bright white dome and marble-lined interior, which is intended to provide a retreat from the "harsh elements of the material world".

“Al Warqa'a清真寺与先知穆罕默德在麦地那的公元7世纪的简单居住空间相呼应，它被认为是史上第一座清真寺，”工作室说。

"Al Warqa'a Mosque echoes the spatial simplicity of Prophet Muhammad's seventh-century house in Medina, which is considered the first mosque in history," said the studio.

“这种布局背后的设计方法受到对清真寺的理解的影响，将其作为一个多功能的社区空间，使信徒们在祷告后能进行聚集和社交活动；在这种方式下，它被视为是所在当下环境的一种延伸。”庭院连接主要的大厅，在周五祷告、斋月或开斋节的高峰期时，作为暂时安置过剩人口的区域。

"The design approach behind this layout was influenced by an understanding of the mosque as a multifunctional space for the community to congregate and socialise in after prayer; in this way it is seen as an extension of its immediate environment."
The courtyard links with the main hall and is used as an overspill area during Friday prayers, or peak times during Ramadan and Eid.

一排树木和从露天空间升起的光塔也被计划作为社交场地。

光塔用类似马赛克的图案装饰，与Henning Larsen 事务所计划在哥本哈根的清真寺表面上使用的装饰相似。

A row of trees and a minaret rise from the open-air space, which is also intended as a place to socialise.
The minaret is decorated with an mosaic-like pattern, similar to the one Henning Larsen Architects plans to use for the facade of its mosque in Copenhagen.

信徒们通过更深一层的拱形开口和玻璃门进入大厅，或是通过通往洗手间和用餐区的走道，同时木门向街道开敞。

多个入口点的目的是促进建筑物流动的使用性。

Worshippers enter the hall through a further set of arched openings and glass doors, while wooden doors open onto the street, or into a corridor leading to washrooms and dining areas.
These multiple entry points are intended to encourage a fluid use of the building.

“这为创建一个绿洲般的效果增加了可能性，强调了清真寺作为一个公共空间的概念，”工作室说。

"This increased accessibility creates an oasis-like effect that emphasises the notion of the mosque as a communal space," said the studio.

女性独立的入口位于建筑物的一角，能够直接进入主厅上方独立的夹层祈祷室。

A separate entrance for women is located in one of the building's four corners and leads directly to a separate mezzanine prayer room above the main hall.

栏杆上的图案是小的孔洞——与光塔相匹配——可以看见下面的大厅。

天窗环绕在房间的周围，自然光线涌入其上方和下方的空间中。

“光线扮演着另外一个角色，”事务所解释道。“它在不断改变的祈祷时间里作为催化剂，使人们关注于太阳的运动轨迹，这种不断的运动成为一种日常循环的视觉反射。”

Here, small peek-holes in the patterned balustrade – which matches the minaret – give a view of the hall below.
Skylights surround the perimeter of the room, flooding both the upper and lower spaces with natural light.
"Light also plays another role," explained the architects. "It serves to call attention to the movement of the sun as a catalyst in the changing prayer times, the constant motion becoming a visual reflection of their daily cycle."

今年初，Amanda Levete的伦敦事务所AL_A赢得了设计一座清真寺的邀请赛，它将作为Foster公司设计的世界贸易中心Abu Dhabi发展区的一部分。

Earlier this year Amanda Levete's London studio AL_A won an invited competition to create a mosque as part of the Foster + Partners-designed World Trade Center Abu Dhabi development.
   

Ground floor plan/底层平面图

First floor plan/一层平面图

Section/剖面图

出处：本文译自www.dezeen.com/，转载请注明出处。