卒姆托的洛杉矶乡村博物馆：耍花招？
Zumthor at LACMA: Throwing a Curve Ball?

由专筑网缕夕，严越编译

瑞士建筑师彼得•卒姆托（Peter Zumthor）暗示了他彻底地改变洛杉矶乡村博物馆（LACMA）设计的计划。2月17日，他在所罗门•R•古根海姆博物馆（Solomon R. Guggenheim Museum ）的礼堂上演讲时说到，“所有事情都变了”。卒姆托作为特别嘉宾，他与评论家保罗•戈德伯格（Paul Goldberger）出席“Surface”杂志赞助的公开对话。当建筑师说到他的最新设计时提及到，“起伏不定的外形计划将改变”。

The Swiss architect Peter Zumthor may have just spilled the beans about a radical overhaul of his scheme for the Los Angeles County Museum of Art (LACMA). “Everything has changed,” he said from the auditorium stage at the Solomon R. Guggenheim Museum February 17. That evening, Zumthor was the featured guest at a Surface magazine-sponsored public dialogue with critic Paul Goldberger. “The undulating form is not undulating any more,” the architect said of his design’s latest iteration.



卒姆托的讲座主要关于挪威的两个项目。之后Goldberger提起了洛杉矶乡村博物馆，没有任何图片，设计师描述了新方案。他谈到一个S配置；建筑贯穿了威尔夏大道（Wilshire Boulevard）；整个博物馆在高于地面十米的水平上；大体量上有七个透明体块。

Zumthor’s talk from the lectern had focused primarily on two projects in Norway. But during the on-stage interview that followed, Goldberger brought up LACMA – and, without any images to present, the architect described his new scheme. He spoke of an S-configuration; of the building now crossing over Wilshire Boulevard; of the entire museum being on a single big level, hovering “10 meters above the ground;” of seven clerestory-lit clusters within the larger form.



自2013年以来，他的洛杉矶乡村博物馆（LACMA ）设计经过很多改变——原本是一个辽阔的黑色弧形设计，以反映了附近的拉布里沥青池（ La Brea Tar Pits ）的形状和颜色。相比2016年8月份公开的形象，4 0万平方英尺的洛杉矶乡村博物馆的大部分新特征，在设计师与Goldberger最近的谈话中又有了大致的描述。然而那天晚上在古根海姆，卒姆托也两次提到，“一个升向天空的高塔” 将是一个主要的新元素（虽然与他的单一层面的想法不一致）。

Since 2013, his design for LACMA — originally a vast, black, hovering amoeba, echoing the shape and color of the nearby La Brea Tar Pits — had undergone a series of changes. But most of the new features outlined in this recent conversation with Goldberger could also characterize, at least in vague terms, the 400,000 square-foot scheme LACMA had unveiled in August 2016. Yet that evening at the Guggenheim, Zumthor also mentioned (twice) “one big tower going to the sky” — which would be a major new element (though hard to reconcile with his single-level idea).



那么，他是否会带给我们一个惊喜呢，还是只是泛泛而论？设计是否发生了重大变化，还是卒姆托只是给Goldberger复述8月的成果？虽然博物馆否认任何大的改变，但4月5号洛杉矶艺术博物馆馆长迈克尔•高文（Michael Govan）主持的“Director’s Series，”活动时，卒姆托将公开所有设计，所以，保持期待吧。

So, did he, as one stunned audience member put it, “drop a bombshell”? Has the design changed significantly yet again — or was Zumthor merely bringing Goldberger up to date on the August scheme? The museum is denying any grand transformation, but it has also scheduled Zumthor to discuss his plans publicly on April 5, as part of the ongoing “Director’s Series,” hosted by Michael Govan, head of LACMA. So, stay tuned.




出处：本文译自www.architecturalrecord.com/，转载请注明出处。