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由Hidemi Nishida展示的‘脆弱的椅子’侵入日本湖
Fragile chairs invade Japanese lake by Hidemi Nishida

由专筑网黎旭辰,杨帆编译

日本Hidemi Nishida 工作室最近举办了一个名为“残破的椅子(fragile chairs)”的展览活动,一系列木椅被置于日本北海道的波罗托湖上。该作品是工作室的延伸系列,意在吸引人们对美学空间和环境的认知,着重于原始的体验,并使工作室选择的地理位置变得有意义,而在北海道,那些把湖泊视为圣地的阿伊努土著居民们,同时也因此成为展览的一部分。

Japanese studio Hidemi Nishida has recently developed an environmental installation called ‘fragile chairs’, a series of wooden chairs placed on lake Poroto in Hokkaido, northern Japan. The piece is an extension of the studio’s fragile series, known for engaging aesthetics of space and perceptions of environment, focusing on a primordial experience and making sense the studio’s choice of location. The are of Hokkaido which serves partly as a museum for tourists is occupied by the indigenous people ‘Ainu’ who consider the lake as a sanctuary.

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Photo by Hidemi Nishida

Hidemi Nishida 的作品来自一个普通的观点:使用视觉元素来绘制连接,帮助我们将思想延伸到我们自身。也许是暗示了在北海道的阿伊努和游客所观察到的这种临时占领是人类无法达到的领域的一个隐喻。因此,从中可以很容易地感受到现在和过去存在的距离。

Nishida‘s work composes what appears to be an ordinary view, using visual elements to draw connections that help us internalise thought onto our own existence. This temporary occupation acts as a metaphor for a field in which humans cannot reach, perhaps alluding to those observed by The Ainu and tourists in the land of Hokkaido. As a result it can be easily felt, the distance between one’s present existence, that which precedes and the one yet to follow.

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Photo by Hidemi Nishida

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photo by the ainu museum

真正的可望而不可即就在这里第5张图片

Photo by Hidemi Nishida

真正的可望而不可即就在这里第6张图片

Photo by Hidemi Nishida

真正的可望而不可即就在这里第7张图片

Photo by Hidemi Nishida

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Photo by Hidemi Nishida

真正的可望而不可即就在这里第9张图片

Photo by Hidemi Nishida


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