©  LUIS FERREIRA ALVES

GUILHERME MACHADO VAZ/CASA DA ARQUITECTURA

由专筑网缕夕，李韧编译

这个建筑项目是通过对工业建筑历史背景的调查，以及现存的废墟及其改造修复为基础进行设计工作，其兴建于1897年至1901年间，建造于Real Vinícola之后。

Simmel说：“一座建筑物的荒废，这意味着大自然的力量远远大于人类，建筑表现出自然与精神之间的平衡，是对大自然无尽的称颂。”

这个项目的主要目标是重新建立自然与人类精神间的力量平衡。通过二者之间的不断取舍，从而达到动态平衡，建筑师通过空间所表达的人文含义，同时也建立起自然与人之间的和谐对话。

The architectural Project – which comes a hundred years after the Real Vinícola was built, between 1897 and 1901 – is grounded on the existing ruins and their rehabilitation, through an investigation on the historical context of the industrial buildings.
“The instant a building crumbles”, said Simmel, “this means nothing more than the mere forces of nature beginning to predominate over human work: the balance between Nature and spirit, which the building manifested, moves in favour f Nature”.
The main objective of this project was re-establish the balance of forces between Nature and the human spirit. A balance achieved through a negotiation with both Nature, which claims a space that was once hers, in an endless struggle; the human spirit, which manifested a hundred years ago and built the space; and with the spirit that will necessary have to manifest today and establish a dialogue with the previous two.


©  LUIS FERREIRA ALVES


©  LUIS FERREIRA ALVES

体现这种对话的其中一处就是在建筑物内部种植树木，并且通过天井的形式让自然气息流淌在建筑之中，让这座曾经荒废的地方因为自然再次吸引人们的目光。

在这个项目中，建筑师尽可能地保留原有框架，所有外部空间被恰当恢复，木桁架也得以继续运用，另外，建筑师重建了所有木制构架，力求保持这个地方的工业气息。

功能上的变化意味着新空间的产生，那么便有新的设计准则。出于安全原因，建筑师设置一个混凝土楼梯，因为楼梯对原有构架会产生一定影响，所以建筑师将其设置于室外，其重复的结构梁柱产生了独特的美感。另外，建筑师在东立面还增设了窗户。

An example of this dialogue is the trees growing inside one of the buildings, which have been maintained by creating exterior patios. The building was once again occupied, but the rights acquired by Nature over the years in which the place was abandoned were respected.
We tried draw in accordance with the original project, whenever possible. All exterior dimensions were recuperated, the design of the wood trusses remained, all woodwork was rebuilt. We sought to maintain the industrial spirit of the place.
There were changes in function which implied new spaces, new infrastructures and new legislation to comply with. Concrete staircases placed outside the building were requires for fire safety reason. It was decided not to introduce them in the interior due to the negative impact they would have on the steel structure of the slab, with its beauty expressed in the almost infinitive repetition of the structural module created by the pillars and the beams. It was necessary to open windows on the east elevation of the block.
 

©  LUIS FERREIRA ALVES


©  LUIS FERREIRA ALVES


©  LUIS FERREIRA ALVES

由于在项目中引入了一个新的元素，建筑师选择使用了相对现代化的设计手法将其展示出来，通过在立面上使用新的窗框，这与原有窗户的设计手法不同。

除了在不同的限制中寻求自然与人之间的平衡，建筑师还希望将各种元素视觉化，并将其直观地展现出来。建筑师认为，在这个特殊情况下，物质应该在空间和时间上被人类所感知。

Since we were introducing a new element into the project, we chose to adapt the contemporary character of the intervention rather than to disguise it – by making the new windows frames pressed against the wall, in opposition to the existing windows which are mass taken from it.
In addition to seeking this balance between the different intervening forces, we wanted it to be visible and manifest itself in all its veracity. We believe that matter should, in this particular instance, be perceived in both space and time.
 

©  LUIS FERREIRA ALVES


©  LUIS FERREIRA ALVES


©  LUIS FERREIRA ALVES


©  LUIS FERREIRA ALVES


©  LUIS FERREIRA ALVES


©  LUIS FERREIRA ALVES


©  LUIS FERREIRA ALVES


©  LUIS FERREIRA ALVES


©  LUIS FERREIRA ALVES


©  LUIS FERREIRA ALVES


©  LUIS FERREIRA ALVES


©  LUIS FERREIRA ALVES


©  LUIS FERREIRA ALVES


©  LUIS FERREIRA ALVES


© GUILHERME MACHADO VAZ
         

© GUILHERME MACHADO VAZ
      

© GUILHERME MACHADO VAZ
      

© GUILHERME MACHADO VAZ
      

© GUILHERME MACHADO VAZ
      
项目地点：葡萄牙-马托西纽什
设计者：GUILHERME MACHADO VAZ
项目年份：2017
摄影：LUIS FERREIRA ALVES

LOCATION: PORTUGAL - MATOSINHOS
DESIGNER: GUILHERME MACHADO VAZ
PROJECT YEAR: 2017
PHOTOS BY: LUIS FERREIRA ALVES

            
出处：本文译自divisare.com/，转载请注明出处。