H.C.Andersen Hus Museum / Kengo Kuma & Associates

由专筑网小R编译

这是一座名为安徒生博物馆的新建筑，位于安徒生出生的城市中心，这也是一座花园与文化中心，项目场地周边是中世纪传统的木屋住宅区和新城区。

The project is to create a new building for the H.C. Andersen Museum, the garden and cultural center in the heart of the city where Andersen was born. The site is located in between the residential area with small traditional wooden houses from the middle age and the newly developed urban area in Odense.





故事要表达的不仅仅是书面的形式，同时也需要通过博物馆和花园的物理空间来进行体验和感受，安徒生的作品便变大了深刻的信息，很好地反映了作者的生活及其人生旅途，其作品凸出了人类世界的二元性，比如真实与幻想、自然与人造、人类与动物、光明与黑暗等等，事物的对立面相互依存，并不是非黑即白，建筑设计就是需要通过建筑与景观来表达其中的精髓。

The stories to be told here are not only in written form, but it is to be experienced and sensed through physical spaces in the museum and in the garden. There are profound messages in HC Andersen’s writing that reflect the author's life and his life journey. Andersen's work projects the duality of the opposite that surrounds us; real and imaginary, nature and manmade, human, and animal, light and dark… The opposite of the matters coexists, they are not in black and white. Our architectural design is to reflect this essence of his work in architectural and landscape form.







博物馆的空间通过一系列如链条般且彼此相切的圆而构成，它们并非层叠也并非同心，连续的曲线绿色墙体延伸至地下空间，同时也定义了地面的花园和路径，曲线线条贯穿在整个场地的地上与地下，在一系列相互交织的空间里，随着绿色墙体的出现与消失，游客们会感受自己置身空间的内外，博物馆的旅程缓缓展开，其中作品的元素、二元特征消解了边界，都得以通过空间的构成与模糊性得以表达。

The museum spaces are composed of a series of circular forms that are tangent to each other like a chain. They are organized in a non-hierarchical, non-centric manner. The continuous curve linear green wall expands and traces the underground space structure and defines the garden and paths above ground. It meanders and weaves in and out, above and under the ground throughout the site. In the sequence of intertwined spaces, visitors will find themselves in between outside and inside as the green wall appears and disappears. The journey of the museum would be the narrative, the elements of his work; the duality of the opposite, dissolving the boundary, will be read through spatial composition and the ambiguity.







展览空间位于地下，地面上的花园通过曲线树篱构成，树篱沿着地下展览空间而延伸，蜿蜒的道路构成博物馆的室外空间，在这里，建筑形式得以减弱，游客被引导至由树木和树叶构成的“迷宫”之中，地下空间通过一系列的花园与上方空间相连，这些花园就如同地面上的孔洞，如同童话世界与现实世界之间的门廊，景观将建筑与自然融合在一起，极大地提升了人们的体验感。

The exhibition spaces are planned underground. The enchanting garden above ground is composed of a curve linear hedge that traces the exhibition spaces belowground. The meandering paths through the garden area are to be experienced as the extension of the museum. Here the architectural built form is diminished, and visitors would be led into the “maze” like space created by trees and leaves. The underground world is connected to the garden above through a series of sunken gardens that appears like a “hole” on the ground, a “portal” from a fairytale world to the world outside. The landscaped architecture, where elements of nature are merged with architectural elements, is what would make the experience unique.





建筑的完成始于花园的生命，其目的是随着时间的推移而生长，在未来的时光中，花园愈发成熟，给游客和社区带来自然与季节的交替，这里还有色彩、气味、密度、透明性的变革以及景观的生长，安徒生博物馆将在城市的景观中拥有着核心作用。

The building completion is the beginning of the life of the garden. It is designed to grow over time and set its root. Over the years to come, the garden will mature, will offer the visitors and the community the sense of nature and seasons, change of colors, scent, density, transparency, and scenery in its growth. The HC Andersen’s Museum would play a core role in the new Urbanscape of Odense city.







规划的平面是封闭的通道，连接城市的新旧两个部分，这两个部分目前是分开的，博物馆的花园构成了全新的公共空间，使得“之间的”区域焕发活力，安徒生出生于这座城市，这里是中世纪的城市景观，有着蜿蜒的道路，不如现代城市的发展那般飞速，但是仍然有着笔直且宽阔的车道，蜿蜒的道路和花园表达了人性化的特征，这构成了自然与城市的联系。

The development plan is to close off one of the arterial roads and reconnect two parts of the city; new and old, which are currently separated. The Garden of the museum is to offer a new quality public area, giving life to this “in-between” zone. One part of the city where the birth house of the writer is, remains the medieval townscape with small and meandering streets, the opposite of modern urban development with wide and straight fast lanes. The meandering path and hedge garden are to bring back the human scale quality to make a soft link to the urban area of the city.



建筑的施工处于疫情时期，这给项目的执行、规划、采购等方面都带来了很大的挑战，让项目的实现受到了多方位且不可理解的质疑，不过这就仿佛人们正在经历着安徒生的童话世界，在无形中飞翔着，去适应、应对未知的一切，安徒生的童话仍然在向人们讲述着美好的故事。

During the construction of the building, we were put in a unique situation, the Pandemic. it imposed us all unexpected challenges in carrying out the work, in sequencing, planning, sourcing, and so on. The reality and norm we were accustomed to in daily activities were questioned by the cause that was intangible and incomprehensible. It felt to me as if we were experiencing Andersen’s world of fairytales, flighting the invisible or learn to adapt, cope with the unknow. His stories speak to us still today.













建筑设计：Kengo Kuma & Associates
类型：博物馆
面积：5600 m2
时间：2022年
摄影：Rasmus Hjortshøj- COAST
工程设计：Søren Jensen Engineering Consultants A/S
景观设计：MASU Planning
主要设计合伙人：Yuki Ikeguchi
项目建筑师：Nicolas Guichard
主要项目管理者：Miruna Constantinescu
项目所有者与使用者：Odense Kommune / Odense Bys Museer
项目发起：A.P. Møller Fonden, Augustinus Fonden / Knud Højgaards Fond, Nordea Fonden
顾问（至2020年1月）：Cornelius Vöge
执行建筑：C&W architect
灯光设计：Jesper Kongshaug
展览设计：EVENT Communication
城市：Odense
国家：丹麦

MUSEUM
ODENSE, DENMARK
Architects: Kengo Kuma & Associates
Area: 5600 m2
Year: 2022
Photographs: Rasmus Hjortshøj- COAST
Engineering Design: Søren Jensen Engineering Consultants A/S
Landscape Design: MASU Planning
Partner In Charge Of Design: Yuki Ikeguchi
Project Architect: Nicolas Guichard
Chief Project Manager: Miruna Constantinescu
Ower And User: Odense Kommune / Odense Bys Museer
Founding: A.P. Møller Fonden, Augustinus Fonden / Knud Højgaards Fond, Nordea Fonden
Consultant Untill January 2020: Cornelius Vöge
Executive Architects: C&W architect
Lighting Design: Jesper Kongshaug
Exhibition Designer: EVENT Communication
City: Odense
Country: Denmark