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住宅空间的有机生长——墨尔本黑色小屋第1张图片

Splinter Society工作室为墨尔本增建的黑色木构小屋
Splinter Society adds black timber extensions to Melbourne cottage

由专筑网江鹏,小R编译

在墨尔本,当地工作室Splinter Society为其创始人设计了这座住宅,黑色的木材得到充分利用,创造了开敞的生活空间。

工作室创始人Asha Nicholas和Chris Stanley在2005年毕业后不久就购买了这座小屋,在过去的20年里,他们逐渐增建了新的功能空间,创建了这个名为Host住宅的项目。

设计方案并非简单地延用原始小屋的白色山墙形式,而是采用对比鲜明的形式相交叉,扩大并将光线引入建筑内部。

Black timber forms cut through a former worker's cottage to create open living spaces at this home in Melbourne designed by local studio Splinter Society for its founders.
Studio founders Asha Nicholas and Chris Stanley purchased the cottage shortly after graduating in 2005, and over the past two decades have gradually added new spaces to create the project, called Host House.
Instead of simply extending the white, gabled form of the original cottage, it has been intersected with contrasting forms that expand and draw light into its interiors.

住宅空间的有机生长——墨尔本黑色小屋第2张图片
▲ Host住宅是Splitter Society工作室在墨尔本建造的一座木屋
House House is a timber-clad home in Melbourne by Splinter Society


工作室说:“最初的白色小屋体量经过缩小,从而扩大坡屋顶的体积,使其在原建筑立面基础上从前到后延伸。”

他继续说道:“随着时间的推移,这个小屋承载了许多新的黑色体量和清晰的功能。”

现有的小屋包含一个开放式的起居室、餐厅和厨房空间,以及住宅入口旁边的卧室。

"The original white cottage was first extruded to extend the pitched roof volume to run from the front to back of the site behind the original facade," said the studio.
"This cottage then 'hosts' a number of new black volumes and articulated programmes added over time," it continued.
The existing cottage contains an open plan living, dining and kitchen space as well as a bedroom alongside the home's entrance.

住宅空间的有机生长——墨尔本黑色小屋第3张图片
▲ 工作室挤压了现有小屋的体积
The studio extruded the existing cottage's volume


以原始横梁为特色的山墙天花板区域标志着厨房空间,而生活区在玻璃空间下打开,在这里小屋与新添加的部分交汇。

这个宽敞明亮的生活空间通过大双扇门通向花园,木制凉棚提供荫凉。

An area of gabled ceiling featuring original beams marks the kitchen space, while the living area opens up beneath a glazed void created where the cottage meets one of the new additions.
This large, bright living space opens onto a garden through large bifold doors, where a wooden pergola provides shade.

住宅空间的有机生长——墨尔本黑色小屋第4张图片
▲ 黑色的木材一直延伸到室内
Black timber was continued through to the interior


Host住宅的新体量延伸了底层空间,在一层包含有两间大卧室,顶部是屋顶平台和由不规则的木板护墙包围的浴缸。

所有的新体量都采用了黑色木材,清晰地将它们与原来小屋的白色饰面区分开来,并使新旧之间的区域充满活力。

工作室介绍说:“不对称材料的应用产生了沿着新屋顶线、围栏和整个内部各个方面的柔软边缘。”

“除了黑白体量之间的关系,住宅的材料通过个人实验探索出了一种丰富的质感。”

As well as extending the ground floor, the new volumes of Host House contain two large bedrooms on the first floor, topped by a rooftop deck and bathtub surrounded by an uneven parapet of wooden planks.
All of the new volumes were glad in black stained timber, clearly marking them out from the white finish of the original cottage and enlivening the areas between old and new.
"The asymmetrical material application produces a softer edge along the new roofline, fencing and at various aspects throughout the interior," said the studio.
"Beyond the relationship between the black and white volumes, the home's materiality explores a richly textured approach through personal experimentation."

住宅空间的有机生长——墨尔本黑色小屋第5张图片
▲ 它包括两间卧室和一个屋顶平台
It contains two bedrooms and a roof deck


室内装饰考虑了旅游的因素,生活空间专门被用来招待客人。

在厨房中,石质台面和照明酒吧区给人一种餐厅的感觉,而在起居空间中,座位区采用了丰富的深绿色、红色和金色,隐藏在新体量下。

The interior finishes draw on influences from travel, with the living spaces designed specifically to host and entertain guests.
In the kitchen, a stone countertop and illuminated bar area are intended to give a restaurant feel, while in the living space seating areas with a rich palette of deep green, red and gold are tucked beneath the new volumes.

住宅空间的有机生长——墨尔本黑色小屋第6张图片
▲ 这所房子专为招待客人而设计
The home was designed to entertain guests


Splinter Society工作室之前的项目包括在墨尔本重新设计的20世纪20年代的加州风格住宅,它专注于自然材料和饰面,以及与花园的紧密联系。

在墨尔本的其他地方,Matt Gibson工作室扩建并修复了一座郊区住宅,增加了庭院和一座玻璃桥。

摄影:Sharyn Cairns

Previous projects by Splinter Society include the redesign of a 1920s California-style bungalow in Melbourne, which focused on natural materials and finishes and a strong connection to a garden.
Elsewhere in Melbourne, Matt Gibson extended and restored a suburban home adding courtyards and a glazed bridge.
The photography is by Sharyn Cairns.

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