项目：构成，钢管与白纱
Composition with Steel Pipe and White yarn


composition with red yellow and blue, Piet Mondrian, 1942

“我喜欢用直线和方块来创造一种平静和秩序感。”

-- 皮特·蒙德里安

“I like to use straight lines and squares to create a sense of calm and order”

-- Piet Mondrian

德·斯泰尔（Theo van Doesburg）在他的《新艺术》（De Stijl）杂志中曾经写道：“线条和颜色，这是所有艺术的两个基本元素。”线条是空间的表达方式，而颜色则是时间的表达方式。” 蒙德里安在他的艺术作品中广泛运用线条，以创造出简洁、几何化和抽象化的效果，从而表达出艺术的精神内涵。

Theo van Doesburg once wrote in his journal De Stijl: "Line and colour, these are the two fundamental elements of all art." Line is the expression of space, and Color is the expression of time.” Mondrian used lines extensively in his artworks to create concise, geometric and abstract effects, thus expressing the spiritual connotation of art.


衍生平面手稿
Floor plan sketch


衍生立体手稿
3D hand drawing sketch

蒙德里安认为线条是表达艺术形式的重要手段，它可以通过简单而明快的方式表达出形式和空间的关系，以及艺术形式的精神内涵。他强调线条的简约和平衡，以达到视觉上的美感和和谐感。他的艺术作品中常常使用直线和垂直线条，运用了几何形状和纯色块，创造出了简单而有力的视觉效果。

此项目初始灵感来自于蒙德里安画作《composition with red yellow and blue》1942，平面上参考此画作的线条与构图，结合空间功能性调整，将其从二维平面拉伸到三维。为了保持空间结构上的简洁，将颜色抽离并放置于空间主体物上呈现，凸显主体物在整个空间中的视觉比重。

Mondrian believed that lines are an important means of expressing art forms, which can express the relationship between form and space, as well as the spiritual connotation of art forms in a simple and clear way. He emphasized simplicity and balance of lines to achieve visual beauty and harmony. Straight and vertical lines are often used in his artwork, geometric shapes and solid blocks of color are used to create simple but powerful visual effects.
The initial inspiration for this project came from Mondrian's painting "composition with red yellow and blue" in 1942. The lines and composition of this painting were referred to on the plane, and combined with the functional adjustment of the space, it was stretched from a two-dimensional plane to a three-dimensional one. In order to keep the spatial structure simple, the color is extracted and placed on the main object of the space to highlight the visual proportion of the main object in the entire space.









两种触感观感迥异的材料，钢管与薄纱，增加了视觉戏剧性。钢管材料在家具直播间少有出现，通过镜头观众会产生视觉扭曲，但薄纱与暖光的加入又将冲突拉回到一个家具艺术展与家庭实景的平衡点，好奇与戏剧的交界线。

Two materials with very different touch and feel, steel tube and tulle, add visual drama. Steel pipe materials rarely appear in the furniture live broadcast room, and the audience will have visual distortion through the lens, but the addition of tulle and warm light brings the conflict back to a balance point between furniture art exhibition and family real scene, and the borderline between curiosity and drama.



空间结构（钢管与薄纱）都采用材料本身的颜色，带来简洁自然的感觉，不仅节省成本且材料的本来颜色可以带来一种统一感，使得整个空间的设计更加协调和一致。在减少对环境的污染的同时，自然地将主体物呈现在观众眼前。

The space structure (steel pipe and tulle) adopts the color of the material itself, which brings a simple and natural feeling. It not only saves costs, but also the original color of the material can bring a sense of unity, making the design of the entire space more coordinated and consistent. While reducing environmental pollution, it naturally presents the main object in front of the audience.



















该设计项目采用简约、几何化和抽象化的设计元素和两种迥异的材料（钢管和薄纱），将蒙德里安的线条和构图从二维转化到三维，并将颜色抽离放置在空间主体物上呈现，创造出简洁自然、统一感强的空间设计。钢管的视觉扭曲和薄纱与暖光的加入，平衡了家具艺术展与家庭实景的需求。整个空间设计达到了视觉上的美感和和谐感，同时也符合环保和节能的要求。

The design project adopts simple, geometric and abstract design elements and two very different materials (steel tube and tulle), transforming Mondrian's lines and compositions from two-dimensional to three-dimensional, and separating the colors into the space Presented on the main object, it creates a space design that is simple, natural and has a strong sense of unity. The visual distortion of steel pipes and the addition of tulle and warm light balance the needs of the furniture art exhibition and the real scene of the home. The entire space design achieves visual beauty and harmony, and also meets the requirements of environmental protection and energy saving.





项目名称：《构成，钢管与白纱》杭州逅艺艺术中心直播间改造
设计单位：原初物质设计（OODC）
主案设计：JA$PER（任杰）
施工图设计：王杰
施工团队：逅艺艺术中心
项目类型：直播间
项目地点：中国杭州萧山区
时间：2023
建筑面积：700㎡
项目摄影：海洋


来源：本文由原初物质设计（OODC）提供稿件，所有著作权归属原初物质设计（OODC）所有。