引言

建筑是生命，或者至少它是生命本身的形式，
因此它是对生命的最真实的记录，就像它昨天生活在这个世界上，
今天生活在这个世界上，将来也会生活在这个世界上。
——弗兰克·劳埃德·赖特

万物之始，大道至简，衍化至繁，万法归一。
精于心，简于形。至简不仅是一种至美，也是一种生活态度和一种人生境界。
化繁为简，返璞归真，万法归一，以道一演绎生命至美。

One for all, all in one
—— MWH Life style Center (China Flagship Center - Shenzhen)

Introduction
Architecture is life, or at least it is the form of life itself,
So it's the truest record of life, like it lived in the world yesterday,
Living in this world today, we will live in this world in the future.
—Frank · Lloyd · Wright

At the beginning of all things, the road is simple, the evolution is complex, and all things are one.
Good at heart, simple in form. Simplicity is not only a kind of beauty, but also a kind of life attitude and a state of life.
Simplify the complex, return to the basics, return to one, and interpret the beauty of life with Taoism.



| 项目解析

建筑的一大美丽之处在于，
每一次它都像是重新开始的生命。
——伦佐·皮亚诺

本项目位于工业厂区，为其中一栋不起眼的RC工业厂房。此次设计为改造提升，透过空间重塑，让老旧工业厂房蜕变成高端展销共学中心，用于招待最优秀的艺术家、设计师、工业技术人员与手工匠师等人群共同参与和互动，而作为结合展示、共享及教育的共学场域，需营造高效率的工作环境及创造全方位的效果展示。

定位为曼好家企业总部展厅，在此谋求所有造型艺术间的交流，把建筑、设计、手工艺、绘画、雕刻等都纳入全屋定制的销售体系中，为此展开⼀系列充满激情的探索，为曼好家体系的推进与构成，在未来奠定了创意无限的基础。

|Project Analysis
One of the great beauties of architecture is that,
Every time it feels like a new beginning of life.
——Renzo Piano

This project is located in an industrial plant area, which is one of the inconspicuous RC industrial buildings. This design aims to transform and enhance the old industrial factory into a high-end exhibition and learning center through spatial reshaping. It is designed to welcome the best artists, designers, industrial technicians, and craftsmen to participate and interact together. As a collaborative learning field that combines exhibition, sharing, and education, it is necessary to create an efficient working environment and create a comprehensive display of effects.
Positioned as the exhibition hall of the headquarters of MWH Enterprise, we seek communication between all forms of visual arts, including architecture, design, handicrafts, painting, sculpture, etc., and incorporate them into the sales system of whole house customization. To this end, we embark on a series of passionate explorations, laying an infinite foundation for creativity in the promotion and construction of MWH's system in the future.



| 设计策略

作为一名建筑师，
你设计的是当下，是对过去的一种认识，
是对一个本质上未知的未来的一种认识。
——诺曼·福斯特

打破僵化的模式肆意自由思考，设计预期创造三种美好情境：美好家园、美好生活、美好关系。为充分体知曼好家的企业品牌理念，空间以三种美学理念进行规划：谦逊的姿态，通透的空间，朴素的材料。

整体改造设计不拘泥于任何形式、风格或教条，但尊重当下的存在事实，如文明传承过程，设计进行适当的保留，依包豪斯理念为思路，同时融入创新理念，以灵活可变的形式，去探寻生命本身的律动，随时间与时代活力互动互融，衍生可使社会更好的新理念，秉持企业梦想，透过其全屋订制服务为「新人类」服务。

|Design Strategy
As an architect,
What you are designing is the present, an understanding of the past,
It is an understanding of an essentially unknown future.
——Norman Foster

Break the rigid mode of free thinking and design expectations to create three beautiful situations: a beautiful home, a beautiful life, and a beautiful relationship. To fully understand the corporate brand concept of MWH, the space is planned with three aesthetic concepts: humble posture, transparent space, and simple materials.
The overall renovation design is not confined to any form, style, or dogma, but respects the current reality of existence, such as the process of cultural inheritance. The design is appropriately preserved, following the Bauhaus concept and incorporating innovative ideas. In a flexible and adaptable form, it explores the rhythm of life itself, interacts and integrates with the vitality of the times, and generates new ideas that can make society better. Adhering to the corporate dream, it serves the "new generation" through its whole house customized services.



| 设计演绎

依据包豪斯的三大理念：形随功能、少即是多、极简主义。在延续原建筑大楼的结构基础下，通过设计手法满足新的需求变化。

形式服从功能。
——路易斯·沙利文

形随功能 Form follows function

为将新的面貌融入原有工业区，设计刻意保持既有的建筑开口，但强化纵向和横向体量变化，建立与周边环境的空间对话。外观大片玻璃设计，增加立面采光面积，简洁的外开窗设计同时能整合多功能。

|Design interpretation
According to Bauhaus' three major principles: form follows function, less is more, and minimalism. On the basis of continuing the structural foundation of the original building, new demand changes are met through design techniques.

Form follows function.
——Louis Sullivan

Form follows function
In order to integrate the new appearance into the original industrial area, the design deliberately maintains the existing building openings, but strengthens the vertical and horizontal volume changes, establishing a spatial dialogue with the surrounding environment. The appearance features a large glass panel design, increasing the facade lighting area. The simple exterior window design also integrates multiple functions.
  

（改造提升前）(Before renovation and upgrading)


（改造策略分析） (Analysis of renovation strategy)


（改造提升后 ）(After renovation and upgrading)
                           
大门外内凹设计的三角空间，以内退的谦逊、无封闭的通透以及朴素的原状态，充分传达企业品牌以及空间设计的理念。

The triangular space with concave design outside the gate fully conveys the concept of corporate brand and space design with a humble retreat, unclosed transparency, and simple original state.





作为展示、共享及教育的共学场域空间，需满足高效率工作环境以及全方位的展示效果，经反复研究，空间主要以“引”作动线规划，以提供顺畅自如的空间体验：一楼布局形式采用三角快捷动线，将常见平面的垂直水平动线翻转45度，使空间在通透vs隐私、奢华vs低调、大器vs温馨，之间得以切换自如。
  
As a collaborative learning space for display, sharing, and education, it is necessary to meet the requirements of an efficient working environment and a comprehensive display effect. After repeated research, the space is mainly planned with "leading" as the movement line to provide a smooth and comfortable spatial experience. The layout of the first floor adopts a triangular quick movement line, flipping the vertical and horizontal movement lines of common planes by 45 degrees, allowing the space to switch freely between transparency and privacy, luxury and low-key, and large objects and warmth.







前台通过原生材料提炼以极简美学造型表达共学空间。大厅左侧设置休息区，静动皆宜，可用于休息、交流或共同学习。依来访宾客的属性巧做动线规划以适应不同来访需求。

The front desk expresses the collaborative learning space through minimalist aesthetic design extracted from native materials. A rest area is set up on the left side of the hall, suitable for both static and dynamic activities, and can be used for rest, communication, or shared learning. Cleverly plan the itinerary based on the characteristics of visiting guests to meet different visiting needs.







室内斜角的办公楼动线带入不同的视角，各个空间构造都能被灵活运用，让每一空间皆有独自造型特色的律动感，演绎崭新的建筑空间观念，也成为MWH曼好家企业总部不朽的「建筑宣言」。

The office building's sloping interior brings in different perspectives, and each spatial structure can be flexibly utilized, giving each space a unique and distinctive sense of rhythm, interpreting a new concept of architectural space, and becoming an immortal "architectural manifesto" for MWH's headquarters.

少即是多。
——路德维希·密斯·凡德罗

少即是多 Less is more

设计从建筑本身开始处理，用谦卑的方式看待建筑在这空间当下的一个存在感。以其最真的那一面做一个空间叙事，留于最多的余想。尊重原本建筑该有的样子，重新梳理建筑自己的情感和表情表达。建筑白色外墙使用生态环保的无机矿物涂料加自清洁涂层，不做花哨的任何装饰。白色外墙加深灰色窗户的设置，让建筑以简洁之态表达对空间各种可能性的容纳。

Less is more.
——Ludwig Mies van der Rohe

Less is more
Design starts from the building itself, viewing the building's presence in this space in a humble way. Create a spatial narrative based on its most authentic side, leaving the most room for imagination. Respect the original appearance of the building and reorganize its own emotions and expressions. The white exterior walls of the building use eco-friendly inorganic mineral coatings with self-cleaning coatings, without any fancy decorations. The setting of white exterior walls and deepening gray windows allows the building to express its ability to accommodate various possibilities in space in a concise manner.


（改造提升前）(Before renovation and upgrading)


（改造提升后）(After renovation and upgrading)

对于室内空间，设计卸掉建筑外加的所有妆容，呈现其最本质的部分。不过度设计，以最少的处理赋予空间更大的灵活性以及更多的可能性。裸露的结构及各种管道毫无保留地呈现，以真真实实、本本白白的姿态邀请人去真正了解这个空间。裸露部分，可完全裸露，但让人贴近，或可以是被增长的，就像被玻璃包起来，是一个被增长的范围。它是一个可以生活，可以往上推举的一个方式，也是可以恰如其分的跟人贴近的一个内容。

For indoor spaces, design removes all the external makeup of the building and presents its most essential parts. Not over designing, giving space greater flexibility and more possibilities with minimal processing. The exposed structure and various pipelines are presented without reservation, inviting people to truly understand this space with a genuine and authentic attitude. The exposed part can be completely exposed, but it allows people to get close to it, or it can be an expanded area, like being wrapped in glass. It is a way to live, a way to climb up, and a content that can be appropriately close to people.




（改造提升前：室内空间裸露状态）(Before renovation and upgrading: Indoor space exposed state)












（改造提升后：室内空间容纳感）(After renovation and improvement: Indoor space capacity)

设计多以包容性极强的白作为空间底色，以不同的家具软装配置适应及灵活容纳更多的可能性。以有设计感的家具及植物配饰等营造品质感十足的办公氛围；绒软的沙发和茶几即让空间成为鼓励交流的客厅；舒适的床以及暖调配件让空间成为温馨的卧室；简洁一个浴缸，即刻让空间似乎能瞬间冲洗掉一天的喧嚣。

The design often uses highly inclusive white as the spatial base color, and adapts and flexibly accommodates more possibilities with different furniture and soft furnishings configurations. Create a high-quality office atmosphere with well-designed furniture and plant accessories; Soft sofas and coffee tables make the space a living room that encourages communication; Comfortable beds and warm accessories make the space a cozy bedroom; A simple bathtub instantly makes the space seem like it can wash away the hustle and bustle of the day.
  








公区的概念是创造一个纯粹的舞台，可以曼妙的姿态漫步其中。以白色为主分成三个小区，通过独立形塑的空间中给予内外连结，直观的肌理与材质外衣。可以学习探索、可以分享交流，充分展示了最纯粹面貌，拥抱纯净无尘的身心。
  
The concept of a public area is to create a pure stage where one can stroll gracefully. Divided into three small areas with white as the main color, the interior and exterior are connected through independently shaped spaces, providing a visual texture and material coating. You can learn and explore, share and communicate, fully showcase your purest appearance, and embrace a pure and dust-free body and mind.



















沉稳、安定的材质材料，由统一的色调及精致的金属及饰条融入空间，创造奢而不华的韵味。简约之余依然重视质感。空间纯粹，但以光线、肌理等丰富不同的空间情绪，传递单纯的美。自然光和室内光线的调和，让光与影产生室内不同的立体感。

Steady and stable materials, with unified color tones and exquisite metal and decorative strips integrated into the space, create a luxurious yet elegant charm. Despite simplicity, we still value texture. The space is pure, but enriched with different spatial emotions such as light and texture, conveying pure beauty. The harmony between natural light and indoor light creates a different three-dimensional effect of light and shadow in the room.


部分空间选以深色，或为主色调，或为铺色，或为点缀。色泽沉稳中释放出雅致的韵味，以另一种形式诠释空间的沉淀以及包容性，同时寓意企业在厚重积累中容纳创新并持续发展。深色调用材如石材传递出稳重，木材蕴含着沉淀。跳跃的亮色家具让空间瞬间充满生机感。
  
Some spaces are selected in dark colors, either as the main tone, as a color scheme, or as embellishments. The stable color exudes an elegant charm, interpreting the sedimentation and inclusiveness of space in another form, while implying that the enterprise accommodates innovation and sustainable development in the accumulation of weight. Deep toned materials such as stone convey stability, while wood contains sediment. Jumping bright colored furniture instantly fills the space with a sense of vitality.  

简单是最复杂的。
——达芬奇

极简主义Minimalism

设计化繁为简，回归空间本质。室内裸露结构，以白色油漆涂装墙面及梁柱天花，留空间以“空白”以容纳其内。柱子及墙面收尾节点植入更多细节是尊重建筑本质及对美学的表达。有些空间看似繁复，但设计逻辑统一，以看似复杂的设计手法表达空间的垂直感和水平感。

Simplicity is the most complex.
——Da Vinci

Minimalism
Simplify the complexity of design and return to the essence of space. Indoor exposed structures are painted with white paint on the walls, beams, columns, and ceilings, leaving space as "blank" to accommodate the interior. Embedding more details into the final nodes of columns and walls is a way to respect the essence of architecture and express aesthetics. Some spaces may seem complex, but the design logic is unified, expressing the vertical and horizontal sense of the space through seemingly complex design techniques.







设计返璞归真，“就地取材”。设计将品牌大规模制作的手工编织藤条作为展现品牌精神的象征，以纯手工编织的屏风形式将室内空间进行有利分割，不仅增强空间的层次感，同时也毫无突兀地将企业展品作为设计元素融入空间。仿木纤维的细节，呈现出一种自然与工业元素兼容的和谐之美。正面西边的玻璃幕墙屏风，编织密度更密，略微遮挡西晒的霞光；背面东边的玻璃幕墙屏风，编织密度更疏，渗入东方的一缕晨光。

Design returns to simplicity, using locally sourced materials. The design uses hand woven rattan strips produced on a large scale by the brand as a symbol of the brand spirit, and divides the interior space into favorable sections in the form of pure hand woven screens. This not only enhances the sense of hierarchy in the space, but also seamlessly integrates corporate exhibits as design elements into the space. The details of imitation wood fibers present a harmonious beauty that is compatible with natural and industrial elements. The glass curtain wall screen on the west side of the front has a denser weaving density, slightly blocking the sunlight from the west; The glass curtain wall screen on the east side of the back has a looser weaving density, allowing a ray of morning light to seep into the east.





整体设计看似极简，但简中蕴含着传承的生命，保留最本真并以创新方式衍生并焕发活力。且简中藏有各种细节，述说着空间对品质和美学的追求。

The overall design may seem minimalist, but simplicity contains a life of inheritance, preserving the most authentic and creatively deriving and revitalizing it. And the simplicity hides various details, narrating the pursuit of quality and aesthetics in space.


  
















| 尾声

建筑激起人的情感。
因此，建筑师的任务是使这些情感更加精确。
——阿道夫·路斯

|Conclusion
Architecture evokes emotions in people.
Therefore, the task of architects is to make these emotions more precise.
——Adolf Loos





本次项目设计是为下一个世代或下一个不同生活城市的层面去思考一个对于生活的新认知跟观念。以实验性质探索空间作为一个生活实验室的可能性，以一个对于品质追求的向往的空间的实验室探寻生命背后的律动，以建筑的传承和创新让空间遵循最本质的理念并以充满情感的生命形式与时代共存共进。

大道至简，简不是物质的贫乏，而是精神的自在；简不是生命的空虚，而是情感的单纯。以谦逊的姿态、通透的心态，朴素的状态，历经万化之后，回归万物之始，传承中融入创新，继续谱写生命之曲。

The design of this project is to think about a new understanding and concept of life for the next generation or different living cities. Exploring the possibility of space as a living laboratory through experimental nature, exploring the rhythm behind life through a space that yearns for quality, and using architectural inheritance and innovation to make space follow the most essential concepts and coexist with the times in an emotional form of life.
The great road is simple, Simplicity is not material poverty, but spiritual freedom; Simplicity is not the emptiness of life, but the purity of emotions. With a humble attitude, a transparent mindset, and a simple state, after experiencing countless transformations, we return to the beginning of all things, integrate innovation into inheritance, and continue to compose the song of life.


项目信息
项目业主：MWH曼好家 企业总部/旗舰中心
基地位置：深圳
设计规划：2021年3月
完工时间：2024年2月
空间性质：产品展示、活动演讲、商务办公、共学生活
设计公司：青埕建筑整合设计
主创设计：郭侠邑
协力设计：王玟心、刘翰铨、洪佳伟、叶盈汝、陈彦宇、蔡雅芸、林昱辰、郭昀汉、陈燕萍、郭语哲、范佳琪、郭美媚
施工执行：王远民
装饰协力：邓家创、母森文、刘子川、黄永华、张灿、廖铸成
硬装施工：章延善、王德强
软装总监：王晨凌
软装协力：朱丽蓉、饶欢、陈娜娜
雨水系统：GEBERIT 吉博力
门窗系统：彭庆
摄影团队：IVY.蔓视觉影像

Project Information
Project owner: MWH Headquarters/Flagship Center
Base location: Shenzhen
Design Planning: March 2021
Completion time: February 2024
Space properties: product display, event speeches, business office, shared learning and living
Design Company:Clear Space Design & Research
Principal Designer: Ryan Kuo
Collaborative design: Wang Wenxin, Liu Hanquan, Hong Jiawei, Ye Yingru, Chen Yanyu, Cai Yayun, Lin Yuchen, Guo Yunhan, Chen Yanping, Guo Yuzhe, Fan Jiaqi, Guo Meimei
Construction Execution: Wang Yuanmin
Decoration collaboration: Deng Jiachuang, Mu Senwen, Liu Zichuan, Huang Yonghua, Zhang Can, Liao Zhucheng
Installation construction: Zhang Yanshan, Wang Deqiang
Decoration and display design Director: Wang Chenling
Soft outfit collaboration: Zhu Lirong, Rao Huan, Chen Nana
Rainwater system: GEBERIT
Door and window system: Peng Qing
Photography team: IVYPhotography & Production


来源：本文由青埕建筑整合设计提供稿件，所有著作权归属青埕建筑整合设计所有。