建筑师：Bergmeister Wolf Architekten建筑师事务所
地点：意大利，Pontives
建筑师负责人：Gerd Bergmeister, Michaela Wolf
合作者建筑师：Roland Decarli, Peter Reichhalter, Ana Soares, Marina Gousia
客户： Ulrich perathoner kg-sas
面积：2,708平方米
年份：2012
摄影：Gunter Richard Wett, Ulrich Egger
•        意大利，Puntives， Bergmeister Wolf Architekten建筑事务所，机构建筑类
Architects: Bergmeister Wolf Architekten
Location: Pontives, Italy
Architects In Charge: Gerd Bergmeister, Michaela Wolf
Collaborator Architects: Roland Decarli, Peter Reichhalter, Ana Soares, Marina Gousia
Client: Ulrich perathoner kg-sas
Area: 2,708 sqm
Year: 2012
Photographs: Gunter Richard Wett, Ulrich Egger
•        Institutional ArchitectureSelected Works Bergmeister Wolf Architekten Italy Puntives

该房地产的位置很特殊 - 迂回绕过Pontives - 在从克劳森（Klausen）和博尔扎诺（Bozen）通往Groden的街上- 是新的木雕建筑Perathoner的明显位置。新的建筑应该指出Groden的手工工艺和木质材料的悠久传统。木雕的企业特色应该在室内和室外均有所表达：该建筑内生产宝贵的艺术品。此建筑要吸引路人停下来并引起他们的兴趣。
The estate in exceptional location – roundabout Pontives – the street leads to Groden from Klausen and Bozen – is the obvious place for the new construction of the wood carving Perathoner. The new building should point out the long tradition of Groden’s craft industry and the material wood. The corporate identity of wood carving should be expressed by the outside as well as inside: in this building valuable art objects are produced. The building should tempt the passers-by to stop and arouse their interest.

我们的灵感尤其来自木雕刻师的工具以及他们对于技术能力的热情。因此，所产生的基本思路和蓝图吸收了木雕刻师的激情。从原始的木块入手，这个基本的想法得以进一步的发展。通过对木材的处理，切割面的出现成为核心问题。随着木材面的纹理，表达了建筑悦人的建筑感。该建筑给人的印象显而易见，包括：富有生气的建筑表面、运动感、不断有新的观点、木材颜色的变化。这是工匠在艺术创作过程中不断变化的一部分。建筑物表面看起来也像这样：运动、弯曲、折叠、变化。正是由于建筑的折叠、凹陷、切割口和开口，使得该建筑引起了人们的好奇心。这是在交通枢纽处只建一种单一的建筑，将四、五扇外墙改建为一体的中心方面。
We were especially inspired by the wood carver’s tools and enthused about their technical abilities. So the basic idea generated and the blueprint absorbed the wood carver’s passion. Starting from a raw wooden block this basic idea was further developed. The treating of wood, the emergence of cuts become the core topic. With the facets of the wood the desired movement in architecture is expressed. The building gets the impression of a living facade, the movement, the constantly new point of views, the change of colour of the wood become clearly visible. It is part of the ongoing changes during the artistic process of the craftsman. The facade also appears like that: a movement, a bend, a fold, a change. The building arouses curiosity because of the folds, dents, cuts and openings. It was a central aspect to create just one single facade at this traffic junction , to transform the 4 or 5 facades into one.

外墙由三角形的自支撑的折叠系统制成。在这个系统中开口的构建是为了提供足够的照明。然而，却构成了均匀的图像。建筑的这件衣服或者更好的表述为建筑外墙，应由。此类型盖圆顶板覆盖。这种顶板与表面粗糙、未完成的木块相配合。这些圆顶板的不规则和老化又加强了其作为一个未完成的雕塑的概念。
The facade consists of a self-supporting folding system made of triangles. Within this system openings are created to give sufficient illumination. Nevertheless, a homogenous picture is created. The dress or better the cladding of the building, the facade, should be covered with shingles. This type of cover associates with the rough, unfinished surface of a wooden block. The irregular ageing of the shingles moreover strengthens the idea of an unfinished sculpture.

该项目室内为工艺业，将成为工艺行业的一部分 - 它变成雕饰的木块。到了晚上，灯光从建筑的开口和窗帘的折痕中透漏出来，构成一幅独特的画面。灯光成为整体概念的一部分，整体的概念为：展现室内空间的宝贵。
The project becomes part of the craft industry, which is located inside – it turns into the worked wooden block. At night the light which shines through the openings and folds creates a unique picture. The light becomes part of the whole- of the concept: the display of the valueables inside.

Concept 概念图

Model 模型

Model 模型

Model 模型

                   特别鸣谢翻译一组10号 张晓丽 提供的翻译，译稿版权归译者所有，转载请注出明处。