© Yasunori Hidaka

来自建筑事务所的描述。位于福冈市博多区的“山王公寓”，最初建立在1967年，这座闪着黑色瓷砖光泽的现代建筑矗立于博多区的低层木屋住宅密集区域。 From the architect. “Sanno Manshion”, completed in 1967, the modern building wears the shiny black tiles was appeared in Hakata-ward, Fukuoka, the built-up area of low-rise wooden houses.

© Yasunori Hidaka

该所住宅因为拥有电梯以及电话等设备曾经成为了当时60 年代最为先进的住宅之一。 It was the cutting-edge rental apartment with the telephone switchboard room and the elevator which was rare at that time.

© Yasunori Hidaka

随着时间的流逝，”山王公寓“经过了40 年经济以及环境的变迁，随之被忽视，并逐渐陷入”入住率下跌——租金下调——收入减少“的恶性循环之中。过时的近代风格外观、污损的传统障子、推拉门，以及敷设榻榻米垫的楼层室内环境，使所有人都不再看好这栋建筑的使用价值。 The time had passed, Sanno apartment dilapidated beyond 40 years and it fell into a negative spiral of decreased occupancy rate, reduction of rent and declined revenue. Everyone had been feeling that it had no value with the aged modern style appearance and the dingy shoji, fusuma and tatami-mat flooring interior.

© Yasunori Hidaka

然而，陈旧的建筑与室内环境就真的失去价值了吗？       （在日本，人们普遍认为建筑的价值会随着时间的推移而逐渐消逝）       什么是“空间的个性”？       我认为这是建造者对建筑一种愿景，一种萦绕在建筑空间中，反映着时代印记，如同生命力般，类似于 “意志”的氛围。407号房间就是具有这样的“个性”的空间。 But, does the decrepit building and interior truly has no value? (* In Japan, it is common belief that the value of the building falls with the time) What is the “personality of space”? I may say that it is the intention of the creator, something like ”will” which is similar to the life force inhabited in the space where reflects the expression of the era. The room 407 in Sanno apartment had the personality as such.

© Yasunori Hidaka

什么是“时代感”？       时代感便是源于瞬息万变的公众文化的所谓“流行”，随时代发展而变化的趋势是其最大的特点。我们之所以能感到新旧文化更替便是取决于这一特点。“时代感=流行”，其本身就具有可以创造价值的能力。时代感可以通过让人感知不同维度的“凋敝零落”，从而打动人心。可以说，建筑改造本身就如同让人感知其他空间维度过去事物的“凋零”，是对“时代感觉的价值”的一种创作。 What is the “sense of the era”? It is “trend” created by fickle public culture which come and go over the time. One of the reason we feel newness and oldness is because of that. “Sense of the era = trend” itself has the power of creating value and it can move people’s hearts to the different dimention from dilapidation. I might be able to say that renovation is the creation of “ sense of the era-value” in another dimention from dilapidation.

平面图

© Yasunori Hidaka

这间房间“个性”确实存在，但“时代感觉的价值”已随时间消逝。因此这间房间的主题便是“时代苏生”，意思即继承其空间个性的同时，通过植入“如今时代”充满价值的“时代感”来复苏这间房间的生命力。       这就如同机械手术一般，通过用特殊功能装置取代功能紊乱部位，从而从死亡线边缘拯救生命，使其获得新生。 The concept of this room where the “Personality” is surely present but “ sense of the era-value” has lost over time, is “resuscitation of the era”, which means to resuscitate the life of the room by implanting the valuable “sense of the era” in the “present” while inheriting the personarity. It is like a cyborg surgery that resuscitate a life that drifting the brink of death by replacing the dysfunctional area to the special function device….

© Yasunori Hidaka

建筑时间已经超过四十年，在建筑价值与时间成反比的日本传统观念中，“山王公寓”作为建筑几乎已失去了价值。 Aged more than 40 years, “Sanno- manshion” has almost no value as it falls in inverse proportion to the time passes in Japanese common sense.

© Yasunori Hidaka

© Yasunori Hidaka

这里是一株流木。       你能从中看到任何价值吗？       然而，就是这样一株没有价值的流木，当我们在房间中安置上它时，整个房间环境发生了戏剧性的转变，成为由流木“野性自然设计”的存在感所主导的空间氛围。 Here is a driftwood. Would you see any value? However, when we installed it, the room was dramatically transfigured to the space dominated by the presence characteristic of “wild design” of this driftwood .

© Yasunori Hidaka

如同被认为没有任何价值的流木可以转变为有价值的物体，“山王公寓”或许也可以通过改造实现重生。 As the driftwood which has no value transformed into the valuable object, “Sanno-manshion” could also revive through the renovation.

© Yasunori Hidaka

© Yasunori Hidaka

图解

建筑设计事务所：Nano Architects 地理位置：日本，福冈县，福冈市，博多区 摄影：Yasunori Hidaka

Architects: Nano Architects Location: Hakata Ward, Fukuoka, Fukuoka, Japan Photographs: Yasunori Hidaka

出处：本文译自www.archdaily.com/，转载请注明出处。 编辑：祝屾，刘庆新