|
© Rômulo Fialdini
| 以下文字来自建筑师事务所陈述。开放于1949年的Rivieira酒吧，在六七十年代曾经是圣保罗的重要聚会场所，是巴西军政府时期的典型之作。曾经辉煌，现已没落并停止营业。Facundo Guerra在2013年时决定重开Rivieira酒吧，重拾酒吧昔日的辉煌，该建筑采用现代主义建筑元素，坐落于保利斯塔大道——城市主要街道的开端。
From the architect. Open in 1949, the Bar Rivieira, during the 60’s and 70’s had been an important meeting place for the intellectual left of São Paulo – a type of piéce de résistance during the Brazilian military regime. Living through the glorious epoch, already quite decadent, the establishment had closed its doors. A new undertaking by Facundo Guerra, in 2013, he had decided to reopen the Rivieira and the project, exactly where it had previously been located, recuperating the spirits of days gone by, with elements that recaptured the modernist architecture of that building in which it is installed, located at the beginning of Avenida Paulista, the main street of the city.
| |
© Rômulo Fialdini
分析图
| 酒吧的创始伙伴是Alex Atala，DOM的厨师，而DOM是当代世界美食界最负盛名的餐厅之一。每天指挥Rivieira的厨房的是Alex Atala的弟子Luciano Nardelli。餐馆的菜单提供传统的饮料，食品同样给圣保罗的夜生活带来经典菜肴，精妙地重新阐述了当代的创意。
The initiative is partnered with Alex Atala, chef of DOM, one of the most prestigious restaurants in the world of contemporary gastronomy. Commanding the kitchen of Rivieira, daily, is his disciple Luciano Nardelli. In the same way that the menu offers traditional drinks, the food as well brings the classic dishes of the São Paulo night-life delicately re-elaborated with a creative contemporary touch.
| |
© Rômulo Fialdini
© Rômulo Fialdini
| 外立面的玻璃砖的曲线延续到内部，形成一个弯曲的吧台——由可丽耐树脂制成 ——环绕了整个一层。在该吧台中心，由服务生和酒保提供服务；而在其周围，客人可以看到整个空间，看到吧台里的所有人。不仅吧台，位于这一层的休息室也都采用了有机的形态。
The curved lines of the glass bricks of the façade are transported to the inside. The result is a sinuous counter – done in Corian resin – registered throughout the ground floor. In the center, the waiters and barmen serve the public; and around them the clients can openly see the whole space, seeing all of the people in the enclosure. Besides the counter in an organic shape, the restrooms are located on this floor as well.
| |
© Rômulo Fialdini
© Rômulo Fialdini
© Rômulo Fialdini
© Rômulo Fialdini
| 雕塑般的楼梯——最初是从空间——把我们带到一楼，在餐厅和厨房的上面有一个大型的沙龙。室内由一个弯曲的木山墙将餐厅与厨房和备餐区分隔。在一楼，有夜间表演与现场音乐，如同置身爵士俱乐部。因此，该项目在空间中心位置设置了一个可拆卸的舞台、一个声光控制室，以及一个能营造良好音质效果的木质外壳。
A sculpture-like staircase – originally from the space – takes us to the first floor, where there is the large salon on the restaurant and the kitchen. The organization of the site is done by a curved wooden gable which separates the restaurant from all the technical and preparation areas. On the first floor, there are nightly shows with live music, as in a jazz club. Thus, the project incorporates a small infrastructure for a dismountable stage in the center of the space, as well as a light and sound control room, and a wooden shell for the acoustics.
| |
© Rômulo Fialdini
| 家具优先选择经典的现代风格，如在一楼的Bertoia酒吧凳子和丹麦7系列的椅子，都是Arne Jacobsen的设计。整个空间的布局可根据使用需求轻易调整。材料的选择上，如深色木质墙面，力求创造一个舒适的氛围。而考虑到空间的频密使用，麻粒岩地板（大理石，花岗岩，沙，水泥和水的混合物）和树脂和岩石都具有高抗性。
The choice of the furniture privileged pieces of classic modern design, such as the Bertoia bar stools on the ground floor and the Danish 7 Series chair, by Arne Jacobsen. The layout of the entire space can easily be rearranged according to use. The material chosen, such as the dark wood for the walls, sought to create a cozy atmosphere for the bar. The granulite floor (a mixture of marble, granite, sand, cement and water) and the resin and rock are resistant, taking into consideration the intense use of the spaces.
| |
© Rômulo Fialdini
平面图
平面图
| 从一层休闲的氛围向建筑内部延伸，透过二层的大玻璃窗可以看到挑高的隧道和大道，形成了与周围都市氛围的联系。所有建筑设计都是以一个简单且直白的方式完成，以免奢华之感使其失去地域性的特点。
While the ground floor looks to the inside, with its more informal ambient, the first floor has large glass Windows from where it is possible to see the high tunnels and avenues, creating a relationship with the surrounding urbanity. All of the architectural intervention was done in a simple and bare manner so as not to lose the characteristics of the place avoiding a luxurious connotation.
| |
© Rômulo Fialdini
© Rômulo Fialdini
© Rômulo Fialdini
© Rômulo Fialdini
© Rômulo Fialdini
© Rômulo Fialdini
© Rômulo Fialdini
© Rômulo Fialdini
© Rômulo Fialdini
© Rômulo Fialdini
© Rômulo Fialdini
© Rômulo Fialdini
© Rômulo Fialdini
© Rômulo Fialdini
© Rômulo Fialdini
© Rômulo Fialdini
© Rômulo Fialdini
© Rômulo Fialdini
© Rômulo Fialdini
© Rômulo Fialdini
© Rômulo Fialdini
© Rômulo Fialdini
图解
| | 建筑设计： MK27工作室
位置： 巴西圣保罗州
项目负责人：马尔西奥高根
合作建筑师： Beatriz Meyer . Eduardo Chalabi . Diana Radomysler
项目团队： Eduardo Gurian
面积：470.0平方米
时间：2013年
摄影：Rômulo Fialdini
工作室团队：Carlos Costa, Carolina Castroviejo, Eduardo Glycerio, Elisa Friedmann, Gabriel Kogan, Lair Reis, Luciana Antunes, Marcio Tanaka, Maria Cristina Motta, Mariana Ruzante, Mariana Simas, Oswaldo Pessano, Renata Furlanetto, Samanta Cafardo, Suzana Glogowski
效果图：Miguel Muralha
| Architects: Studio MK27
Location: São Paulo – State of São Paulo, Brazil
Architect In Charge: Marcio Kogan
Co Architects : Beatriz Meyer . Eduardo Chalabi . Diana Radomysler
Project Team : Eduardo Gurian
Area: 470.0 sqm
Year: 2013
Photographs: Rômulo Fialdini
Studio Team : Carlos Costa, Carolina Castroviejo, Eduardo Glycerio, Elisa Friedmann, Gabriel Kogan, Lair Reis, Luciana Antunes, Marcio Tanaka, Maria Cristina Motta, Mariana Ruzante, Mariana Simas, Oswaldo Pessano, Renata Furlanetto, Samanta Cafardo, Suzana Glogowski
Render : Miguel Muralha
| |
| 出处：本文译自www.archdaily.com/，转载请注明出处。
编辑：罗晓茜，vigo
| |
|
|
