由专筑网邱媚，刘庆新编译

来自事务所的描述。Bates Smart邀请PointOfView参与到他们新的悉尼工作室进行照明设计。建筑师和室内设计师是此次照明设计最大的拥护者。他们对灯光怎样能提升所创建的空间有一个十分清醒的认识。他们同样赞成弱光线理论。

From the architect. Bates Smart engage PointOfView to light their new Sydney Studio. Architects and interior designers are amongst the biggest supporters of lighting design. They have a clear understanding of how lighting can enhance a space they have created. They also appreciate the consequences of poor lighting.

© Brent Winstone

屡获殊荣的照明咨询公司PointOfView，被邀请为建筑事务所Bates Smart在悉尼新工作室提供建议。该工作室于二十世纪四十年代建立，装饰采用的是装饰派艺术风格。曾是二十世纪福克斯电影公司的前任办事处。

这里是宏伟壮丽的缩影。

And so it was when award winning lighting consultancy PointOfView was briefed by architects Bates Smart to light their new Sydney Studio located in a 1940′s built, art deco designed, former offices of the 20th Century Fox Film Corporation.
It was a brief of epic proportions.

© Brent Winstone

该设计的想法就是创造一个干净、永久和严谨的项目，同时亦能成为一个舒适，利于商务办公的环境。当然这要在预算和时间允许的范围内。

该项目前身位于悉尼市萨里山区的联邦街 80 号，在最辉煌的时期，这里有络绎不绝的电影活动，并成为完美的艺术典范。时过境迁，像曾给20 世纪福克斯公司招揽名声的旗下银屏偶像们一样，有它的保质期，在困难时期逐渐衰落。虽然外表保留了巨星的风采，内部却完全过时了。

The idea was to enhance the clean, timeless and restrained architecture while simultaneously creating a comfortable and stimulating environment in which to conduct business. Oh yes, and adhering to a project budget and agreed time line.
The original building located at 80 Commonwealth Street, Surry Hills, Sydney, was, in its glory days, a hub of glamorous film activity and a spectacular example of the art deco kind. Unfortunately, like so many of the screen idols that had helped make 20th Century Fox famous, the building itself, had in more recent times, fallen on hard times. While the exterior retained a stellar image, the interior was cramped an economically unviable.

© Brent Winstone

过去几年人们做出各种努力试图将其复兴。然而，直到Fox Johnston开始参与，才在九年内恢复了它旧日的一些辉煌。振奋人心的新商机和创造性潜力被Barton和 McCarthur随后点燃。通过同Don Cameron and Fearns 工作室的合作，将室内迷宫般的电影棚、办公室、放映厅、存储橱柜变成如今的公共空间。

PointOfView公司最近将与Don Cameron一起进行一项创新性工作，他们将联手打造在堪培拉的假日酒店。

联邦大街80号很快会配套入一家日本的自行车店、 酒吧、 繁华的食品商场、一个花艺设计店和一个黄金时代电影院。这种改变也会涉及到Bates Smart建筑事务所和PointOfView。

Over the years various attempts were made to rejuvenate its fortunes. However little progress was made until architects Fox Johnston began to restore some of its former glory during a nine-year involvement. Exciting new commercial and creative potential was subsequently brought to life by Barton and McCarthur, in conjunction with Don Cameron and Fearns Studio when the interior labyrinth of film vaults, offices, screening rooms and storage cupboards was transformed into the open and inviting space it is today.
PointOfView would later collaborate with Don Cameron on their groundbreaking work for hotelhotel in Canberra.
80 Commonwealth Street soon became the must have address for a Japanese Bicycle Shop, an intimate bar, a bustling food emporium, a floral designer and a Golden Age Cinema. Enter Bates Smart Architects and PointOfView.

© Brent Winstone

在PointOfView设计师们心目中的理想是营造一个舒适怡然的环境。他们主要围绕办公室展开，降低办公空间的间接灯光使用。而感知亮度通过点亮天花板和墙壁表现出来。悬浮的黑色的线性荧光投射设备营造出了在开放空间的节奏感，弥补了粉刷白墙的弱化作用。

在办公区区域的弱光源，为了让员工将注意力集中在室内设计上，照明由其它轨道上的光线强化。高光还凸显了工作室的项目特点，建立了更开放的活动区，如接待区及休息区。

With the ultimate goal of a comfortable and stimulating environment foremost in their minds the designers at PointOfView set to work. As the majority of their client’s tasks were screen based, lower than recommended indirect light was used in the work spaces, however a perception of brightness was achieved by lighting the ceilings and walls. Suspended, black linear fluorescent uplighting profiles provided a sense of rhythm throughout the open spaces and offset the white painted exposed beams and services.
The reduced light levels in the workspace areas focused staff’s attention on the collaborative nature of the interior design that was then accented by another layer of lighting on tracks. The highlight also pinpoints the architectural features of the studio and establishes more inviting activity zones such as reception and break out workspaces.

© Brent Winstone

装饰照明的分层设计被应用于几个区，创造一种视觉停留的感觉。在一楼的大会议室，当投影灯照在地板上制造出邀请效果的时候，天花板上完美的环形灯饰提供着一般照明。其他会议室是相对于线性的配件，更注重空间和炫酷的灯饰。

最后，和许多PointOfView的项目一样，这里有特色的定制元素。例如，楼梯高度抛光和镀铬椭圆形天花板，突出了原始功能的扶手，强调天花板并通过高度和体积感创建一个开放的空间，同时映射出楼梯间的活动。这些自定义的元素，在这种情况下旨在反映项目的艺术性遗产，是让 POV 项目发光的原因所在。20 世纪福克斯电影公司都会因此感到骄傲。Bates Smart也很满意 ！

PointOfView在悉尼和墨尔本设有工作室，并且因卓越的照明解决方案屡获国际奖项。

A layer of decorative lighting was applied to several areas to create a visual anchorage. The main meeting rooms on the ground floor have a trimless, recessed ring to provide general lighting while spotlighting through the feature screen projects shards onto the reception floor with an inviting affect. Other meeting zones are indentified by large, glowing discs that contrast with the linear fittings over the work spaces.
Finally, as with many PointOfView projects, there was a significant element of customization. The staircase for example, was fitted with a highly polished, chrome oval ceiling feature that highlights the materiality of the original handrail, uplights the ceiling and creates an open space with a sense of height and volume whilst reflecting the movement and activity in the stairwell. These custom elements, in this case designed to reflect the building art deco heritage, are what help make POV projects original gems. The 20th Century Fox Film Corporation would be proud. Bates Smart was very happy too!
PointOfView has offices in Sydney and Melbourne and is the recipient of many international awards for extraordinary lighting solutions.

© Brent Winstone

© Brent Winstone

© Brent Winstone

建筑设计事务所：Bates Smart
项目地点：澳大利亚
施工年份：2014年
摄影： Brent Winstone

Architects: Bates Smart
Location: 43 Brisbane Street, Surry Hills NSW 2010, Australia
Year: 2014
Photographs: Brent Winstone


出处：本文译自www.archdaily.com/，转载请注明出处。