Yusuke Seki combines "danger and precision" for Japanese knife shop interior

由专筑网Yumi，刘庆新编译

在这家日本品牌Tadafusa店里，手工刀都展示在一个定制的木制货架系统上，设计来源于东京的设计师 Yusuke Seki。

Handmade knifes are displayed on a custom-built wooden shelving system inside this shop for Japanese brand Tadafusa, designed by Tokyo designer Yusuke Seki.

Tadafusa的这家店——手工锻造刀的知名厂商——位于Sanjo，这是一个在日本Niigata 辖区的城市，是锻造刀的起源地。

The shop for Tadafusa – a renowned manufacturer of hand-forged knives – is located in Sanjo, a city in Japan's Niigata Prefecture with blacksmithing origins.

该店邻近公司的工厂Seki选择利用现有建筑外墙的一部分作为室内墙壁。

As the store is situated adjacent the company's factory, Seki chose to use a portion of the existing building's exterior as an interior wall.

这些刀是商店内部主要的参考点，但Seki 也被其他的销售产品影响。

The knives were a major reference point for the store's interior, but Seki was also influenced by other products on sale.

陈列架和中央的桌子采用碳化的云杉，相同的材料也用于砧板以及刀柄。

“切割板店铺的概念同样是线性编织，深入到这家店铺的概念里，”他说。“而Tsubame-Sanjo 地区是出了名的一个铁匠镇，刀不能只由纯粹的刀片组成。”

Displays and a central table were constructed from carbonised spruce, the same material used to create cutting boards, as well as knife handles.
"The notion of a cutting board shop is also a thread woven deeply into the store concept," he said. "While the Tsubame-Sanjo area is famous for being a blacksmithing town, knives do not consist solely of blades."

从工厂里走下来两段混凝土楼梯就可以进入这个店里。刀具被展示在楼梯底部的一个网格构架里，在一个有联锁架子的花格木背板上。

The store is accessed via the factory down two flights of concrete stairs. Knives are displayed at the bottom of the stairs in a grid-like formation, upon a latticed wooden backdrop with interlocking shelves.

为了重新设想典型的锁刀盒，设计师把产品隐藏在一套玻璃门背后，打算让访问者亲自打开，感受一下锁刀盒的工艺。

Aiming to re-envision the typical locked knife case, the designer concealed the products behind a set of glass doors that are intended to be opened by visitors.

“安全区域经常用锁着的玻璃柜来代表，现在被更正成为一个神圣的区域，”Seki说。

“当他们进入这个区域时，一个更高的门槛提醒访问者保持一种提高意识的状态，就像在神社和寺庙中的一样。”

"The security zone most often represented by the locked glass case has been rebranded as a zone of reverence," said Seki.
"A raised threshold forces visitors into a heightened state of awareness as they enter the area, mimicking those found in shrines and temples."

“Tadafusa的店铺用自然元素把危险与精细的概念无缝绑定在一起，提高了刀具的日常使用，为工业的复苏做了一个优雅的展示。”他补充说。

"Tadafusa's shop seamlessly blends notions of danger and precision together with natural elements, elevating the knife of daily use into an elegant showcase for the industry's resurgence," he added.

Seki已经设计了大量的店铺和展示空间，它们提高了日本的传统手工艺，包括在Kyotoand 的和服店，它是一个东京纺织品牌，有一个使用大麻织物的装置。

Seki最近的一个项目中，使用25000片陶瓷去提高Hasami一个陶瓷店的地板品质，那是一个在日本长崎的小镇，生产陶器大约有400年。

摄影：Takumi Ota

Seki has designed a number of shop and exhibition spaces that promote traditional Japanese crafts, including a kimono shop in Kyotoand an installation using hemp fabrics for a Tokyo textile brand.
Most recently project, he used 25,000 pieces of crockery to raise the floor of a ceramics shop in Hasami, a town in Japan's Nagasaki prefecture that has produced pottery for around 400 years.
Photography is by Takumi Ota.

出处：本文译自www.dezeen.com/，转载请注明出处。