东京流行实验室竞赛获奖设计-科研建筑|实验室-专筑网

东京流行实验室竞赛获奖设计

2016-11-25 17566 Views iarch001

建筑, 科研建筑, 实验室, 日本, 东京, 2016, 设计竞赛, 流行文化

Tokyo Pop Lab Competition Winners Announced

由专筑网杨帆，刘庆新编译

Bee Breeders组织的东京流行实验室竞赛的获奖作品的详细信息已经公布。该竞赛致力于寻求东京流行文化传媒研究与发展的新方案。从大范围的国际流行文化史入手，参赛者被鼓励探索在世界各地的流行文化的迁移和演变过程，并探讨文化和建筑之间的关系。

面对定义流行文化类型的挑战，参赛方案表达了广泛的意识形态。入选的获奖作品展现了对流行文化细致入微的描述和明确的表达，以及新实验室项目一系列的日常工作事项。

以下是东京流行文化实验室竞赛的获奖作品。

Detailed descriptions of the winning Bee Breeders' Tokyo Pop Lab proposals have been released. The competition brief called for a new program for studying and producing pop culture media in Tokyo. Drawing from a wide range of international pop culture history, entrants were encouraged to investigate the migration and evolution of pop culture across the world over time, and examine the relationship of culture and architecture.
In challenging established typologies of pop culture, proposals exhibited a wide range of ideologies. Successful submissions were chosen for their nuanced depictions of pop culture, clear representation, and coherent agendas for the new laboratory's program.
Take a look at the winners of the Tokyo Pop Lab competition after the break.

一等奖：Attilio de Palma、Andrea Longo、Enrico Nicli /意大利

By Attilio de Palma, Andrea Longo & Enrico Nicli. Image Courtesy of Bee Breeders

首先，方案的成功在于其清晰的体量结合了强烈的建筑形式和有力的设计概念。该方案由两个放置在场地对角角落的大立方体组成，并以架空桥连通。一个立方体包含了大众传媒研究项目，另一个则包含了一个未定义的寓示和实验的空间，由一个膨胀的红色气球代表着等待流行。这个立方体是由二维图像以树立在建筑容器面纱后面通高的挂毯形式形成的。在布局上，一道混凝土墙将人行道从公共庭院、画廊和其他公共项目分隔开。从街道上看，这堵墙只允许人们能看到立方体，从而生成一种独立的内部世界的感觉。

First Prize: Attilio de Palma, Andrea Longo & Enrico Nicli / Italy
The success of the first place proposal lies in its clarity of massing combined with a strong formal and conceptual position in response to the brief. The project consists of two large cubes placed in opposing corners of the site, lifted above the ground plane, and rejoined with an elevated walkway. One cube contains the mass media research component of the program and the other holds an undefined space of “manifesto” and experimentation, represented by an inflated red balloon waiting to pop. This cube is adorned with two-dimensional imagery in the form of full-height fabric tapestries, obscuring the container behind an ephemeral veil of fluctuating media. At grade, a concrete wall separates the sidewalk from a public courtyard/gallery and other public program. From the street this wall only allows views of the binary cubes, generating the sense of a separate and inner world.

By Attilio de Palma, Andrea Longo & Enrico Nicli. Image Courtesy of Bee Breeders

重要的是，该方案没有将流行文化限制在一个特定的时间或某个特定的时刻，而是旨在创建一个通用的空间和空的建筑，可以不断地扩充对于大众传媒与流行文化的探索和发现。精简而明确得采用钢和混凝土材料施工可以巧妙中和现代和传统的流行文化，巧妙地避免预期的突兀效果。通过它的体量和构造组件，方案表达了一种作用，一种力量和图像消耗的短暂性，关键是对于流行文化的一种“宣言”和对永无止境的生产和消费周期的批判。

Importantly, the project does not restrict pop culture to a particular form or a particular moment in time, but rather seeks to create a generic space and empty architecture, perpetually inflating with the exploration and representation of mass media and pop culture. The stripped-down but well-articulated construction of steel and concrete allows the project to successfully navigate the minefield of contemporary and traditional pop iconicity, deftly avoiding expected representational tools. Through its massing and tectonic assembly, the proposal takes a stance on the role, power, and ephemeral nature of the consumed image, keying in on the “manifesto” as the cultural appropriation and critique of the never-ending cycle of production and consumption.

By Attilio de Palma, Andrea Longo & Enrico Nicli. Image Courtesy of Bee Breeders

By Attilio de Palma, Andrea Longo & Enrico Nicli. Image Courtesy of Bee Breeders

二等奖：Stella Cinzia、 Leonardo Ramondetti、Marco Lagamba、Francesco Montesoro /意大利

By Stella Cinzia, Leonardo Ramondetti, Marco Lagamba & Francesco Montesoro. Image Courtesy of Bee Breeders

该方案的入口空间通过公共项目和社会活动的定义和组织而有所区分。利用图解法，该项目可被描述为一座市民馆，内部空间被架空的体量所打断，从而产生局部的活动。这些架空的体量将建筑无缝地联结到城市生活中，好比产生密切联系的柱廊或广场。通过这个开放的、详尽的方案，该项目计划建立一个城市大众文化的公共论坛。

该项目将包含独特的传统展览空间模式，通过赋予分化体量以主要功能的公共空间，从而实现整体的流通环境。每一个分化体量将都包含教室和演讲厅的学术功能空间，而不仅仅是含有一个单一的或有限的表达。项目通过公共空间周到规划的各种形式的表达来展示、庆祝、讨论和辩论流行文化的运行盛衰。

Second Prize: Stella Cinzia, Leonardo Ramondetti, Marco Lagamba & Francesco Montesoro / Italy
The second place entry is distinguished through its definition and organization of public program and social activity. Diagrammatically, the project can be described as a civic pavilion, interrupted variously by hoisted volumes of discrete, localized activity. Below and in-between these floating volumes, urban life extends seamlessly into the building, perhaps resembling most closely the precedent of a colonnade or piazza. Through an open, and carefully considered plan, the scheme establishes an urban, public forum for popular culture.
The project uniquely inverts the traditional model of a contained exhibition space by distributing media throughout the primary public space — the circulation surrounding the differentiated volumes. Within each of the distributed volumes, academic functions including classrooms and a lecture hall, are contained. Rather than assume a singular or limited expression, the proposal establishes a forum to exhibit, celebrate, discuss, and debate, the ebb and flow of popular culture in its various forms of expression through thoughtful programming of public space.

By Stella Cinzia, Leonardo Ramondetti, Marco Lagamba & Francesco Montesoro. Image Courtesy of Bee Breeders

By Stella Cinzia, Leonardo Ramondetti, Marco Lagamba & Francesco Montesoro. Image Courtesy of Bee Breeders

By Stella Cinzia, Leonardo Ramondetti, Marco Lagamba & Francesco Montesoro. Image Courtesy of Bee Breeders

By Stella Cinzia, Leonardo Ramondetti, Marco Lagamba & Francesco Montesoro. Image Courtesy of Bee Breeders

三等奖：Alina Kvirkveliya 、Sacha Gengler /瑞士

By Alina Kvirkveliya & Sacha Gengler. Image Courtesy of Bee Breeders

获得三等奖的方案展示了清晰的构思和设计目标。该项目围绕三个概念和主要元素展开，包括一个扭曲的立方体，一个凡尔赛宫附近花坛的复制品和一个嵌套的、极大的白色体量。项目通过这些摇摆不定的元素，展现了离散而有力的感觉，描述通过建筑反思大众文化的地位和作用的社会现象。

项目的外观和表意形式是特立独行而又明确的。由玻璃膜装饰的一个适度膨胀的立方体产生了对周围城市环境和当地流行文化的一种别样的反映和解读，占用场地另一半的复制的凡尔赛宫花坛也黯然失色。通过并置，立方体和巴洛克式的风格引发关于流行和精英文化之间的对比，前者是当下现象学的一个反映，后者则是对历史礼法的一种参考。室内作为一个展览空间，被物化为一个无限的白色虚空体量，并描述为个人的画布，展现对文化的表达。总的来说，这三个元素的描述充分阐述了流行文化的活力，社会反映的作用，历史遗产和个人的表达。

Third Prize: Alina Kvirkveliya & Sacha Gengler / Switzerland
The chosen third place winner is notable for its clarity in thought and purpose. The project is organized around three conceptual and programmatic elements, including a distorted cube, an adjacent parterre replica from the Palace of Versailles, and a nested, infinite white void. Discrete yet cogent, the project oscillates between these elements, describing through architecture a critical, reflexive position of popular culture as a social phenomenon.
The project’s enclosure and signifying form is singular and definitive. A moderately inflated cube adorned by a glazed membrane produces a distorted reflection and interpretation of the building’s surroundings — of both the city, and local popular culture as it were. Occupying the other half of the site, the replicated Jardin de Versailles is overshadowed. Through juxtaposition, the inflated cube and Baroque replica provoke a striking statement concerning the contrast between popular and elitist culture — the former a phenomenological reflection of the immediate present, the latter a reference to historic propriety. The interior is anchored by an exhibition room, materialized as an infinite white void and described as a canvas for individual, cultural expression. Collectively, these three elements describe and thereby accommodate the dynamism of popular culture, a byproduct of social reflection, historic legacy, and individual expression.

By Alina Kvirkveliya & Sacha Gengler. Image Courtesy of Bee Breeders

By Alina Kvirkveliya & Sacha Gengler. Image Courtesy of Bee Breeders

By Alina Kvirkveliya & Sacha Gengler. Image Courtesy of Bee Breeders

信息来源：Bee Breeders

News via: Bee Breeders