艺术家Jorge Pardo在维多利亚米罗（Victoria Miro）展示了像雕塑一样的吊灯
Victoria Miro exhibits sculptural chandeliers by artist Jorge Pardo

由专筑网郭子桐，李韧编译

在伦敦的维多利亚米罗画廊（Victoria Miro gallery），古巴裔美国艺术家Jorge Pardo举办了吊灯展览会，在这次展览会上，所有的吊灯通过激光切割塑料而成，这些作品看起来层次分明。

Pardo有着丰富的绘画、雕塑和产品设计的经验，这位艺术家的展示核心在于“对物体、图像、建筑空间的新认识”。

Layers and layers of laser-cut plastic were used to create the chandeliers in this exhibition by Cuban-American artist Jorge Pardo, taking place at London's Victoria Miro gallery.
Characterised by his diverse background in painting, sculpture and product design, Pardo's exhibition focuses on the "revaluation of objects, images and architectural space".

这次展览既展示了墨西哥艺术家的吊灯装置，也展示了他的壁挂式吊灯和三维吊灯，这些吊灯外形层次分明，并且重量很轻。

策划人说：“设计师通过鲜亮的颜色、不拘一格的模式、自然和工业材料相搭配而著名，Pardo将关注的重点放在了历史、艺术、建筑之中，来完成一件非常具有个性化的作品。”

The exhibition presents both the Mexico-based artist's chandelier installations and his wall-mounted, three-dimensional works, which he creates through the use layering and light manipulation.
"Celebrated for his use of vibrant colours, eclectic patterns and natural and industrial materials, Pardo draws on the historical intersections of fine art, architecture and design to create a highly individual body of work," said the curators.

该系列装置的尺寸都较大，并且呈现为矩形或三角形，高度从1米到1.7米不等。每一个灯具都是由激光切割的条形塑料树脂制成。

策划人说：“灯具本身有雕塑般的外形，有时候还会让你回忆起如动物和植物般的自然景观，它们根据不同的控制和指示发出形状不一的光。”

The installation features a series of large-scale lamps with rectangular or triangular motifs, ranging from one to 1.7 meters tall. Each is made from angular strips of laser-cut plastic resin arranged in fringed formations.
"While the lamps themselves possess sculptural form as objects, sometimes recalling natural phenomena such as animal and plant life, the light they emit, variously controlled and directed, is less tangible," said the curators.

他们继续说：“这是一场灯光游戏，人们能够在不同的建筑氛围中体验到不同的照明感受，每种照明方式都有独特的色彩与发散方向。”

此外，一系列二至五米高的壁挂式灯具放置于展场的地面上。每一个灯具的切面、穿孔和角度都各具特色，灯光忽明忽暗，让人感觉像是出现了幻觉。

"This is experienced in the spaces between each work surrounding architecture – an irregular play of light, variously controlled and directed, is less tangible," they explained.
In addition, a series of two to five-metre-tall wall-mounted works occupy the ground floor of the exhibition. Each features faceted layers with perforated and milled angles that appear to shift and dissolve like an optical illusion.

墙上挂着的作品被红色、橙色、黄色和蓝色的色彩点缀着，并有类似弹坑似的圆形图案。其下部的设计效果是一层层的波纹，看起来如同水波荡漾。

他们说：“在有机材料和人造材料之间、实用性和理论性之间找到平衡点，Pardo通过这种方式告诉人们设计不必局限于形式，而是形式应当服务于天马行空的想法。”

The wall-mounted works are coloured in hues of red, orange, yellow and blue, and feature circular motifs that resemble craters. Underneath, the layers have a rippled effect designed to suggest the flow of water.
"Poised between the organic and the manmade, the practical and the poetic, Pardo's art playfully insists that form needn't necessarily follow function instead suggesting multiple and mutating definitions and applications that toy with our expectations," they said.

Jorge Pardo的作品在伦敦伊斯灵顿市的维多利亚米罗展览厅展示，展示时间为2018年2月2日到2018年3月24日。

在这座展览馆中还曾经展出过Alex Hartley的作品，他在花园里设计了摇摇欲坠的现代主义废墟，另外还展出过Do Ho Suh的作品，这位艺术家通过色彩斑斓的装置来展示其移民经历。

Jorge Pardo's works are on show at the Victoria Miro gallery in London's Islington, between 2 February and 24 March 2018
Artists previously exhibited at the gallery have included Alex Hartley's, who installed crumbling modernist ruin in the gallery's gardens, and Do Ho Suh, who created a series of colourful structures to represent his experience of migration.


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